“I fell in love with black; it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all… You can be quiet, and it contains the whole thing.” – Louise Nevelson
American sculptor Louise Nevelson became known for her large, three-dimensional wooden structures, almost all painted in monochromatic white or black. In her most iconic works, she utilized found objects and scraps gathered from debris piles, and so referred to herself as “the original recycler”. Nevelson originally limited herself to black and white to “discipline” herself—but the colors eventually became part of her signature style.
During the mid-Fifties, she produced her first series of all-black wood landscape structures, describing herself as the Architect of Shadow. “Shadow and everything else on Earth actually is moving. Movement—that’s in color, that’s in form, that’s in almost everything. Shadow is fleeting… I arrest it and I give it a solid substance.” For much of her life, critics and admirers were almost fixated on her use of black, but Nevelson never shied from discussing its importance. “You see, [black] says more for me than anything else. In the academic world, they say black and white were no colors, but I’m twisting that to tell you that, for me, it is the total color. It means totality. It means: contains all.”