I once had a close friend who was the most incredible painter, yet never sold a single piece of art. I (and everyone who saw her work) was certain she was destined for artistic greatness and critical acclaim, if only she could get people to see her work. She thought it unfair and ridiculous to allow a gallery to take a commission on her sales when she did all of the work. As her collection grew, her apartment shrank, and I decided to play hero – or at least middle man. That was free of charge.
Unfortunately, my efforts met with failure after failure; despite interested buyers, the deal always fell through. Mostly she claimed the piece was in need of some minor finishing then failed to follow up, refused to return calls. How could someone struggling with bills be so unmotivated that they couldn’t even schedule a time to collect some cash? Finally I realized (and after a couple of cocktails she admitted) that she had no intention of selling those paintings- they simply meant to much to her.
You’d be hard-pressed to find an artist who hasn’t experienced this sort of attachment to their art. Investing so much of your time and energy into a piece shapes the way you view and how much you appreciate it. When I begin a project that I know is destined for someone-somewhere else, I take a moment to focus on that fact; I take a moment to hope it will bring happiness to the wearer. Then, I let it go.
It’s hard to see a piece of our clothing in-person and not touch it – strangers have been known to sacrifice their understanding of personal boundaries on more than one occasion. The beauty of hand-stitching is almost shocking in its simplicity, and even the most perfect looking stitches are not- that’s the point. It is impossible to conceal the artistry and expression in a garment that has been made by human hands. Diane, our head seamstress (who you will meet later), can tell you which one of our stitchers is responsible for a garment with a quick glance… we wonder if she can tell their mood as well.
Alabama Fur (in the picture above) is one of the most time-intensive treatments in the collection; it can take several weeks to complete an all-over application. Every time I run my hands across a sample of it I can’t help but think of how much time it spent with the artist who made it. Was it put aside at the same time every day in the name of homework assistance? Did it suffer through the new season of True Blood, or help with any important decisions?
The Alabama Chanin collection (in the best case scenario) is made from cotton that is grown in Texas, spun in North Carolina, knit in South Carolina, dyed in Tennessee and North Carolina, and sewn by our incredible Artists here in Alabama. I’d like to introduce you to the people that take part in the making of your Alabama Chanin pieces, those that cut your fabric, pack the boxes that are mailed to you, and those that hand-stitch our collection on their own terms and time. Each garment is hand-numbered and signed by the artisan who assembled it. Who made your favorite piece? Check the tag, and if you’re inclined, say hello when he or she is featured. We love learning more about our friends, fans, and clients. We hope you enjoy getting to know us a little better during the upcoming months.