As we continue to get feedback from some of our favorite makers on Alabama Studio Sewing Patterns, we realize how lucky we are to be part of such a positive DIY community. So many fellow writers, designers, knitters, and Journal followers have contacted us with generous responses and honest commentary. How heartening it is to find ourselves in the middle of a group of makers who choose to lift one another up.
That being said, we received a lovely review from Kristine Vejar, founder of A Verb for Keeping Warm. You may remember that we spoke with Kristine in the past, specifically about the Seam Allowance Project, a clever and beautiful approach to sustainability. (Read more on the project here.) In her review she points out something many readers have also noted: Alabama Studio Sewing Patterns is not necessarily written for beginning sewers. It was written for those who want to learn more about patterns and customization. Manipulating patterns is something that most of us graduate to rather than begin doing (though it’s not impossible).
When considering customizations for a her garment, Kristine took into account both practical and stylish considerations. First, she likes to keep things simple, without toting lots of bags here and there. The solution was easy enough: add pockets (see Alabama Studio Sewing Patterns, pages 28-29 for detailed instructions and photos). Secondly, the breezy San Francisco weather leaves her reaching for long sleeved garments. Another easy solution: add sleeves to her chosen A-Line Dress (see pages 121-123 for instructions).
This week, we feature another in our series of posts from makers we admire highlighting Alabama Chanin garments—specially tailored for the wearer, using techniques outlined in Alabama Studio Sewing Patterns. Previous posts from Amy Herzog and Heather Ross reveal what we really already know: we are not defined by our garment fit issues and owning something that truly fits your own body can enhance your confidence.
Today we are delighted to post kind words from Amy Butler. Amy is a designer whose fabric prints are instantly identifiable; her sewing patterns (we love her unique bags) are exciting and feel fresh. Over the years, Amy has created a signature line of home goods that include lush looking rugs, covetable wallpaper, and lovely wall art and stationery. Make time to browse her website—I guarantee you will end up with a wish list a mile long.
In the past, Amy has had varying degrees of success finding the right garment length, so we tailored our Classic Coat pattern to fall at exactly the right place for her height. View Chapter 2: Fit + Customization, pages 112-115 in Alabama Studio Sewing Patterns for more suggestions on how to best alter your garment’s length to your own measurements.
Anna Maria Horner and I have been friends and collaborators now for about 6 years; but, she is the kind of friend you feel like you’ve known forever. I’ve been lucky enough to work alongside her on more than one occasion and we created two stencil designs, Little Folks and Little Flowers, together—based on her extensive collection of fabric designs. Her books have influenced my thoughts on making; they have resulted in some beautiful projects and garments. We’ve even dedicated a section of our studio library to her publications. She has accomplished all of this while beautifully mothering six children…whew—what a woman.
This October, I’ll find myself in Nashville at Craft South, Anna Maria’s newly opened brick and mortar store, for a Two-Hour Sewing Workshop. (Register here.) We’ll also be hosting a book signing and trunk show. Mark your calendars now. Congratulations to Anna Maria on her new and exciting chapter at Craft South. We’re proud for The School of Making to be a part of it, and we’re over-the-moon for her kind review of Alabama Studio Sewing Patterns. Continue reading
Today, we continue our series of blog posts from some of our favorite makers highlighting DIY garments, customized using the techniques and patterns of Alabama Studio Sewing Patterns. We last heard from Amy Herzog, who described the fit issues she has faced over the years—particularly garment length. This week, we are blushingly grateful to post Heather Ross’ review.
I have long been an admirer of Heather, who has an exceptional eye for design and motif. She is also a talented writer who can combine the poignant and humorous in her books and her designs. We once asked her how she translated humor into her fabric designs and she said something that still sticks with me: “Funny is just a mix of happy and ridiculous. Ridiculous is easy.”
In her review, Heather talks about the difficulty of finding ready-to-wear clothing that fits her long torso. She writes, “…in many Ready To Wear dresses and blouses I find myself hunching over to make up for their lack of length, as though I can bring a waistline down by scrunching myself up.” And she shares memories of her grandmother’s handmade clothing and how wearing those custom dresses gave her confidence. “I felt flattered, rather than awkward, and much more myself. This is the thing about wearing clothing that really fits you: It makes you feel good.”
And I agree. Though I have my own body image struggles, my clothing makes me more comfortable in my own skin. (Most of the time) I know exactly who I am in these clothes. I wrote Alabama Studio Sewing Patterns with the hope that more women can have that feeling, by taking control of their wardrobes and dressing their bodies exactly as they are.
This take on our Long Fitted Skirt—one of my longtime favorite go-to pieces—is available for a limited time in our DIY Sewing Kit Collection through The School of Making. I own many versions of this skirt in a range of colors and wear them throughout the year, from one season to the next. The Long Fitted Skirt is fitted at the waist and flares to the hem, which has a slight train in the back.
This version is worked in our Anna’s Garden design using negative reverse appliqué with our medium-weight 100% organic cotton jersey—choose your fabric and thread color. This and all of our DIY kits can be personalized to your specific design choices and worked in any technique from our books or Swatch of the Month to embellish. Create your own version using the custom DIY kit.
View all DIY Sewing Kits and purchase your own Anna’s Garden Long Skirt kit here.
The School of Making is firmly in place.
2015 Workshops are already in the works.
Our new collection of DIY Kits if being loved (and completed) by many.
The occasional frustration of writing a book is now replaced with the joy and pride of making something new and beautiful.
Now, we can hardly believe that the arrival of Alabama Studio Sewing Patterns is just around the corner.
This Cardigan is a modified version of our Casual T-shirt Top from Alabama Studio Sewing + Design. We’ve created the cardigan simply by cutting our t-shirt front panel down the front to create two pieces (or alternatively, you can choose not to cut the pattern on the fold). When cut this way, it creates a cardigan or cover-up from our Casual T-Shirt pattern. Produced in a double-layer, the organic cotton jersey adds warmth but not bulk.
The kit is shown here in Black and has been produced in our backstitched reverse appliqué treatment. But, this and all DIY kits can be customized for any of our embroidery techniques or embellishments. Choose your own fabric color to go with our Variegated Black embroidery floss, or you may also design your own T-Shirt Cardigan through our Custom DIY option. When purchasing this DIY kit to work as a cardigan, you may want to choose one or two sizes larger than you would normally wear, to allow for additional layering room.
For the first time, and in anticipation of our newest book Alabama Studio Sewing Patterns, we are offering a DIY Sewing Kit for our A-Line Dress. This dress is part of our new DIY Sewing Kit Collection. Made from our medium-weight 100% organic cotton jersey, the dress is patterned with our Magdalena Stencil and shown here worked in negative reverse appliqué; however, you may choose a technique from any of our books or Swatch of the Month to embellish this kit.
The A-Line dress has been a popular style around our studio because it flatters almost every figure; in fact, we use this dress as part of our uniform for The Factory Store and Café. The kit—or the finished dress—also makes it an excellent gift, as it does not require strict measurements to fit. It is substantial enough to be worn in any weather and works as a versatile layering piece. My daily uniform consists of the A-Line Dress paired with a basic or embellished version of our Every Day Long Skirt.
As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight, and I’m proud to officially announce Alabama Chanin’s upcoming book, Alabama Studio Sewing Patterns. This is the fourth (yes, fourth) book I’ve worked on with my editor (and friend), Melanie Falick, of STC Craft and Abrams.
Around the studio, we’ve been referring to this project as the ‘addendum’, as it acts as a supplement to our Studio Book Series—Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design.
The Swatch of the Month for June combines a number of embroidery techniques into a single design. This stencil, appropriately titled June’s Spring, combines both basic techniques, like backstitch embroidery and appliqué, with more elaborate treatments, like beading and Feather stitch embroidery. The combination of these elements on one swatch results in a lush, rich looking textile.
Detailed instructions for completing the June’s Spring fabric treatment and a fabric map illustration can be found on pages 118-119 of Alabama Studio Sewing + Design. This particular swatch allows you quite a bit of creative freedom, since you decide what elements to embellish and to what degree they will be decorated. We recommend that you make a plan (like the fabric map shown in the book) ahead of time for how you will decorate each element. But, you might think it is more fun to improvise and make decisions as you create. Either approach will undoubtedly result in a beautiful completed swatch.