Tag Archives: Open Source

ALABAMA CHANIN – MERCHANT & MILLS: THE FACTORY DRESS PATTERN

MERCHANT & MILLS: THE FACTORY DRESS PATTERN

In January, we added to our ongoing Makeshift series, adapting available garment patterns using Alabama Chanin techniques with a Merchant & Mills pattern for the Shirt Dress. This month, we’ve created another Merchant & Mills garment in our own style—an Alabama Chanin version of the Factory Dress (love the name). This piece is shown here without embellishment to highlight the simple design, but you can choose to utilize any of the techniques from our previous posts or our Swatch of the Month Club to embellish your project

Keep in mind that Merchant & Mills is a UK-based design house and that UK sizes differ a bit from US numbered sizes. Their website has clear size charts that can help you select the right pattern size for your body. Also note that their patterns are priced in pounds, not US dollars, and you should take into account shipping costs when shopping. Alternatively, there are quite a few stockists in the US with ready links available here.

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SUPPLY CHAINS: A COMMITMENT TO COTTON

SUPPLY CHAINS: A COMMITMENT TO COTTON

According to Wikipedia, supply chain is defined as “a system of organizations, people, activities, information, and resources involved in moving a product or service from supplier to customer.” At Alabama Chanin we strive to responsibly produce quality, sustainable products—at every level of the supply chain. We believe that responsibility means transparency and understanding where each material comes from and whose hands it touches before it arrives to the end consumer. For over a decade, we have worked tirelessly to secure a supply chain that is, as much as is humanly possible, Made in the USA.

With events like the 2013 Rana Plaza factory collapse in Bangladesh, consumers are asking questions about how and where their clothes are made. We’ve noticed an increase in emails, phone calls, and questions about our 100% organic cotton jersey fabric—and we welcome those questions. In response, we have compiled all the information here. Each time we take a closer look into our supply chain, we discover something new. This is the projected course of our supply chain in the best case scenario, which is often altered by Mother Nature. Unfortunately, there are always circumstances out of our control, so we share this information with that in mind. As of 2015, this is every step of the supply chain for our medium-weight cotton jersey—from Texas, to the Carolinas, to Alabama. Look for more posts on supply chain for threads, beads, and our other notions coming soon.

SUPPLY CHAINS: A COMMITMENT TO COTTON

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DIY ANNA'S GARDEN LONG SKIRT

DIY ANNA’S GARDEN LONG SKIRT KIT

This take on our Long Fitted Skirt—one of my longtime favorite go-to pieces—is available for a limited time in our DIY Sewing Kit Collection through The School of Making. I own many versions of this skirt in a range of colors and wear them throughout the year, from one season to the next. The Long Fitted Skirt is fitted at the waist and flares to the hem, which has a slight train in the back.

This version is worked in our Anna’s Garden design using negative reverse appliqué with our medium-weight 100% organic cotton jersey—choose your fabric and thread color. This and all of our DIY kits can be personalized to your specific design choices and worked in any technique from our books or Swatch of the Month to embellish. Create your own version using the custom DIY kit.

View all DIY Sewing Kits and purchase your own Anna’s Garden Long Skirt kit here.

DIY ANNA'S GARDEN LONG SKIRT KIT

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COMING SOON: ALABAMA STUDIO SEWING PATTERNS

COMING SOON: ALABAMA STUDIO SEWING PATTERNS

The School of Making is firmly in place.

2015 Workshops are already in the works.

Our new collection of DIY Kits if being loved (and completed) by many.

The occasional frustration of writing a book is now replaced with the joy and pride of making something new and beautiful.

Now, we can hardly believe that the arrival of Alabama Studio Sewing Patterns is just around the corner.

COMING SOON: ALABAMA STUDIO SEWING PATTERNS

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MERCHANT & MILLS: THE DRESS SHIRT PATTERN

MERCHANT & MILLS: THE DRESS SHIRT PATTERN

In our ongoing Makeshift conversation on design, craft, food, DIY, and fashion—and how they intersect—we continue to adapt open-source patterns from other designers and brands using Alabama Chanin techniques. This experiment demonstrates how open-sourced materials and collaborative works can be used in any number of ways and tailored to almost any personal style.

For this entry in the series, we have chosen to work with a pattern from Merchant & Mills, a popular UK-based company created by Carolyn Denham and Roderick Field, formed, in their words, “to elevate sewing to its proper place in the creative world, respecting the craftsmanship it entails.” That is certainly a philosophy in line with Alabama Chanin’s mission and Makeshift’s goals.

Merchant & Mills has an interesting selection of patterns to offer. UK sizes differ a bit from US numbered sizes, but the website has clear size charts that can help you select the right pattern size for your body. But keep in mind that their patterns are priced in pounds, not US dollars; you should also take into account shipping costs when shopping. Alternatively, there are quite a few stockists in the US with ready links available here.

In order to highlight the simple beauty of this Dress Shirt, we have opted to make a basic version. Of course, you can choose to utilize any of the techniques from our previous posts or our Swatch of the Month Club to embellish your project. We’ve found that the loose fit and shape of the pattern makes it an easy pull-on garment when paired with our stretchable cotton jersey, and this piece looks great with The Every Day Long Skirt or the Bloomers Swing Skirt and Stripe Tall Socks.

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DIY MAGDALENA FITTED CARDIGAN

DIY MAGDALENA FITTED CARDIGAN

This Cardigan is a modified version of our Casual T-shirt Top from Alabama Studio Sewing + DesignWe’ve created the cardigan simply by cutting our t-shirt front panel down the front to create two pieces (or alternatively, you can choose not to cut the pattern on the fold). When cut this way, it creates a cardigan or cover-up from our Casual T-Shirt pattern. Produced in a double-layer, the organic cotton jersey adds warmth but not bulk.

The kit is shown here in Black and has been produced in our backstitched reverse appliqué treatment. But, this and all DIY kits can be customized for any of our embroidery techniques or embellishments. Choose your own fabric color to go with our Variegated Black embroidery floss, or you may also design your own T-Shirt Cardigan through our Custom DIY option. When purchasing this DIY kit to work as a cardigan, you may want to choose one or two sizes larger than you would normally wear, to allow for additional layering room.

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DIY-Magdalena-A-Line-Dress-(1)-CROP

DIY MAGDALENA A-LINE DRESS

For the first time, and in anticipation of our newest book Alabama Studio Sewing Patterns, we are offering a DIY Sewing Kit for our A-Line Dress. This dress is part of our new DIY Sewing Kit Collection. Made from our medium-weight 100% organic cotton jersey, the dress is patterned with our Magdalena Stencil and shown here worked in negative reverse appliqué; however, you may choose a technique from any of our books or Swatch of the Month to embellish this kit.

The A-Line dress has been a popular style around our studio because it flatters almost every figure; in fact, we use this dress as part of our uniform for The Factory Store and Café. The kit—or the finished dress—also makes it an excellent gift, as it does not require strict measurements to fit. It is substantial enough to be worn in any weather and works as a versatile layering piece. My daily uniform consists of the A-Line Dress paired with a basic or embellished version of our Every Day Long Skirt.

DIY MAGDALENA A-LINE DRESS

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On Design - The History of Stenciling

ON DESIGN: THE HISTORY OF STENCILING

Join us this Monday at The Factory for the third conversation in our On Design Series. This week Natalie discusses the practice of stenciling—including examples of designs throughout history and various techniques used over time, alongside a short, hands-on introduction to making stencils.

Monday, December 8, 2014
10:30am – 11:30am

Alabama Chanin @ The Factory
462 Lane Drive
Florence, AL 35630

$7.00

Open-to-the-public, the cost includes admission, participation in the conversation, and a cup of The Factory blend coffee, a cold drink, or tea.

P.S.: If you can’t make it to the lecture and want to experiment with stencils on your own, we have a selection of stenciling materials and design resources on our website and a suggested reading list here.

If you are interested in learning more detailed stenciling techniques, we are offering our first One-Day Stenciling Workshop on May 14, 2015. During this workshop, we will design and create stencils through combinations of original artworks and existing stencils. Workshop participants have the opportunity to work with a variety of stenciling materials, experiment with mixing fabric paint, and explore a variety of stencil transfer methods like airbrushing, painting, sponging, permanent and fabric markers, fabric pastels, and transferring inkjet patterns onto fabric.

Learn more about this and all of our workshops through The School of Making.

ASANTE SANA

ASANTE SANA

In March of this year, we unexpectedly received an email with the subject line, “Asante Sana (Thank You) from Kenya!” It was sent by a woman named Nirvana, who is part of a team working to empower rural Kenyans with life and entrepreneurial skills. It seems that their goal is to inspire people to challenge the current social and cultural systems that tend to keep rural Kenyans impoverished. Read part of Nirvana’s first email to us:

Dear Alabama Chanin,  

You inspired 39 rural Kenyan women and men to start a tailoring class to learn hand sewing! They thought they had to have a sewing machine to learn tailoring. They also thought only poor people sewed by hand!

My American team and I are living in rural Kenya to teach Kenyans how to move beyond survival entrepreneurship. When so many community members said they wanted a tailoring class, I had to get creative. I knew there had to be a way to empower these youth without having to buy or find at least 20 sewing machines. So I Googled “hand sewing.” Of course, that led me to Natalie and Alabama Chanin!

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VOGUE-COAT-01

VOGUE #V8860 (AN ALABAMA CHANIN DIY COAT)

One of our more popular series of do-it-yourself posts has been our ongoing adaptation of commercially available patterns in the Alabama Chanin style. Among the patterns we have reworked are: a dress from an Anna Sui Vogue pattern, two variations of a Vogue dress from Vena Cava, an open-sourced jacket pattern from Yohji Yamamoto, and other varied pieces.

This series first began as a part of our ongoing Makeshift conversations that explore the intersection of design, craft, food, DIY, and fashion. With this series, we look at makers of all sorts and embrace open-source knowledge, materials, and patterns to create new conversations and collaborations.

We know that it takes skill and patience to complete a garment from another designer’s pattern; however, personalizing those garments—bringing your own body shape, style, and design sensibilities to existing patterns—is sometimes the only option for creating garments that truly fit your life and lifestyle. (You will find much more on this idea of customizing a wardrobe in our upcoming book Alabama Studio Sewing Patternswhich is now available for pre-order.)

We are excited to resume this important experiment with a Vogue coat pattern. I’m in love with the results.

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