If you had only seen his most recent paintings, currently on view at Workshop (Christian Berst), you might assume that Robert Tharsing’s idea of paradise resembles a lush and colorful landscape full of palms, ferns, and the occasional volcano. In reality, the artist has contented himself with simpler pleasures: a decent sized room with access to woodworking tools and enough space to lay a large piece of canvas on the floor. Since 1971, Robert Tharsing has occupied a total of six studio spaces, most within walking distance of one another in downtown Lexington. These studios became the backdrop to his practice but also provided a retreat from the daily challenges and responsibilities of teaching at the University of Kentucky.
Robert Tharsing in studio, circa 1992
For this piece, Tharsing’s friends and family submited photographs of the artist in his studio. They span over forty years and show works in various stages of completion. From this small set of images, one can view the evolution of his work, but also identify the consistent forms, shapes, and colors that have dominated his practice. Hard-edged geometric forms clash against or lie over top of organic shapes, plants, and animals, often glowing in vibrant, nearly florescent hues.
Robert Tharsing with mobiles, 2002 by Suzanna Scott
Robert Tharsing in studio, 2007 by Lina Tharsing
Robert Tharsing starts a new painting, 2015 by Lina Tharsing
Rainforest Stream, oil on canvas, 40″x54″, Robert Tharsing
Paradise Interrupted, Tharsing’s current exhibition, presents a culmination of his techniques and aesthetics in a newly personal manner. The studio is present in these works—in references to lotus flowers and other plants from his courtyard garden—but so is the artist, grappling with years of exploration and engagement with his medium. These paintings, somewhat uncharacteristically, bear Tharsing’s reflections on personal circumstances: health, mortality, and the interference both have wrought upon body and mind. They combine places both real and imagined, the view from the studio window and from the mind’s eye.
Transitional Plant Pond Elements, oil on panel, 16″x23″, Robert Tharsing
–Phillip March Jones
All images Courtesy of Christian Berst Art Brut (New York/Paris) and Ann Tower Gallery.
Love his work, just fabulous. I so appreciate all the grand color. Thank you for sharing.
Thank you for taking an interest with me in mind, and for sharing .
I feel so fortunate to have had Bob as my favorite art studio professor. He taught me that paintings come through you , not from you.
He is missed as well as his talented and beautiful wife, Ann
He stared out as my professor and became my friend.
Thank you for sharing this wonderful memory, Nancy.