It is hard for me to believe that I am almost finished with my third book, now titled Alabama Studio Sewing + Design. Had someone asked a decade ago where I saw myself in ten years, it certainly would not be lying in bed, reviewing and making notes on a “pass” (publishing lingo for a low-resolution printout) of my third book, writing additional texts, and trying to be quiet while a sleeping five-year-old tries to nudge me out of my own bed.
Strange where life takes you when you least expect it.
For our avid journal readers, I believe that it was clear over the last year that I was – at times – absent. I most definitely was. There were certainly times when I wanted to write – and felt that there was something important to say – but could not find the words.
For my staff, it must have seemed that I would never return (and am not fully “back” yet).
I am driven by enthusiasm – in all areas of my life. So, when we signed the contract with STC for our third book, I was over the moon and (CERTAIN I) knew exactly how the book would work and look. I was convinced that this was going to be a piece of pie. You know, third book, seasoned designer, a decade of work behind me… I was sure things would just fall into place, right?One and a half years later, I am thinking that I survived by the skin of my teeth. I can’t tell you exactly why this book was harder than the rest. But I assure you, it was. I remember once distinctly calling out across our studio, “Can someone please drive me to O’Neal Bridge, so I can jump off?”
Those days are fading in (my tarnished) memory and these days I patiently await the final proof from the printer – the last step in this intricate process. I look back over the printout from the photo above and I am surprised how much information we managed to pack into 176 pages. And I think to myself that, I am really, really proud of this work.
The Alabama Studio Design Series truly documents my path these last ten years. From simple new t-shirts crafted from recycled ones, to couture garments, to sustainability on all levels, the books follow from one stage to the next. Alabama Chanin history is all here: from the materials we use, to the way we make our garments, to cultural sustainability, and finally to open-sourcing our patterns for individuals. (More about my decision to open-source coming soon.) It is a path that makes me proud.
A big warm thank you to everyone in our studio – who put up with me over the last year (I am asking forgiveness for all transgressions), to Sara Martin – who read and reread and listened to me rant, to Robert Rausch – our book designer – who practiced zen patience with every tiny change, and to Melanie and all the folks at STC who believed that we had one more in us.