Makeshift is a series of events, talks, workshops, and gatherings that invite a dynamic group of participants to explore the ways in which the fashion, art, and design worlds are inextricably linked to the world of craft and DIY, and how each of these worlds elevates the others.
In its fourth year, Makeshift conversations create an intersection where we can explore, discuss, and celebrate the role of local production, handmade, and craft/DIY in fashion and design as a way to empower individuals, businesses, and communities.
We continue to expand the ideas that were born from our first Makeshift event in 2012 to create a global conversation among artists, designers, and makers. Each year, panelists and participants share their stories and experiences involving collaborative projects and making within their industries. And in 2013, we introduced a method to facilitate the conversation: guests were invited to express their thoughts, literally or conceptually, using an organic cotton tote bag from Alabama Chanin as a blank canvas. A variety of materials were also provided to design, decorate, and customize each bag.
Join us tonight at the Boiler Room as we celebrate the opening of Alabama on Alabama with Heath Ceramics, showcasing the works of Natalie Chanin, Butch Anthony, John Henry Toney, and Rinne Allen. Come out for an exclusive first look at the Alabama Chanin Collection, hand-dyed Indigo garments, one-of-a-kind quilts, and special home pieces. We’ll round out the evening with music, refreshments, and libations. See you there.
Alabama on Alabama Opening Party
Friday, July 24, 2015
6:00pm – 8:00pm
Purchase tickets in advance here.
Boiler Room @ Heath Ceramics
2900 18th Street
San Francisco, CA 94110
For more information, contact sales (at) alabamachanin.com, or visit boilerroomsf.com
*Images from Heath Ceramics and spottedsf.com
The Alabama Chanin, Heath Ceramics, and Boiler Room teams have been working together over the past few months in preparation for our show in San Francisco, which opens tomorrow evening. Needless to say, we are very excited. The show, Alabama on Alabama, is the fourth ever exhibition in Heath Ceramics’ new event space, the Boiler Room. Heath Ceramics opened the Boiler Room last year as a place of discovery, inspiration, and exploration—bringing together the unexpected, hard-to-define worlds of art, design, and craft. Those realms are explored through collections, shows, events, and pop-ups. We have to admit that ours fits the bill perfectly and are honored to be included.
Alabama on Alabama is a month-long journey into the soul of the modern South. Natalie’s work spearheads the exhibit, which also includes works by Butch Anthony, known for his ‘intertwangled” paintings and creations using found objects, and materials and works on paper by artist (and longtime Butch Anthony collaborator) Mr. John Henry Toney. Alabama on Alabama also showcases the work of our dear friend and photographer, Rinne Allen.
A few notes from the road:
We packed way too much. One suitcase and a favorite pillow would have done.
We haven’t taken nearly enough pictures to describe the magnificent journey this has been.
Snacks are good.
Rain from a train is very beautiful.
Tunnels can be a little dark and scary.
Origami makes people happy.
The absence of cell phone service and Wi-Fi can be a blessing.
There is a beautiful juxtaposition of rugged industrial and breathtaking scenery to be found along railroad tracks (and sometimes side-by-side).
Great satisfaction can be found in just sitting still.
xoNatalie and Maggie
Our first collaboration with Heath Ceramics, launched in 2011, has built a lasting, creatively symbiotic relationship. That joint development was a beautifully intensive design process that blended our techniques with theirs. Our Heath + Alabama Chanin line of dinnerware is made by hand, just like our Alabama Chanin handmade Collection. The artisans at Heath etch the designs into clay in much the same way that we embroider our garments. And just as our stitchers initial the garments they create, the Heath artists leave their marks on each of the finished products.
Over the last year, as we began experimenting with our indigo dye house, we became excited about the possibilities of this natural color and the richness and variations it creates. This excitement carried over into our ongoing conversations with Heath about expanding our collaboration. The new pieces build upon our previous work together and today we launch two new themes in our Alabama Chanin + Heath Ceramics collaboration: Indigo and Bird’s Nest.
Two years ago, Cathy Bailey and her son Jasper came to visit Maggie and me in The Shoals via train. It was Jasper’s spring break and they boarded the California Zephyr to Birmingham by way of Washington D.C., and traversed the entire country to spend time in North Alabama. Needless to say, Jasper and Maggie became fast friends, our collaboration with Heath Ceramics continued to grow, Cathy and I became even better friends, and the next year, they came again. In a few short days, Maggie and I will be taking the California Zephyr to San Francisco. We’ve come to call it “Jasper’s Trip,” since Jasper has given me (and Maggie) a renewed love for trains.
Over the last five years, our work with Cathy Bailey and Robin Petravic has been some of the most productive, exciting, and meaningful work that we’ve had the opportunity to do. Robin and Cathy are husband and wife, parents to Jasper, writers of the new book, Tile Makes the Room, and the owners and operators of Heath Ceramics. Cathy was an early member of our Makeshift initiative and has participated in almost every major Makeshift event since its inception. Our ongoing collaboration with Heath is one of our proudest (and longest lasting) joint design ventures. And throughout the process, Cathy has become a trusted friend.
Prior to her work at Heath, Cathy founded One & Co., a design consultancy with clients like Microsoft, Palm, and Apple. (Prior to THAT, she worked as a footwear designer at Nike in Portland.) In 2004, she and Robin purchased and rehabilitated Heath Ceramics, founded by Edith Heath in 1948 and run by Edith and her family until Edith was in her 80s. When they made the purchase, both were searching for more satisfying outlets for designing and making—and found that at Heath, which required hands-on work to revive and preserve, while keeping the original design aesthetic intact.
It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics—their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware, the MAKESHIFT conversations, and most recently, two clocks designed to celebrate the 10 year ownership of the company by friends Cathy Bailey and Robin Petrovic.
Edith Heath originally founded Heath Ceramics in Sausalito, California, in 1948. She was an accomplished ceramist who cared deeply for the craft and believed in the importance of using quality materials. She grew up in rural Iowa during the Great Depression, which made her a natural conservator. In the late 1930s she worked with Bauhaus artist Laszlo Moholy-Nagy, which influenced her design aesthetic. Heath searched constantly to source the right materials and experimented for years to find the best techniques and glazes; she was once quoted as saying that she wanted to use clay that had “character” and “guts”.
Alabama on Alabama is a month-long journey to the soul of the Modern South, held in the Boiler Room and showroom at Heath in San Francisco. Refined, raw and radical, the Modern South connects place, people, process, and tradition in a way that cuts across geography and time. From July 24, 2015, the Boiler Room will exhibit the work of the widely acclaimed and celebrated textile artist, designer, and slow design pioneer Natalie Chanin. It will also include work by Butch Anthony, best known for his “intertwangled” paintings and creations using found objects and materials, and works on paper by outsider artist Mr. John Henry Toney. Alabama on Alabama will also feature the work of frequent Natalie Chanin collaborator and photographer Rinne Allen. Visit boilerroomsf.com to learn more.
I met Stella Ishii over a decade ago, as I was just beginning to define who I was as a designer. She was simultaneously likeable and intimidating—but intimidating only because of her impressive resume and effortless cool. She began her career in fashion not because she was fluent in design technique—but because she was fluent in English. Japanese-born Ishii heard of a job opening for a translator at a design house and eventually was hired to work for Rei Kawakubo at Comme des Garçons. By the mid-90s, she was head of Staff USA—a branch of Staff International, the Italian parent company of fashion brands like Maison Margiela and Vivienne Westwood. Ishii and Staff USA were key to introducing these (and other) brands stateside.
Stella launched The News in 2001, a sales and press agency—slash—showroom and incubator located in a Soho loft. The News has helped nurture and grow designers and brands like Alexander Wang, The Row, and 3.1 Phillip Lim. Just about 3 years ago, she and her business partner Lasse Karlson launched 6397 (N-E-W-S on a telephone keypad), a denim-oriented line of clothing designed by Stella—a true denim aficionado. Stella has long depended on denim as her most reliable (almost iconic) wardrobe staple. 6397 captures the androgynous elegance that well made denim can offer.