Tag Archives: DIY + Sewing

JULY + SWATCH OF THE MONTH

ALABAMA CHANIN – JULY + SWATCH OF THE MONTH

Summer is now officially in full swing. As adults, we rarely get to indulge in a full-scale month of vacation—as our children often do. But, in July I like to take a few extra days to enjoy summer with my family and friends. Maggie absolutely loves July (and July 4th festivities are some of her favorites) and her excitement is contagious. So I am preparing for a month or so of fireworks and sparklers, cookouts, swimming pools, cocktails, and beaches.

My garden is producing peppers and (the beloved Alabama) tomatoes. The summer is just such a challenge: How many tomato sandwiches can one person eat?

Here is what some of my July looks like. I’m leaving room for improvisation:

July 4 – Independence Day and my neighborhood’s epic parade and potluck.

July 6 – National Fried Chicken Day. I’m headed to Nashville; hello Hot Chicken.

July 20 – On this day, back in 1969, Neil Armstrong took man’s first steps on the moon. Maggie and I are headed to San Francisco on the California Zephyr for our upcoming events @ Heath Ceramics.

July 24 – Opening Party at the Boiler Room @ Heath Ceramics in San Francisco. Come out to celebrate our new collaboration with Heath Ceramics. If you can’t make it to the party, the show will run through August 23rd.

July 25 – National Hot Fudge Sundae Day. If you are in The Shoals, a trip to Trowbridge’s is definitely in order.

July 26 – One-Day Sewing Workshop @ San Francisco, CA

July 30 – Makeshift Conversation @ Heath Ceramics. Cathy and I will be lead a conversation around design, craft, and fashion—followed by an interactive workshop. Reserve your (free) spot for the talk in advance here. And purchase your ticket to the workshop here, where we will be designing, creating, and making a DIY Tote Kit.

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MERCHANT & MILLS: THE FACTORY DRESS PATTERN

ALABAMA CHANIN – MERCHANT & MILLS: THE FACTORY DRESS PATTERN

In January, we added to our ongoing Makeshift series, adapting available garment patterns using Alabama Chanin techniques with a Merchant & Mills pattern for the Shirt Dress. This month, we’ve created another Merchant & Mills garment in our own style—an Alabama Chanin version of the Factory Dress (love the name). This piece is shown here without embellishment to highlight the simple design, but you can choose to utilize any of the techniques from our previous posts or our Swatch of the Month Club to embellish your project

Keep in mind that Merchant & Mills is a UK-based design house and that UK sizes differ a bit from US numbered sizes. Their website has clear size charts that can help you select the right pattern size for your body. Also note that their patterns are priced in pounds, not US dollars, and you should take into account shipping costs when shopping. Alternatively, there are quite a few stockists in the US with ready links available here.

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KRISTINE VEJAR: ALABAMA STUDIO SEWING PATTERNS

ALABAMA CHANIN – KRISTINE VEJAR: ALABAMA STUDIO SEWING PATTERNS

As we continue to get feedback from some of our favorite makers on Alabama Studio Sewing Patterns, we realize how lucky we are to be part of such a positive DIY community. So many fellow writers, designers, knitters, and Journal followers have contacted us with generous responses and honest commentary. How heartening it is to find ourselves in the middle of a group of makers who choose to lift one another up.

That being said, we received a lovely review from Kristine Vejar, founder of A Verb for Keeping Warm. You may remember that we spoke with Kristine in the past, specifically about the Seam Allowance Project, a clever and beautiful approach to sustainability. (Read more on the project here.) In her review she points out something many readers have also noted: Alabama Studio Sewing Patterns is not necessarily written for beginning sewers. It was written for those who want to learn more about patterns and customization. Manipulating patterns is something that most of us graduate to rather than begin doing (though it’s not impossible).

When considering customizations for a her garment, Kristine took into account both practical and stylish considerations. First, she likes to keep things simple, without toting lots of bags here and there. The solution was easy enough: add pockets (see Alabama Studio Sewing Patterns, pages 28-29 for detailed instructions and photos). Secondly, the breezy San Francisco weather leaves her reaching for long sleeved garments. Another easy solution: add sleeves to her chosen A-Line Dress (see pages 121-123 for instructions).

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AMY BUTLER: ALABAMA STUDIO SEWING PATTERNS

ALABAMA CHANIN – AMY BUTLER: ALABAMA STUDIO SEWING PATTERNS

This week, we feature another in our series of posts from makers we admire highlighting Alabama Chanin garments—specially tailored for the wearer, using techniques outlined in Alabama Studio Sewing Patterns. Previous posts from Amy Herzog and Heather Ross reveal what we really already know: we are not defined by our garment fit issues and owning something that truly fits your own body can enhance your confidence.

Today we are delighted to post kind words from Amy Butler. Amy is a designer whose fabric prints are instantly identifiable; her sewing patterns (we love her unique bags) are exciting and feel fresh. Over the years, Amy has created a signature line of home goods that include lush looking rugs, covetable wallpaper, and lovely wall art and stationery. Make time to browse her website—I guarantee you will end up with a wish list a mile long.

In the past, Amy has had varying degrees of success finding the right garment length, so we tailored our Classic Coat pattern to fall at exactly the right place for her height. View Chapter 2: Fit + Customization, pages 112-115 in Alabama Studio Sewing Patterns for more suggestions on how to best alter your garment’s length to your own measurements.

ALABAMA CHANIN – AMY BUTLER: ALABAMA STUDIO SEWING PATTERNS

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ANNA MARIA HORNER: ALABAMA STUDIO SEWING PATTERNS

ANNA MARIA HORNER: ALABAMA STUDIO SEWING PATTERNS Anna Maria Horner and I have been friends and collaborators now for about 6 years; but, she is the kind of friend you feel like you’ve known forever. I’ve been lucky enough to work alongside her on more than one occasion and we created two stencil designs, Little Folks and Little Flowers, together—based on her extensive collection of fabric designs. Her books have influenced my thoughts on making; they have resulted in some beautiful projects and garments. We’ve even dedicated a section of our studio library to her publications. She has accomplished all of this while beautifully mothering six children…whew—what a woman.

This October, I’ll find myself in Nashville at Craft South, Anna Maria’s newly opened brick and mortar store, for a Two-Hour Sewing Workshop. (Register here.) We’ll also be hosting a book signing and trunk show. Mark your calendars now. Congratulations to Anna Maria on her new and exciting chapter at Craft South. We’re proud for The School of Making to be a part of it, and we’re over-the-moon for her kind review of Alabama Studio Sewing Patterns. Continue reading

#MEMADEMAY2015

ALABAMA CHANIN – #MEMADEMAY2015

If there’s something we have learned from our DIY community and The School of Making programming, it’s that our fellow makers can be passionate and prolific. In a world focused on “fast fashion” we are constantly inspired to see so many taking time and effort to create meaningful things.

Quite a few of you have participated in Me Made May over the course of the last month. For the uninitiated, Me Made May was dreamed up by Zoe Edwards, a blog writer who, for the past 5 years, issued a challenge for makers across the globe to wear clothing they have created, during the month of May. While not everyone can wear something handmade every day, many have taken up the challenge with gusto.

So for May’s Month of Instagram, we are posting some of your beautiful photos of Me Made May garments alongside Alabama Chanin’s photos. If you participated this year (and have not done so already), please post your photos to Instagram and Twitter using the #mmmay15 hashtag – and also #theschoolofmaking, if yours is an Alabama Chanin garment.

Photos courtesy of @catcounts, @differentmeasure, @ebbandsew, @goodyarmamona, @heyallday, @hisclementine, @kaygardiner, @krrbsale, @lauramaedesigns, @lavalark, @making.it, @mbmoore, @melaniefalick, @qoyah_yisrael, @reneeplains, @subloke, and @yarnonthehouse

P.S. Follow us on InstagramFacebookTwitter, and Pinterest.

P.P.S. Use our new hashtag #theschoolofmaking to share your latest Studio Style DIY project.

DIY PANTS: VOGUE PATTERN V8499

ALABAMA CHANIN – DIY PANTS: VOGUE PATTERN V8499

In our continuing Makeshift series that demonstrates how design, craft, and fashion can influence on another, we adapt another pattern using Alabama Chanin techniques. This pattern is from Marcy Tilton, a longtime Vogue pattern designer, author of three sewing books, and a name well known to crafters and sewers alike.

As always, we encourage you to use patterns as a source of inspiration rather than absolute guidelines. The more personalization you bring to each piece, the more the final garment will mean to you as the maker—and the more you will elevate the making process.

ALABAMA CHANIN – DIY PANTS: VOGUE PATTERN V8499

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JUNE + SWATCH OF THE MONTH

ALABAMA CHANIN – JUNE + SWATCH OF THE MONTH

We’ve written each month about how quickly this year is FLYING by—and this month is no different. I caught myself telling someone the other day that I’m only going to be away a couple of weekends this coming month; I plan to spend the other weekends at home working in the garden, which could use a little (a lot of) love. My lettuces and spinach continue to produce with tomatoes, peppers, and eggplant tucked neatly in between. Hopefully, by the end of the month I will taste the first tomatoes of summer. (Hello, BLT.)

June is National Iced Tea Month. I would like to say that we will drink more iced tea to celebrate—but our iced tea consumption at the café is never at a lull. Sweet, Un-sweet, Half-and-Half… we love them all.

Here is what June has in store:

June 1-5: Patterns + Alterations Studio Week @ The Factory

June 8-12: Classic Studio Week @ The Factory

June 12: Downtown Wig & Mustache Bash: A Drag Spectacular – throw a little glitter and some shade as Shoals Pridefest kicks off its inaugural event.

June 19: Juneteenth Day – the oldest known celebration commemorating the end of slavery in the United States

June 21: Summer Solstice and Father’s Day—all wrapped up into one. A great day to get outside and celebrate the great dads in our lives.

June 26-28: Our Classic Sewing Weekend at Blackberry Farm. Find more information here.

June 29: Mother/Daughter One-Day Sewing Retreat at Blackberry Farm. Classic Sewing Weekend registrants, click here to reserve your spots.

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DIY COLLECTION: NEW T-SHIRTS

ALABAMA CHANIN – DIY COLLECTION: NEW T-SHIRTS

We wrote earlier this week about scale and patterns, and how we reduced and enlarged our New Leaves stencil artwork to create graphic variations of the design. One of our projects that looks at scale is a series of  DIY Unisex T-shirts. The shirts feature our New Leaves stencil in five different sizes and can be worked in a variety of techniques including quilting, reverse appliqué, backstitch reverse appliqué, and negative reverse appliqué. We used a chain stitch for the DIY Mori and DIY Novus T-shirts, the first time this technique example has been shown in our DIY Sewing Kits.

ALABAMA CHANIN – DIY COLLECTION: NEW T-SHIRTS

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DESIGN + SCALE

ALABAMA CHANIN – DESIGN + SCALE

I’ve been toying with the idea of scale and pattern recently. This thought arose because of a presentation I gave in March on Ettore Sottsass and the Memphis Group. The talk was part of the monthly On Design Lecture Series that we host in our studio as staff development but is also open to our community as part of The School of Making educational programming. (It’s on hiatus for the summer, but we’ll let you know as soon as we start back.) Many of our young in-house designers are fascinated by the 1980s and wanted to know more about the design influences that fueled this era. I went to design school from 1983 to 1987, so this concept of 1980s design seemed appropriate and very exciting to revisit.

While unearthing my thoughts on the 80s, I realized that the most prominent design trend in my memory was Ettore Sottsass and the Memphis group—the Italian design collective during the 80s who challenged the “established” rules of design. Their playful use of scale and pattern remain strong influences in design today (and my personal design aesthetic as well). While putting together the talk, I realized it had been such a long time since I played with scale. So, I pulled two gorgeous books on from my library: Ettore Sottsass Metaphors and Ettore Sottsass (which we also sell in the design section of our store as it is one of my all-time favorite books). Ettore Sottsass Metaphors sets the stage for playing with shapes in nature and Ettore Sottsass is incredibly inspiring for its illustration of scale, pattern, and color in design—aside from being one of the most beautiful books I own.

ALABAMA CHANIN – DESIGN + SCALE

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