Last fall, our friend (and editor) Melanie Falick reached out with the desire to design her own stencil—and use that stencil for one of our of our Custom DIY Kits. She documented her process, and we’ve named her design “Circus”. (She also likes the subtitle, “If Not Now, When.”) Seen above, the finished artwork is… Read on

As many of you know, artist and photographer Rinne Allen has been a friend and collaborator for years. In our recent profile of Rinne, we told a little of her personal story and highlighted her incredible light drawings. In addition to her work with chef Hugh Acheson, magazines like Selvedge, and her own site Beauty… Read on

The design world is filled with innovators making products that can impact the human experience for good or for ill. The idea of designing and making with positive, spirited intention is growing far beyond its early influencers like Samuel Mockbee’s Rural Studio or the now defunct Architecture for Humanity—inspired by Mockbee’s project. Today, AIGA—one of… Read on

Our On Design series began in fall 2014 as an extension of our Makeshift conversations and events. The series explores art, design, makers, relationships, and the elevation of craft. Our conversation in January explored William Morris and the Arts and Crafts Movement. Here are some of Natalie’s thoughts from the presentation. Feel free to share… Read on

“Eventually everything connects – people, ideas, objects. The quality of the connections is the key to quality, per se.” – Charles Eames Our first official On Design conversation and event centered on the Bauhaus—founded in 1919 by architect Walter Gropius. This movement’s core objective was a radical concept: to reimagine the material world to reflect… Read on

Paul Rand is considered by many to be one of the most significant visual communicators and commercial artists in history. His first book, Thoughts on Design, is one that invigorated the design world and has become a seminal text for design students and professionals. Rand’s simple, straightforward approach to design eventually helped him create some… Read on

Our On Design conversation in December focused on the practice of stenciling—including examples of designs throughout history and various techniques used over time. Stenciling is at the core of our Alabama Chanin collections; currently it is the sole means by which we transfer decorative patterns onto our fabrics. We have explored DIY stenciling in our… Read on

In October of 2014, and as an extension of our Makeshift initiative, we began a new series of events and conversations called On Design. This series explores art, design, makers, relationships, and how those who create can elevate craft in general. Natalie hosted our inaugural event, which was an exploration of the school of Bauhaus… Read on

Join us this Monday at The Factory for the second lecture in our conversation series: On Design. Last month, Natalie spoke on the Bauhaus and the creative process. This month the conversation continues with a lecture about Charles and Ray Eames, husband and wife designers, and mid-century design. We’ve been finding inspiration from the timeless… Read on

Beginning  October 13th, 2014 and as part of our ongoing Makeshift conversation, Alabama Chanin will host a series of discussions and lectures about design, art, business, community, and plenty of other topics. Events will be held at the Factory on the second Monday of each month. The format will shift, depending on topic and presenter,… Read on

Alabama Chanin x Botanical Colors A limited-edition collection of core Alabama Chanin designs, naturally dyed in collaboration with Botanical Colors. Each soft pink garment is hand-dyed with madder root and other natural resources to achieve the signature tone found throughout the assortment, beautifully unique to each garment. Like all of our garments, the Alabama Chanin… Read on

The Women Who Revolutionized Fashion: 250 Years of Design, 2020 by Peabody Essex Museum in collaboration with Kunstmuseum Den Haag and Rizzoli Electa, edited by Petra Slinkard.  Fashion was, is, and will likely always be a way to differentiate oneself in a world that often feels most comfortable with sameness and conformity. If clothing is indeed the “armor” that Bill Cunningham firmly believed it… Read on

“Inspiration comes from everywhere, it’s how you process it that’s important.” – Rob Ryan  The development of our patterned fabrics has taken years, as we’ve carefully curated fabric color, ink color, and stencil design to create an inspiring combination for use in making. Our patterned fabrics utilize 100% Organic Medium-weight Cotton Jersey and are printed by Spoonflower with eco-friendly, water-based inks and… Read on

As a continuation our book review series about vintage embroidery books, we explore Design in Embroidery by Kathleen Whyte with contributing writer and textile artist Elaine Lipson. See previous posts on The Art of Embroidery by Françoise Tellier-Loumagne and Design for Artists and Craftsmen by Louis Wolchonok. Today’s explosion of interest in stitching owes a… Read on

The fresh and modern color story of our Design Bundle, which draws inspiration from woodlands, wildlife, and serene creeks and streams, has been a popular choice with makers since The School of Making launched the bundle in November. The unique colorways in the Design Bundle feature paint colors designed especially for each of the five… Read on

The Fractal Dress Pattern was developed exclusively for our 2019 Build a Wardrobe program. When we were developing the pattern, we were drawn to the modern lines the pattern pieces create; they allow the endless opportunity to experiment with colors. Launching last month, the pattern has been popular with The School of Making community and… Read on

The new year can refresh the mind and the blank slate it offers can inspire you to plan for the year ahead. Arriving just in time for the new year, and offering inspiration for projects you are planning for 2019, is The School of Making’s Design Bundle #6. Like the bundles before, this Design Bundle… Read on

Since 2014, we have worked with Patagonia on a beautiful circular design project, the Reclaimed Down Scarf. The goal of circular design is for every product to reflect sustainability from the beginning of life as a raw material, through design, manufacturing, active life, and end-of-life processes. Garments that reach the end of their lives become… Read on

In July, we wrote about the book Design for Artists and Craftsmen as part of our series that explores vintage design, embroidery, and craft books.  I carried this book with me as my daughter Maggie and I headed to my residency at The Hambidge Center for Creative Arts in the mountains of North Georgia. In… Read on

We continue our book review series with contributing writer and textile artist, Elaine Lipson, with a look at a classic design tome, Design for Artists and Craftsmen. What can a funky old hardbound Dover book, written by a man born in the 19th century, teach us about modern design? First published in 1953 (and available… Read on

As a textile artist and designer, Elaine Lipson has spent much of her life exploring creative mediums and the fine arts. Born in Canada, Elaine has found a home (many, in fact) in the United States and spent time living in Chicago, New York, and San Francisco before settling in Colorado where she currently has… Read on

The Variegated Stripe Stencil made its first appearance in The Geometry of Hand-Sewing. It’s our take on a classic stripe that provides visual interest with its contrasting stripes, and it provides a great base for intricate embroideries. Learn to create the embroidery stitches shown on these swatches with Natalie’s newest Craftsy course, “The New Embroidery”…. Read on

We’ve written before about the process of mending and of integrating it into your lifestyle. Embracing mending as sustainable practice and a component of everyday life can be a small change that makes a big difference. Mending acts as a solution to economic challenges by utilizing your own skills to repurpose, repair, and restore your… Read on

The final quarter of our 2017 Design Bundle series is now available, filled with a bright color palette of Apple, Ruby, Burgundy, Carmine, and Plum—perfect for the holidays. The Design Bundle includes basic sample blocks as well as stenciled, in your choice of metallic or tonal paint, with our re-released Fern stencil and the newly available… Read on

Continue your year of making and designing with our second, limited-edition Design Bundle. Like the first quarter, Design Bundle #2 contains fabric, thread, embroidery floss, and beads that are intended to be used as tools to practice appliqué, embroidery, or beading treatments from our Alabama Studio Book Series. Offering a new range of pre-selected fabric… Read on

In the earliest years of this company, Natalie Chanin was a “design team” of one—one person to dream and research and sketch and make. While she was lucky to have a talented team to consult with (people like Diane Hall and Steven Smith), the heavy lifting was done by a single person. As Alabama Chanin… Read on

As part of our Artisan Home series, we are highlighting the makers of two of our newest featured products—Smithey Ironware Co. and Edward Wohl Woodworking and Design. Both makers design products with classic style, made in America. Charleston, South Carolina-based Smithey Ironware was born from the single-minded curiosity of founder Isaac Morton. Morton had a… Read on

A few weeks back, we introduced Erin Connelly (now Reitz), the newest member of our design team. She co-owns a store dedicated to selling American-made goods for the home, called The Commons. But what we didn’t mention is that she has extensive experience and a deep passion for the design industry. Erin’s mother taught her… Read on

We’re always on the lookout for companies and businesses that align with our values and principles—and we can’t emphasize enough how important it is to purchase domestically produced goods made with ethical, sustainable practices. Our collaborations with Patagonia and Heath Ceramics are perfect examples. This year, in support of other small businesses, we’re celebrating Independence… Read on

We’ve received questions from many of you about our design choices for the Maggie Dress images pictured above. We share them for inspiration—and to make your fabric, stencil, and thread choices a little easier. From top left to right: 1. Garment – Maggie Dress (no center front or center back seam) Fabric weight – 100% organic… Read on

#aroundthefactory collaborations are in the works.

Those of you who frequent the Journal have read and learned about our Makeshift initiative—which is a series of events, talks, workshops, and gatherings that seek to get makers of different minds and from various fields in the same room together for discussion. As design and craft professions evolve, sometimes walls develop between the makers;… Read on

This year, friends and fellow designers were honored in two separate categories of the Cooper Hewitt National Design Awards (see more about the awards below):

Last July, we explored Alabama’s fashion design history and, in our studio conversations about that post, we started asking one another about other designers that have emerged from the South. Dana Buchman, Pat Kerr, Johnny Talbot, and Wes Gordon all hail from states neighboring our own. When searching my brain for designers from Mississippi, the… Read on

I’ve been toying with the idea of scale and pattern recently. This thought arose because of a presentation I gave in March on Ettore Sottsass and the Memphis Group. The talk was part of the monthly On Design Lecture Series that we host in our studio as staff development but is also open to our community… Read on

As part of our On Design and Makeshift conversation and event series, we have led discussions on various design movements and schools of thought (like Bauhaus, Arts and Crafts, and Memphis), the business of artisan craftwork, and designers like Charles and Ray Eames. This week’s discussion takes a turn toward a new design arena—Biophilic Design… Read on

Roman Alonso, Steven Johanknecht, Pamela Shamshiri, and Ramin Shamshiri are Commune—an inter-disciplinary collective of artists that work in the design realm. Commune is a design firm, but they are also much more than that; they invent moods and spaces for residential clients and for public space, design graphics and branding concepts, and create products that… Read on

There may be no more relevant time than now to talk about Slow Design, specifically Slow Fashion, as the body count in a collapsed garment factory in Dhaka, Bangladesh – a factory that churned out Fast Fashion for American consumers – surpasses 900. As we prepare to travel to New York for MAKESHIFT 2013 to discuss… Read on

Leslie Williamson’s beautiful first book, Handcrafted Modern, captures several homes and interiors of some of the mid-twentieth century’s most loved architects and designers. The photos and essays blew us away and left us wanting for more. With a little more support for her Kickstarter campaign, we just might get to see her second book, Handcrafted Modern… Read on

“Sustainability is the forerunner of greater diversity and choice, not less.” – Paul Hawken In the book Fashion & Sustainability: Design for Change, our friends Kate Fletcher and Lynda Grose tackle the issue of sustainability in the fashion world. Within its pages you will discover practices that have the potential to transform the fashion system… Read on

We finished our week of MAKESHIFT with Crafting Design, a chair workshop hosted at Partners & Spade in New York City. From the New York Times piece “Pull Up a Chair, Then Fix It” by Andrew Wagner: “Last Saturday, as part of a conference called MakeShift, Natalie Chanin, the founder of the fashion label Alabama… Read on

As Alabama Chanin has grown and evolved, we have built a business model that I strongly believe in. Many of you have been with us from the beginning, and many of you have found us along the way. On a daily basis, we receive a bounty of emails, phone calls, and letters. Here we have… Read on

On the 18th of November last year, Natalie held a Facebook Chat about Design Process + Manufacturing as part of her EcoSalon Post titled: From Field to Fashion. Here is a synopsis of the conversation that unfolded.  Keep the conversation going in the comments section of this post and come back each week to read… Read on

There has been such a buzz around the studio these last weeks as we prepare for the holidays. So much buzz, in fact, that I have not really had time to sit down with our new book,  Alabama Studio Sewing + Design. Last night, I remedied that with a quiet house, a  cocktail, and my… Read on

Beautiful catalog by the folks at Pentagram. Why Design Now? by Ellen Lupton

Everyone is raving about Bradley Quinn’s new book Textile Designers at the Cutting Edge. And THANK YOU to Bradley for including our work at Alabama Chanin.

I am very excited to be included in this seminar and looking forward to visiting Stavanger and seeing The World of Folk exhibition: International Design Seminar – Folk Futures With: Li Edelkoort, Tord Boontje, Natalie Chanin, Dick van Hoff, Hella Jongerius, Peter Marigold, Mike Meiré, Fernando & Humberto Campana. As part of this summer’s A… Read on

Follow along on Instagram for more inspiration and stories we love.@alabamachanin Closely Crafted is a newly launched non-profit organization dedicated to preserving and revitalizing craft in the American fashion industry. By nurturing artisan equity and critical awareness of the craft, Closely Crafted is working to build a sustainable future for our industry and empower the… Read on

The Alabama Chanin 21 Years celebration continues tomorrow, highlighting the years from 2004 – 2006 during which Natalie collaborates with more artists and designers, becomes a member of the Council of Fashion Designers of America (CFDA), and founds Alabama Chanin—a career milestone in 2006.  This celebration marks Natalie’s legacy in sustainable design and honors our collaborators,… Read on

Left: “Plate 110. Wall hanging, Jacquard weaving”, 1925; right: “Plate 111. Wall hanging, three-ply weave”, 1926 by Anni Albers from Anni Albers: On Weaving (New Expanded Edition) by Anni Albers with afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T’ai Smith. “Most of our lives we live closed up in ourselves, with… Read on

Left: “Untitled”; Right: “Buds”, 1959 by Agnes Martin. From Agnes Martin, 2015 edited by Frances Morris and Tiffany Bell (pages 50–51).  “Beauty is the mystery of life. It is not in the eye, it is in the mind.” — Agnes Martin As we usher in June, we’re happy to celebrate Pride Month and the LGBTQIA+ community. This week… Read on

In 2017, we featured Kathy Hattori of Botanical Colors in our Indigo Stories series on The Journal (among many other movers and shakers in the natural dye world). For our new readers, we revisit her background, her work with Alabama Chanin, and share the mission of Botanical Colors—with who we’ve recently collaborated on for our capsule collection of… Read on

Clockwise: The Painted Maggie Top kit contents in Black; Textile Paint color studies from the development of Maggie’s Dream; Painted Cropped Car Jacket Kit in Black; Fabric Detail of the Maggie’s Dream design in Plum Extra-Long Staple Medium-Weight Cotton Jersey; Painted Francis Tee Kit in Black. At The School of Making, stenciling is a cornerstone… Read on

Thank you to Laird Borrelli-Persson and Vogue for including Alabama Chanin in their recent article, The United States of Fashion. Read the excerpt below and view the entire story here.   “Twenty years ago, Natalie Chanin returned home to Florence, Alabama, to reconnect with her roots and the hand-makers there for what was to be a one-off project. She never… Read on

From top left: Luna Rae Top in White Gold Palm; The Willie Top in Blue Slate; Waffle Caftan in Natural; Lightweight Organic Cotton Face Mask in Black; Left and bottom right: Lee Dress, 2017; Top right: Chandler Jacket and Austin Skirt, 2018 by Natalie Chanin for Alabama Chanin from The Women who Revolutionized Fashion: 250… Read on

Legendary photographer Bill Cunningham once said, “The wider world that perceives fashion as a frivolity, as something that should be done away with…fashion, you know, point of fact, it’s the armor to survive the reality of everyday life. I don’t think you could do away with it. It would be like doing away with civilization.”  Of course,… Read on

Image: Black Mountain College via OurState.com  “But most important to one’s own growth is to see oneself leave the safe ground of accepted conventions and to find oneself alone and self-dependent. It is an adventure which can permeate one’s whole being. Self-confidence can grow. And a longing for excitement can be satisfied without external means,… Read on

Those traveling to The Shoals often ask for the best routes into and out of the area. I’m not sure what your definition of “best” may be, but I personally love to travel visually interesting routes, when time allows. For those that have the time and inclination for a scenic drive, I always recommend taking… Read on

Expanding on design programing, we developed three new stencils for The School of Making that build on the design series’ connection to nature and geography. Inspired by strong graphics and the natural world are Abstract and Canopy. With bold shapes and leaf motifs throughout, Abstract (35.5” x 31) is available as both a Mylar stencil and a… Read on

On the heels of our Alabama Chanin x Heath Ceramics jewelry collaboration, we spoke with Rosalie Wild, Product Designer at Heath Ceramics, who gives us a more in-depth look at the hand-etched Alabama Chanin jewelry line, how it’s made, and how the materials are sourced. AC: Are the bars themselves produced from ceramic “scraps”? RW:… Read on

“The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable.” ― Isamu Noguchi Founded in 1948 by Edith Heath and her husband Brian, San Francisco-based Heath Ceramics have long been creators of functional and beautiful tableware and… Read on

If you are a long-time reader of our Journal, you might be familiar with Phillip March Jones and Institute 193. Phillip is a friend and collaborator who founded the non-profit gallery, venue, and publishing house, Institute193 located in Lexington, Kentucky. He is also an artist, photographer, and author—and most recently opened a collaborative project space in New… Read on

The “Summer of the T-shirt” continues, and today we introduce a (very) limited-edition run of one-of-a-kind graffiti tees as part of our new capsule collection, “Graffiti: Red, White, and Blue”. The tees are made from recycled cotton t-shirts and are a callback to the early days of Alabama Chanin (more on that here) and Natalie’s… Read on

In March, we introduced new Collection designs on the Spring Equinox. Two months later, as we begin to dip our toes into summer, we expand on the Collection with a handful of new designs to welcome the change of seasons. Even though our designs are not classed to a particular season, we do find inspiration… Read on

If you attended or read about any of our Makeshift events, you already know how much we respect and admire designer Maria Cornejo. She has been both conscious and vocal about fashion’s impact on the environment for many years—certainly before “sustainability” became a buzz word. Much of her design approach focuses on efficiency, and so… Read on

Since America’s earliest days, individuals have used clothing and fashion to project their social status and political ideals. Even the first colonists used clothing to demonstrate their wealth or political status. Purchasing power meant social prominence and cultural importance. Some communities, like the Puritans and Amish communities, used their clothing as a different type of… Read on

Rinne Allen, collaborator and inspiration behind our most recent capsule collection, is the creator of a series of photo essays titled “Harvest”, a number of which have been published by T Magazine, of The New York Times. The Harvest Series is a first-person look at our regional agricultural systems, examining the individuals who work in… Read on

We recently introduced our readers to The Commons, a Charleston-based shop selling responsibly produced, American-made goods for the home. Founders Erin Reitz and Kerry Speake curate a careful selection of high-quality, hand-crafted products. In 2015, Erin and Kerry launched a partnership with STARworks, a non-profit from Star, North Carolina, that focuses on supporting the local… Read on

As a female business owner, Natalie is constantly asked questions about what it is like to be a woman AND entrepreneur, what it takes to start a company from scratch, and how to “have it all.” I hope that we have been able to dispel the “having it all” myth, but even now—after a decade… Read on

Design*Sponge founder Grace Bonney began the design blog in 2004—according to her, on her lunch breaks at the office. Grace worked at or freelanced for many of the big design magazines: Domino, House & Garden, Craft New York Home, Food & Wine, In Style, Better Homes and Gardens. And so, she took the leap and decided… Read on

Last December, Natalie was invited by Chef Ashley Christensen to speak at Raleigh’s Contemporary Art Museum, presenting a lecture celebrating women in art and design. Ashley, who has been a constant source of inspiration for us, is deeply involved in the organization and in her community in Raleigh. As a thank you gift, Natalie received… Read on

Anyone who has ever attempted to make a garment quickly understands that the most important element of the final product is how well a garment fits. Tailoring is the art of designing, fitting, fabricating, and finishing garments. The word “tailor”, which first appeared in the Oxford Dictionary in 1297, comes from a French word—tailler—meaning “to… Read on

I met Dr. Timo Rissanen several years ago, just as he was taking on the role of Assistant Professor of Fashion Design and Sustainability at Parsons School of Design. He is a pioneer in zero waste design, co-authoring Zero Waste Fashion Design with Holly McQuillan. If you’ve not heard of Zero waste, this genre of… Read on

In 1984, author Cara Greenberg wrote a book on home and furniture design from the 1950s, coining the phrase “mid-century modern” —which she also used it as the title, Mid-Century Modern: Furniture of the 1950s. I recently unearthed this long-lost beauty of a book while reorganizing our studio library. Mid-Century Modern exemplifies the pinnacle of… Read on

I looked down at my calendar recently and was stunned to realize: this year is almost over. It seems like it was just yesterday that I was thinking summer vacations and tomato sandwiches. Now, I have to shift gears and get into holiday mode—quickly. It seems the older I get, the more I seem to… Read on

Longtime collaborator Rinne Allen is a skillful storyteller in that she sets the stage, creates a visual narrative, and allows you to see through her same lens – without being heavy-handed. It is her light touch that allows Rinne to present her subjects in the best, most straight-forward, and appropriate manner but allows those subjects,… Read on

Newsletter #33 shares our newest Collection, as well as updates to our Cook + Dine section online. Our design team is also working on new designs for our Basics line—coming soon. We have a series of upcoming events at The Factory, which include our Friends of the Café Dinner on October 24th and an On… Read on

“I am a designer and I want to design things.”  – Ettore Sottsass When Alabama Chanin started our MAKESHIFT conversation nearly three years ago, inspiration came from several places and sources. The core idea was, and still is, that through the gathering of like-minded folks (writers, designers, thinkers, artisans, creators) we could elaborate on the… Read on

I am happy to greet May, partly because April came “as advertised”—dropping buckets of rain—but also because May is filled with so many good things. So many, in fact, that I might feel differently by month’s end, but for now I am ready. There are workshops, both at home and afar. Maggie finishes school at… Read on

Like the rest of the world, the fashion industry has widely utilized Instagram (the photo sharing app with over 300 million users) to share insider glimpses into brands and lives, highlight the creative process, and find simple ways to connect to followers. Brands and consumers are sharing personal, visual “moments” in their lives (of course,… Read on

With the launch of Alabama Studio Sewing Patterns and our updated online Studio Books + Patterns page on Friday—including new garment patterns and stencils offered as downloadable PDFs—we are offering a growing range of designs that require printing, either from a home printer or from wide-format printers found at print shops across the globe. Alabama… Read on

With the arrival of April (and the announcement of our partnership with Nest), it feels as though we are finally settling into the year. April’s warmer weather is also welcomed with open arms (and horseback rides). April is a busy month. April is National Poetry Month. Poetry lovers can begin a project using our Poetry… Read on

In our ongoing Makeshift conversation on design, craft, food, DIY, and fashion—and how they intersect—we continue to adapt open-source patterns from other designers and brands using Alabama Chanin techniques. This experiment demonstrates how open-sourced materials and collaborative works can be used in any number of ways and tailored to almost any personal style. For this… Read on

With 2014 coming to a close and a brand new year upon us, it is time to reflect on all we’ve accomplished—slow in design, but rapid in growth—during the past year. But first and foremost, we want to thank each and every single one of our supporters, friends, collaborators, partners, and everyone who has made… Read on

A warm “thank you” to Debbie Elliott and everyone at National Public Radio for their story about our collaboration with Billy Reid on Alabama grown cotton. And, thank you to K.P. and Katy McNeill, Erin Dailey, and Lisa and Jimmy Lenz—they all know how to dream big (and work hard to get there). If you… Read on

Written by Ted Ownby and Becca Walton Situated at the intersection of necessity and creativity, southern fashion lets us ask questions about place and historical context, power, and identity. Every garment has a designer, maker, wearer, and viewer, and we can study all of them. We can tell local stories about designers and seamstresses, farmers… Read on

In 2005, photographer Leslie Williamson made a wish list of all the houses that she hoped to visit in her lifetime. The homes belonged mostly to her favorite architects and designers, who had offered her creative inspiration throughout her career as a photographer. She was curious to learn what inspired them in their home and… Read on

The music that flows through our community is nothing short of amazing. I’ve written many times about the rich musical history of The Shoals area—and I’m proud of all the up and coming artists, producers, and managers that strive to create great music in our hometown (including members of the Alabama Chanin staff). Our graphic designer, Maggie,… Read on

Two years ago this week, we were picking organic Alabama cotton. Today, The New York Times – T Magazine shares that journey. Thank you (and a BIG hug) to Rinne Allen for taking this journey with us. From Rinne: “Two years ago, I found myself knee-deep in a field in rural Alabama, picking organic cotton… Read on

At Alabama Chanin, we’ve spent years working with textiles to find the perfect medium for our techniques and products: 100% organic cotton jersey. We are drawn to artists who utilize what some might call ordinary materials and tools to create extraordinary work. Dana Barnes has done just that; she has taken familiar techniques like crochet and… Read on

Last year, I was introduced to Inez Holden over a glass of dry white wine at a fundraising event in our community. Mrs. Holden’s story, told with humor and passion, reminded me that the fashion industry runs deep here in our community. Before Alabama Chanin and Billy Reid, there was Bubbles Ltd. As Alabama Chanin… Read on

We often speak about our home, our state, and our community that provides an incredible amount of inspiration for our work. We are not alone: friend and occasional collaborator, Billy Reid, also headquarters in the same community. It has been mentioned (and is remarkable) that Alabama has the third largest membership in the Council of… Read on

Sass Brown’s ReFashioned: Cutting Edge Clothing From Upcycled Materials, is the second in a series focusing on the eco-fashion movement. Previously, in Eco Fashion, she examined designers and labels (including Alabama Chanin) practicing sustainability in the fashion industry.  In ReFashioned, she features 46 international designers who create using recycled and upcycled textiles. The result is… Read on

Vogue designer patterns, which are available to all at reasonable prices, are excellent examples of resources contributing to and encouraging the DIY opportunities in modern fashion. The existence and availability of such resources help us to continue our ongoing conversation on design, craft, and fashion and how they intersect. As part of our ongoing series… Read on

Looking back at what we have accomplished this year at Alabama Chanin, I feel nothing short of overwhelmed. With the help of many friends, Alabama Chanin has grown in ways I only imagined. Our company is the best it has ever been, and will only get better. Over the summer, and on the heels of… Read on

Our continued practice of responsible and sustainable design and production will grow even more now, thanks to the CFDA/Lexus Eco-Fashion Challenge. I am honored to be this year’s recipient of the grand prize of $75,000. With the award, Alabama Chanin will support our company growth, which includes our machine-made garments under the label A. Chanin,… Read on

Fellow designer and neighbor, William “Billy” Reid (“Nobody calls me William,” he says), and his business partners, Katy and K.P. McNeill, have been friends to Alabama Chanin for over a decade. We’ve watched each other grow our businesses and our community. We’ve worked together on countless projects and events over the years, including our favorite… Read on

As this posts to our Journal this morning, part of our Alabama Chanin team will be in the air and on their way home from MAKESHIFT 2013. We hope that you have followed our explorations and conversations during New York Design Week via Instagram and have had conversations of your own.  Leaving MAKESHIFT this year,… Read on

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear,… Read on

SHIFTING THOUGHTS ON DESIGN, FASHION, COMMUNITY, CRAFT & DIY Over the four days of New York Design Week (May 19-22, 2012), Alabama Chanin–in collaboration with its fashion and design partners–is organizing a series of talks, workshops, and gatherings with leaders in the fashion, design, and craft/DIY communities. The events bring together a dynamic combination of… Read on

It’s the time of year when most of us start to look back at the past year to take stock and plan for the next. As a company, Alabama Chanin is no different. With a lot of help from our friends, we’ve brought the year to a (BIG) close with our first online Garage Sale…. Read on

It’s no secret that there seems to be a disconnect between the worlds of fashion and craft. The terms, themselves, can be a bit polarizing despite their incredible commonality. Alabama Chanin is no stranger to straddling that line between the two; to us, craft and fashion definitely go hand-in-hand. On a recent weekend, I spent… Read on

In a world of mass-production and over-harvested resources, I find it a delight and a luxury to come across a responsibly crafted product, especially around the holiday season.  Unsurprisingly, living, producing, and creating sustainably has become a skillful artistry, and sustainable craftsmanship and process is quickly on its way to being the ultimate in luxury… Read on

Thank you to the Wall Street Journal for including me for their “In My Kitchen” series. “Crafty Cook Natalie Chanin”  by Charlotte Druckman (who was a pleasure to work with). Here you have the full interview (with a small disclaimer) and the recipes for the full menu we cooked that day: “I GOT MY NICKNAME… Read on

Cathy Bailey of HEATH Ceramics has frequented this blog for a number of years as a friend and a colleague. After loving her work (and her) from afar, we were fortunate to collaborate with HEATH Ceramics to produce a line of table and dinner wares that were launched last fall. Cathy (her husband, Robin), and I share… Read on

For the past few weeks, my mind has been on the subject of ‘craft’ even more than usual as I continue to work on MAKESHIFT: shifting thoughts on design, fashion, community, craft & DIY- a series of events, discussions, and workshops held during ICFF New York Design Week. How appropriate it is to have received… Read on

Last month, we introduced Jessamyn, a new contributor to this blog. Sharing the story of the Triangle Shirtwaist Factory fires cast a sad light on the history of labor laws in the U.S; however, she showed us how to find better joys in fashion, ecology, and ethics. She has since written about the meaning of D.I.Y…. Read on

Yesterday, a well awaited package was delivered to the Factory: organic, or “black” cottonseed, as I’ve learned it is called. In our effort to grow organic cotton, we’ve taken a step-by-step approach. We started with the seed, and now we move on to the land. We are learning as we go, and taking every experience… Read on

Thanks to everyone who came out for our Visiting Artist Series with Faythe Levine. It proved to be a fantastic evening of crafting, conversation, and Old-Fashioneds. In addition to the interactive crafting that ensued, Faythe held a seminar where she lectured on ‘Craftivism’, her work and travels (examples include urban camping in Detroit and a… Read on

As we started to learn about organic cottonseed, we discovered that there are significant challenges associated with seed supply. Our conversation began with industry leaders, as we had our fair share of questions. This week we continue our discussion on the process of growing organic cotton in an interview with Lynda Grose. Lynda has been… Read on

We all encounter bumps in the road, but with encouragement and tenacity, we persevere. Back in 2001, I faced one in my life. I returned to New York to continue developing my life’s work into what is now Alabama Chanin. At the time, I was living in the Chelsea Hotel on West 23rd Street while… Read on

They make fashion; they curate a magazine called “Zina Cava;” Maggie Gyllenhaal models for them; they are, in my opinion, the coolest duo to come along in the fashion industry in years. They host dinner parties instead of fashion shows and give away posters like the one below celebrating their 8 years in business. It’s the kind… Read on

I arrived in Alabama from New York on December 23rd, 2000, to start the project that has become Alabama Chanin. When I was writing the proposal for the project, I called my aunt Elaine to ask if she might help me find a house to rent near her, in the community where my grandparents had… Read on

Our floor-sweeping skirt is made of soft, wearable jersey. The pull-on design is framed by stretchable stitching, and can easily be worn slung low on your hips or high above your natural waist. The Long Embroidered Skirt is comfortable enough for every day, but the incredible all-over design and details allow it to fit any… Read on

In the autumn of last year, I was contacted by a New York University professor from the Liberal Studies department named Jessamyn Hatcher.  She had gotten my email address from our mutual friend Sally Singer and wanted to know if we would be willing to discuss a field trip that she was planning with her… Read on

Subtraction Cutting School (published by the Center for Pattern Design) first came to my attention one afternoon in New York City when I had the chance to sit and talk with Timo Rissanen.  That afternoon, Timo had just moved to New York and began his post as Assistant Professor of Fashion Design and Sustainability at… Read on

After lofty plans to post each day about the last decade – and the next, my computer slipped from my hands last Tuesday morning and crashed (literally) to the floor and shattered. Later that afternoon, my Blackberry decided to follow suit.  My deduction was that it was time to take a much needed sabbatical from all… Read on

A few years ago, my friend Sara helped me work on organizing my collection of books into a (very loose) library format. The tomes were divided by a “genre” that I determined by somewhat random method but that made sense to me.   Books on textiles got a red sticker on the spine and books on… Read on

For the 2023 Project Threadways Symposium, Dr. Katie Knowles delivered a keynote presentation at the Kennedy-Douglass Center for the Arts in downtown Florence. Titled “Assembling a Life: Sarah Tate’s Things,” the presentation centers on a collection of items that once belonged to a woman named Sarah Tate, who was born enslaved and died in 1915…. Read on

The Winter Trees. Natalie’s Garden.Thank you.  A Note from Natalie: I’m sending this note while en route to Paris with Collection #67: Natalie’s Garden in tow, headed for the spring presentations. While these forty-eight new styles travel to their unveiling at the Palais-Royal, Collection #66: The Winter Trees launched online this past Tuesday. The ever-unfolding succession of… Read on

Two years ago—at the big 6-0—I requested that, in lieu of birthday gifts, anyone who felt called to honor me with presents would instead donate to causes that are near and dear to my heart. In 2021 I started a design scholarship at my alma mater, North Carolina State University College of Design, because I… Read on

An excerpt from Embroidery: Threads and Stories, by Natalie Chanin. The origin of the word Alabama is still debated. Some believe it is derived from the Choctaw language, translated as “thicket clearer”—hinting at the agriculturally adept tribes that cleared the thicket for cultivation. As a child, I was certain that this was the best interpretation,… Read on

Collaborations. Collections. Embroidery.A note from Natalie. I’m sending this out from Salem, Massachusetts—where fall is approximately 566 miles north of home. When packing for the trip, I began thinking about the idea of seasons traveling at approximately 15 miles per day or 100 miles per week with the rotating axis of the earth. This puts Salem approximately… Read on

Our workshops are designed for flexible and personalized learning. No matter where you are in your hand-sewing journey, we can provide assistance and recommendations for the next (or first) step. Here’s an outline based on experience level: Beginner:Three-Day WorkshopVirtual: Intro to Hand-SewingVirtual: Embroidery Techniques Intermediate:Three-Day WorkshopClassic Studio WeekVirtual: Intermediate Hand-SewingVirtual: Embroidery Techniques with BeadsVirtual: Embroidery… Read on

Above: Fashioning America: Grit to Glamour, edited by Michelle Tolini Finamore. Read (or listen) along with us. #AlabamaChaninBookClub(Updated August 21, 2023) Some of the links below contain affiliate links. By purchasing a book or audio recording at these links, Alabama Chanin, The School of Making, and Project Threadways may receive a portion of the purchase… Read on

Fabric.It’s our most important asset. Introducing our new Scrap Project—a sustainable and creative initiative that adds to the maker experience. Beginning today, every DIY Kit order will include not only all the materials you need to create a project, but we’re also including the cutting scraps from the process of creating each kit. We believe… Read on

At The School of Making, we use the term appliqué for a variety of techniques used in combination with organic cotton jersey. For some designs, we construct our garments or projects first and apply appliqué and other embellishments afterwards.  Find instructions for applying appliqué before construction of the garment or project here. APPLIQUÉ INSTRUCTIONS |… Read on

Appliqué /ap·pli·qué/  noundecorative needlework in which pieces of fabric are sewn or attached onto the top of another piece of fabric to form patterns and/or pictures verbthe act of decorating a garment or fabric with pieces of fabric sewn or attached to form patterns and/or pictures At The School of Making, we use the term… Read on

Couching is a traditional embroidery technique that’s been used for hundreds of years. Historically, yarn (or some other form of rope) was laid on top of a surface and sewn into place with a satin stitch. At The School of Making, we define couching as a type of appliqué in which cotton jersey ropes are… Read on

Original Publication Date: October 27, 2016Updated: May 22, 2023 There is a lot you can say about Scott Peacock: James Beard Award-winning chef, engaging storyteller, collaborator and co-author to Edna Lewis, budding farmer, writer/filmmaker, experimenter with indigo, and the creator of the inspiring Alabama Biscuit Experience in Marion, Alabama. As we launch our 2023 Summer Indigo… Read on

Above: from The Quilts of Gee’s Bend by William Arnett, Alivia Wardlaw, Jane Livingston, and John Beardsley; quilts by Loretta Pettway. Photograph by Abraham Rowe. The 2023 Project Threadways Symposium will be held April 20-22 in Florence, Alabama. In-person and virtual tickets are available—purchase yours here. ORIGINS AND VOICE OF THE 2023 PROJECT THREADWAYS SYMPOSIUM… Read on

Pictured above, Embroidery: Threads and Stories, pages 74-75: (from left to right) Piney Creek, Tennessee River backwater, Limestone County, Alabama, photo by Abraham Rowe. Spiral screen print design, photo by Robert Rausch. County Road, Limestone County, Alabama, photo by Abraham Rowe. The Tennessee River has shaped the human experience in northwest Alabama for over 12,000… Read on

From top, left to right: Fabric swatch of the Fiorire paint design on organic canvas; menu for the Friends of the Café Dinner for Project Threadways, featuring Chef Nicole Mills; The Nieve Skirt in Wax; The Noto Bandana; A Field Guide to Getting Lost by Rebecca Solnit; Alabama Chanin Core Club in Navy and Natural…. Read on

Introducing Virtual Workshops, a remote learning series for beginners and experienced makers alike. Taught by The School of Making instructor Sunne Meyer, each two-hour workshop focuses on the physics of hand-sewing, embroidery, and construction. Once enrolled, guests receive workshop information and a form to choose a DIY Kit and/or materials for the class. As the… Read on

Outerwear DIY Kits from The School of Making: #memade appliqué and embroidery for everyday.Explore the styles below and browse new colorway options. _________ Join one of our virtual workshops, and apply those skills to crafting the perfect coat, jacket, skirt, and everything in between. Intermediate Hand-Sewing | April 7, 2023 Advanced Construction Techniques | October… Read on

Pictured above: Detail of The Shoals Area; map via AllTrails In her book, First, We Make the Beast Beautiful: A New Journey Through Anxiety, Sarah Wilson explains how walking helps calm her anxiety and balances the nervous system. In the chapter titled “Slow…” her declaration, “I’m also a mad hiker,” appeals to my heart and… Read on

Pictured above: Kinlock Falls, photographed by Abraham Rowe The landscape of the Muscle Shoals National Heritage Area (MSNHA) moves from the flat valley floor of the Tennessee River to the hills of the Highland Rim and the Cumberland Plateau, creating a variety of hiking experiences. Many of our favorite sites—such as Bankhead National Forest—have rich… Read on

Follow along on Instagram for more inspiration and stories we love.@alabamachanin What We’re Watching (via @swissmiss): Beyond the Visible: Hilma af Klint from Kino Lorber Films. @kinolorber Learn more and watch the full documentary here. Explore Hilma af Klint’s work and legacy as one Sweden’s most experimental and influential artists. Weekend Digest: “Dealing with Dignity… Read on

Pictured above: A south-bound dirt road leading toward the swampy backwater and hidden landscapes of Mooresville, Alabama, photograph by Abraham Rowe The National Heritage Area program began in the 1980s and includes 55 National Heritage Areas today. The program is funded through the National Park Service and carries their mission outside of park boundaries into… Read on

Follow along on Instagram for more inspiration and stories we love.@alabamachanin Natalie Loves: Emma Thompson in Good Luck to You, Leo Grande. #oscarworthy Stream the film on Hulu (and watch for a scene featuring one of our favorite hometown hits, “Always Alright” by the Alabama Shakes).  Read: “Emma Thompson and the Challenge of Baring All… Read on

September 12, 2022 marks Natalie’s 61st birthday, and we’re raising a glass to celebrate this special day for Alabama Chanin’s founder, fearless leader, creative director, jack of all trades, and H.B.I.C. (lovingly proclaimed head b*tch in charge—with the t-shirt to prove it). All of us at Alabama Chanin wish Natalie a beautiful, vibrant, inspiring, celebratory… Read on

Embroidery opens with Natalie Chanin narrating a series of moments from her life: speaking at The Moth, standing dumbstruck on a New York City street corner, dancing in Naples, swimming in Venezuela, screaming into Angry Cove, coming home to Alabama in the middle of the night. Over the course of the book, she connects these… Read on

Follow along on Instagram for more inspiration and stories we love. @alabamachanin “Summer passes and one remembers one’s exuberance.” —Yoko Ono Summer Living: The Poe Dress | $1,498 The Poe Dress offers a feminine silhouette with a v-neckline, a double tie closure, a fitted bust, and a gentle flare through the body. This sleeveless wrap dress… Read on

Follow along on Instagram for more inspiration and stories we love. @alabamachanin The Washington Post: “Florence, Ala., offers Nashville’s soul and flavor, without the hassle.” Read a recent profile on our community of The Shoals via @washingtonpost. Plan your trip to The Shoals, and explore upcoming events @ The Factory and within our community.  Inspiration:… Read on

Clockwise: Fabric Swatch in Ballet/Ballet with Latticework Passementerie and Herringbone Stitching; Passementerie-inspired dress from the Dolce & Gabbana Spring 2015 RTW collection; “Miscellaneous Shroud Knots (Plates 69–90)” from Encyclopedia of Knots and Fancy Rope Work, 1939 by John Hensel and Raoul Graumont; July 2022 Swatch of the Month detail featuring Latticework Passementerie and Herringbone Stitching… Read on

Follow along on Instagram for more inspiration and stories we love. @alabamachanin The Perfect Tees: A word on our favorite tees from Erin Reitz, Alabama Chanin’s Design Director (and t-shirt lover). The Boxy Tee | $138 Fabrication: Medium-Weight Cotton Jersey (Organic + Domestic) Fit: Boxy with a slight crop, traditional short sleeve “I love the… Read on

Follow along on Instagram for more inspiration and stories we love. @alabamachanin Natalie Loves: Bed, a limited-edition booklet by Maira Kalman released on the first morning of Summer. @mairakalman “What is better than bed?There is no place I love more.The precise, ecstatic momentof getting into bed.The covers. The pillows.The womb. The cocoon.Beautiful blissful bed.” —Maira… Read on

For over a decade, we’ve had the joy of collaborating with Cathy Bailey and Robin Petravic, the visionary husband-and-wife duo behind Heath Ceramics. For the newest Heath Ceramics x Alabama Chanin collection, Natalie, Cathy, and Robin set out to create two new hand-etched designs that represent each company’s heritage and work in the preservation and… Read on

A closer look at a few of the textiles, stitches, and silhouettes that served as inspiration in developing featured projects and materials for June. Studio Bundle #2 is the color palette and common thread that is woven through newness at The School of Making, from June’s Swatch of the Month design to newly released DIY… Read on

“Untitled (S.270),” 1954–1958 by Ruth Asawa via the Whitney Museum of American Art; Fabric Swatch in Abstract Camel/Camel with Reverse Appliqué; Installation views of Todd Hido: The Poetry of Darkness for the University of Kentucky Art Museum via Institute 193; Family, 1965 by Margaret Mead and photographed by Ken Heyman; The A-Line Top + Tunic Kit in Abstract Navy/Navy; Color sample swatches from the development of Studio Bundle #2. The School of Making… Read on

This week’s installment of Stories We Love highlights our latest collaboration with Heath Ceramics (@heathceramics). Watch for more inspiration and stories from the development of the Echo collection coming up on the Journal. Natalie at Home: Photographs by Rinne Allen (@rinneallen) Alabama Chanin x Heath Ceramics etched dinnerware. @heathceramicsMuir Flatware in Tumbled by Heath Ceramics…. Read on

Continuing our new weekly inspiration series where we share the stories, works, and musings that inspire Natalie and our team each week. Follow along on Instagram @alabamachanin to see more stories that #NatalieLoves each week. (P.S.— Explore our inaugural Stories we Love post here.) InStyle: “Peek Inside Alabama Chanin Founder Natalie Chanin’s Gorgeously Curated Home.”… Read on

Introducing our new weekly inspiration series where we share the stories, works, and musings that inspire Natalie and our team each week. Follow along on instagram @alabamachanin to see more stories that #NatalieLoves each week. Congratulations to @cedric.burnside on his @recordingacademy win and to the whole @singlelock family for a year of award winning sounds…. Read on

Our beloved Classic One-Day Workshop is back, with registration now open for Friday, July 8th. This workshop teaches fundamental skills and techniques for designing, embellishing, and constructing the hand-sewn garment of your choosing. Register for the new One-Day Classic Workshop here. Our Individual Studio Days offer a personalized workshop experience and one-on-one instruction, uniquely tailored… Read on

Led by our team of experts and skilled artisans, The School of Making workshops offer immersive, hands-on education in all things DIY and hand-sewing.  Suited to specific areas of interest and experience levels, upcoming workshops range from virtual and beginner courses to highly specialized weeklong sessions. In addition to teaching skills and techniques to carry… Read on

Maggie’s Dream uses our classic Magdalena Stencil and is intended to be made without embroidery, showcasing the unique graphic pattern. The layered, dream-like design was inspired by the drop cloths in our stenciling department, which become a work of art in their own right as they collect layer upon layer of various textile paints and… Read on

“Everything I do starts in a small black book. I make lists. I draw. I take down notes, memorable quotes, or random thoughts. Things seem to expand out of those pages.”—Phillip March Jones  The covers of our Phillip March Jones Journals, shown below, are printed with vibrant designs from the sketchbooks of artist, writer, and friend, Phillip March… Read on

2021 marks the tenth year of our annual review, looking back on the highlights, and accomplishments, of the past year.   We are grateful for the opportunity to do what we love for another year—being stewards of sustainability, sharing inspiration, creating designs and experiences with our family, friends, colleagues, and guests. We recognize that many of… Read on

In the spirit of the holiday season, we are reminded:   “Live by the Word (your word, your heart, your humanity, your humility, your best self, your fear, your higher power) and keep walking.” —Alice Walker  Revisit Alice Walker and Living by the Word here in this essay from Natalie.   And also follow Natalie’s journey here through Alabama Chanin’s 21 Years… Read on

“Much of the social history of early America has been lost to us precisely because women were expected to use needles rather than pens. Yet if textiles are in one sense an emblem of women’s oppression, they have also been an almost universal medium of female expression. If historians are to understand the lives of… Read on

“Serial in production, social in philosophy, circular by design, and faithful to longevity, Natalie’s collections signalled that international fashion could break the industry’s seasonal cycle and come from anywhere, even deep in the heart of Alabama where quilt-making became a movement at Gee’s Bend one century before. Local and global while defining a contemporary version of Americana… Read on

Twenty.one onward through the liminal wan.der.lust air and love stitches  at the edge of nature freefall  renegade we are always coming home   trails of overgrown memories home.town love the thread catch my soul  scrub me new me together return to rethread aspire homeward  crafting web embellish.life storytelling core to live  and inspire  Created in collaboration with Diana Weymar of Tiny Pricks Project, Alabama Chanin x Tiny Pricks Project is a collection of 21 one-of-a-kind jackets,… Read on

Tomorrow, we continue celebrating 21 Years, launching a collaboration with our friend and forward-thinking maker Diana Weymar of Tiny Pricks Project. The Alabama Chanin x Tiny Pricks Project is a collection of 21 one-of-a-kind jackets, each embroidered with lines from a poem titled Twenty-One Years. The poem, using words and sayings from twenty-one years of work, was written in a collaboration between… Read on

“Natalie and her team lead with the heart. The passion they have for people and mother earth is palpable. It is evident in everything they do – from fabrics to food, from hospitality to home goods, from workforce development to the way they share the work of others they admire.” —Malia Mills, swimwear designer and… Read on

Left: “Inspired By quilt”, 2014 by Beth Shibley, Los Alamitos, California, contributor Quilt Alliance with accompanying essay “Flags of Hope” essay, by Natalie Chanin, published in Talking Textiles, Issue 1 for New York Textile Month, September 2016 (pages 206–207). “A quilt tells a story about its maker, specific to a time and place; a quilt, quite literally, is a whole… Read on

Left: Stack of serged reclaimed down jackets, 2014, photograph by Rinne Allen; right: Grace Malloy of Poco Farm wearing Reclaimed Down Scarves for Patagonia’s Truth to Materials collection lookbook, 2014, photograph by Jeff Johnson “A big part of the beauty of this project is the prior lives of the down jackets. We will never know… Read on

Swatch of the Month inspiration featuring Fabric Swatch in Large Polka Dot Natural/White using Whipstitch Appliqué; Fen Dress Pattern by Fancy Tiger Crafts; Fancy Tiger Crafts storefront in Denver, Colorado; Embroidery Floss; Interior shot of Fancy Tiger Crafts; Left: “Untitled”; Right: “Buds”, 1959 by Agnes Martin. From Agnes Martin, 2015 edited by Frances Morris and Tiffany Bell… Read on

Left: Etched dinnerware from the Alabama Chanin and Heath Ceramics Collaboration, bowls and mug from Heath Ceramics’ Coupe line, Alabama Chanin placemats and napkins with embroidery, 2011, featured in the T Magazine piece “Table Dressing,” written by Alexandra Lange “Depth of craft and beauty coupled with purpose [is Alabama Chanin’s most enduring quality]. There’s so… Read on

Swatch of the Month inspiration featuring the Fancy Tiger Top Kit; Embroidery Floss; October’s Swatch of the Month; Climbing Daisy Stencil artwork; right: Facets Stencil artwork from Alabama Studio Sewing + Design by Natalie Chanin (pages 132–133); Studio Bundle #3; The Starter Poncho Kit. “With just one polka dot, nothing can be achieved.” —Yayoi Kusama … Read on

Left: “Barns of the Future” featuring The Farm Project by Mike Meiré from View on Colour: A World of Folk by Li Edelkoort, 2008, photographed by Robert Rausch; right: Indigo dyed Corset in reverse appliqué Angie’s Fall from the Alabama Chanin and Goods of Conscious collaboration, 2009, photographed and styled by Sarah Lewis Moursund Join… Read on

Left: “African Burial Ground”, 2009; right: “Meanderings of an Imaginary River”, 2020 by Valerie S. Goodwin  This Thursday: Exhibition + Opening featuring fiber artist Valerie S. Goodwin | Florence, Alabama   Valerie Goodwin is a mixed media fiber artist, architect, and educator whose fine art works are included in museums and private collections. She has received degrees… Read on

Swatch of the Month Inspiration featuring Fabric Swatch in New Leaves White/Sand; Fabric Swatches in Abstract Concrete with Metallics and Tonal Paint; View of a display in Mary’s Weave Shed highlighting “Process in Work” by Natalie Chanin and Rachel K. Garceau. Photo: Rinne Allen; Loom in Mary’s Weave Shed highlighting “Process in Work” by Natalie… Read on

Left: Models in Project Alabama for Prom Night show, photographed by Billy Farrell for Patrick McMullen;  from left: Maxamilla, Ksenia, Camila, Jaja Tomorrow, the 21 Years Celebration continues to unfold with new entries from our archives, published articles, interviews, and essays. This week, we look at 2003—a year rife with collaborations and hear from more… Read on

“Organic buildings are the strength and lightness of the spiders’ spinning, buildings qualified by light, bred by native character to environment, married to the ground.” — Frank Lloyd Wright When visiting the Shoals area, or anywhere in Alabama for that matter, you should take time to visit the Rosenbaum House in Florence, Alabama. Nestled among otherwise… Read on

Left: Early hand-sewn Alabama collection “Sister Shirt”, 2001, Natalie Chanin; Right: Film still portraits from the Life Ball awareness campaign, 1999, photography direction by Sissi Farassat; Location scouting photos, photographed by Wolfgang Tschofen, Vienna,1999, photograph by Robert Rausch On September 21, 2000, Natalie “Alabama” Chanin showed her first collection, a “project” that would become Alabama… Read on

Design and color inspiration featuring September’s Swatch of the Month; The Swing Skirt Kit; Studio Bundle #3; The New Leaves Corset Kit; Fabric Swatches in Abstract Concrete with Metallic and Tonal Textile Paint; New Leaves Stencil. Following our Studio Bundle #3 launch is the arrival of new DIY kits and colorways to complement September’s Swatch of the Month and… Read on

Left: The Family of Woman: A World-Wide Photographic Perception of Female Life and Being published by Jerry Mason and Ridge Press; Right: Light Drawing by Rinne Allen featured in the Permission to Wander collection “If the beautiful were not in us, how would we ever recognize it?” —Ernst Haas Enjoy light reading and inspiration—from how trees communicate with one another to tile… Read on

Studio Bundle #3 inspiration featuring a display in Mary’s Weave Shed highlighting “Process in Work” by Natalie Chanin and Rachel K. Garceau. Photo: Rinne Allen; Studio Bundle #3; September’s Swatch of the Month; Rabun Studios Weaving Sample #16 – Color 28. Photo by Rinne Allen; Fabric Swatches in Abstract Concrete with Metallic and Tonal Paint;… Read on

September’s Swatch of the Month reflects on the creative process and journey in each of us. Using the New Leaves Stencil design, natural elements come into play and call back Natalie’s monthlong residency at the Hambidge Center in the north Georgia mountains during the summer of 2018. Register for Swatch of the Month here for… Read on

Swatch of the Month inspiration featuring Fern Stencil artwork; Plain Cake Yarn by Madelinetosh; Grid of fabric swatches testing tonal paint with Fern Stencil, Laura Zander, CEO of Madelinetosh with Plain Cake yarn; August’s Swatch of the Month; Cake stand from Alabama Studio Style; Photograph by Robert Rausch With a focus of building community through… Read on

Swatch of the Month inspiration featuring August’s Swatch of the Month; Plain Cake Yarn by Madelinetosh; Dyeing yarn in Madelinetosh dye studio; Plain Cake from The Factory Café; The Wrap Top Kit in Black; Madelinetosh Yarn. We first met Laura Zander (now CEO of Madelinetosh) at one of our sewing workshops hosted at The Factory in… Read on

“Okra flower and okra” from Root to Leaf: A Southern Chef Cooks through the Seasons by Steven Satterfield.   “Let things taste of what they are.” —Alice Waters  August produces an abundance of fresh vegetables from the garden, at farmers markets, and on the menu at local eateries. Popular in our community this season are corn, tomatoes,… Read on

August 2021 Swatch of the Month inspiration featuring: Detail of The Wrap Top Kit in Sand; Embroidery Floss; The Wrap Top Kit in Sand; Plain Cake hand-dyed yarn from Madelinetosh for August’s Swatch of the Month and DIY kits; Plain Cake Tea Towel Kit; Plain Cake yarn in Madelinetosh studio. In collaboration, Madelinetosh developed an exclusive… Read on

“Leave the door open for the unknown…” “…the door into the dark.” “That’s where the most important things come from…” “…where you yourself came from…” “…and where you will go.” —Rebecca Solnit from A Field Guide to Getting Lost Permission to Wander is a capsule collection of hand-painted designs and artisan-made objects to inspire (and… Read on

 “A word after a word after a word is power.” – Margaret Atwood  Today, National Book Lovers’ Day, celebrates a love of reading and literature. It encourages us to put down our phones and settle in with a good book. To mark this celebration, Natalie (a self-proclaimed lover of books) shares her current summer reading… Read on

“Deciding to give myself permission to wander—without a set outcome, destination, or expectation—has been a turning point in my creative process…a vital part of my seasonal rhythm.” —Rinne Allen Permission to Wander: A new capsule collection in collaboration with our friend and muse, Rinne Allen. Discover hand-painted designs and artisan-made objects to inspire (and carry… Read on

“Deciding to give myself permission to wander — without a set outcome, destination, or expectation — has been a turning point in my creative process and in my role as a mother of young children. It is now a vital part of my seasonal rhythm.”  – Rinne Allen for The Bitter Southerner  Rinne Allen is a… Read on

“Summer has filled her veins with light and her heart is washed with noon.” —C. Day Lewis  Long days and short nights, travel and adventure, rest and relaxation, summertime connects us with the natural world, inspires exploration, and delivers bountiful gardens, fresh vegetables, and our beloved tomato sandwich. Follow these links to find readings and resources for… Read on

The Summer of Love collection highlights our Love Tee—a nod to sharing with those we love. Explore inspirations from the 1967 Summer of Love movement that reflected a longing for peace and love and represents a time unlike any other in American history:   The Summer of Love Experience: Art, Fashion, and Rock & Roll — the de… Read on

Left: “Plastic is Forever” by Barbara de Vries; right: “Portrait of Barbara de Vries”. Dutch artist and designer Barbara de Vries experienced what she calls her personal transformation while walking on the beach of Eleuthera in the Bahamas about 15 years ago. She noticed bright flecks of color within the sand and initially thought they were beautiful… Read on

From Beauty Everyday by Rinne Allen, Rebecca Wood, and Kristen Bach (page 117).  “As you simplify your life, the laws of the universe will be simpler.”—Henry David Thoreau  Born on this day in 1817, poet, author, philosopher, and naturalist Henry David Thoreau was an advocate of living a simple life. Today, National Simplicity Day, honors his life and… Read on

Swatch of the Month inspiration featuring (from top left): Bead Mix in Natalie’s Mix; Fabric Swatch in Large Paradise Ochre with Couching and Accent Beading; Stars Alabama Sweater Tunic Kit; “Interior detail of Natalie’s kitchen”, 2019 by Rinne Allen; July’s Swatch of the Month featuring Beaded Satin Stars in Forest; “Andrea”, 2010 by Sissi Farassat… Read on

“Clothes mean nothing until someone lives in them.” — Marc Jacobs  Not only is a T-shirt the foundation of so many wardrobes, but it is a foundation of Alabama Chanin. Nearly two decades ago Natalie cut up her first T-shirt, sewed it back together, and set herself on the path towards Alabama Chanin. This summer… Read on

On Tuesday, we posted news of upcoming supply chain changes. These updates include both Alabama Chanin designs and The School of Making kits, bundles, and yardages. Although we will continue to offer a full-color range, as with any change in process or stock of fabric, colors and dye lots may vary.   When Natalie wrote Alabama Stitch… Read on

“For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.” — David Paul Bayles  At Alabama Chanin, we have enlisted the craftsmanship of skilled artisans for two decades. These artisans, who are independent contractors, craft our heirloom-quality Collection garments utilizing hand-sewing skills. As we celebrate Natalie’s… Read on

Swatch of the Month Inspiration: Beads + Sequins; June’s Swatch of the Month featuring Transitional Embroidery; “Shade Card” from Journeys in Natural Dyeing: Techniques for Creating Color at Home by Kristine Vejar and Adrienne Rodriguez (pages 182–183); “Oaks galls used to naturally dye June’s Swatch of the Month Embroidery Floss at the Verb Studio in… Read on

Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. – Pema Chödrön  June brings the Summer Solstice on June 20th, and its full moon, the Strawberry Moon on June 24th—honoring the berry synonymous with summer.  That summertime staple, the strawberry,… Read on

June’s Swatch of the Month explores a new way to showcase embroidery techniques through an application we call ‘Transitional Embroidery.’ Our three new kits—The Cropped Car Jacket, The Slim Scarf Kit, and The Scarf Kit—inspired us to experiment with this application. Transitional Embroidery is a combination of embroidery techniques applied to a fabric. As we… Read on

Inspiration featuring from top left: “i just want a love that bends / a love that wins / an honest friend ” from Bird on a Blade by Rosanne Cash and Dan Rizzie (pages 18–19); Photograph of Rosanne Cash by Clay Patrick McBride; Maggie’s Dream Top Kit; May 2021 Swatch of the Month Detail; The Studio Bundles;… Read on

“All in all, it was a never-to-be-forgotten summer… one of those summers which, in a fortunate combination of delightful weather, delightful friends, and delightful doing, come as near perfection as anything can come in this world.” — from Anne’s House of Dreams by Lucy Maud Montgomery  As the world starts to awaken, this summer is a time for… Read on

From top left: May 2021 Swatch of the Month; Fabric Swatch in Magdalena Camel; Needles; Embroidery Floss; Bird on a Branch Swing Skirt Kit; Image of Rosanne Courtesy of Clay Patrick McBride a bird on the edge of a blade lost now forever  my love in a sweet memory  —Bird on a Blade by Rosanne Cash and Dan Rizzie  Last… Read on

Reissued from our design archives, the Fernando Skirt features a hand-sewn patchwork design—a callback to Natalie’s iconic first collection, which was crafted from upcycled t-shirts using quilting techniques learned from her mother and grandmother. Shop the Fernando Skirt. Shop The Waffle Sweatshirt:Limited-edition, Naturally Dyed MORE TO LOVE

From top left: May 2021 Swatch of the Month; Embroidery Floss; Bird on a Branch Swing Skirt Kit; The Studio Bundles;  Bird on a Branch T-Shirt Top Kit; “this is my least favorite you who floats far above earth and stone the night that I twist on the rack is the time that I feel most… Read on

From top left: May 2021 Swatch of the Month; Textile Paint color studies for swatch development; Stem Stitch detail from The Geometry of Hand-Sewing by Natalie Chanin; “If Jesus came from Missisippi, if tears began to rhyme, I’ll have to start at the beginning, it’s a world of strange design” from Bird on a Blade… Read on

From top left: May Swatch of the Month variation with Black backing layer and appliqué; Gold-Handled Embroidery Scissors; Alabama Chanin Archives Fall/Winter 2010 Collection; Brown Bugle Beads; Studio Bundle #2; Fabric Swatch in Abstract Forest/Forest with Brown Variegated Embroidery Floss Natalie writes of her return home in 2000, “Although I had been gone from Alabama… Read on

As Mother’s Day approaches, we revisit one of our favorite books and a Journal post honoring mothers. Our friends at Dust-to-Digital released Never A Pal Like Mother: Vintage Songs & Photographs of the One Who’s Always True in 2011. The forward is written by friend, mother, Alabama Chanin ambassador, and master lyricist Rosanne Cash.  In May of 2021, The School of Making… Read on

   From top left: Lahja Unisex Dressing Gown pattern from Named Clothing; Sewing Needles from The School of Making; Sointu Tee pattern from Named Clothing; Variegated Stripe Fabric Swatch in Camel/Natural with mixed embroidery from The Geometry of Hand-Sewing; Breaking the Pattern: A Modern Way to Sew by Saara and Laura Huhta; Color Palette Bundle… Read on

“Tactile Corpuscles”, 2014 by Sanne Muiser for the Earth Matters exhibition curated by Lidewij Edelkoort and Philip Fimmano. Photograph by Studio Pluis via TLmag. …our entente with nature will be re-written and re-invented;we will try to live together in a more harmonious way,giving and taking, and caring for each other.– Lidewij Edelkoort Back in 2017,… Read on

From top left: The Stitch Journal; Bead Sampler; The Stripe Poncho Kit; Fabric Swatch Detail in Variegated Stripe Camel/Natural with embroidery stitches from The Geometry of Hand-Sewing  April’s Swatch of the Month design features the Variegated Stripe Stencil and embroidery stitches from The Geometry of Hand-Sewing which debuted in 2017. Variegated Stripe is our take on a classic stripe that provides visual interest with… Read on

Last week, we announced an update to AlabamaChanin.com. The website features a new look for The School of Making, where we introduce new maker supplies, tools, and notions from our archives. Explore each of the categories below to find DIY and making goodness.  Contact orders@alabamachanin.com or call 256-760-1090 for assistance with our (new) website or for… Read on

The earliest days of Alabama Chanin’s website mostly consisted of Natalie teaching herself web-publishing in her (almost nonexistent) free time. She saw it as a way to express elements of who Alabama Chanin was without literally stitching it onto a garment – though we actually did that, too. Because of this tinkering and self-teaching, Alabama Chanin stepped into the e-commerce world in… Read on

After winning the CFDA/Lexus Eco-Fashion Challenge in 2013, Natalie shared that “part of the appeal of being a designer, for me, is the act of bringing not only products but also systems of making to life.”  It’s not about the end, but rather, the entire. Under Natalie’s creative direction, the Alabama Chanin production, design, and… Read on

“Pleated Ruffle”, 2012 from Alabama Studio Sewing + Design by Natalie Chanin (pages 108–109); The Ruffle Swing Skirt Kit in Black from The School of Making; “Galloon, Silk and metal thread”, 17th–18th century from the Metropolitan Museum of Art; “Riverside Museum”, 2011 by Zaha Hadid Architects via dezeen; The Ruffle Swing Skirt Kit in Black from The School of Making; Left: “Balenciaga’s… Read on

Lead image: “The Wall #2”, 1962 by Agnes Martin from the National Museum of Women in the Arts.  “I do know one thing about me: I don’t measure myself by others’ expectations or let others define my worth.” ― Sonia Sotomayor  HISTORY describes Women’s History Month as a time to “reflect on the often-overlooked contributions of… Read on

“Anything which is worth the effort to portray, is worth every effort to improve upon.”  – Eugene Von Bruenchenhein  In case you missed it, read Natalie’s personal essay about the inspiration for our Marie Stencil from the work of Eugene Von Bruenchenhein. The Marie Stencil is featured as this month’s Swatch of the Month, and we’re showing more love… Read on

From top left: Fabric Swatch in Marie Natural/Carmine with Whipstitch Appliqué;  The Marie Swing Skirt Kit in White/Natural with Reverse Appliqué; Eugene Von Bruenchenhein: King of Lesser Lands by Philip March Jones; “Marie”, by Eugene Von Bruenchenhein from Eugene Von Bruenchenhein: King of Lesser Lands; Fabric Swatch in Daisy Carmine/White with Variegated Red Embroidery Floss with Whipstitch Appliqué; Fabric Swatch in Large Polka Dot Natural/White with Beaded Whipstitch Appliqué.   Last week, we… Read on

“It is no secret that I feel a commitment to my community; it is equally evident the role that growing up in Florence, Alabama, had on my development as a designer. Textiles – the growing, picking, spinning, knitting, cutting, and sewing – were a part of the vernacular of small southern towns from the late… Read on

From top left: February 2021 Swatch of the Month: Marie White/Natural Fabric Swatch in Backstitch Reverse Appliqué; The Marie Swing Skirt Kit in White/Natural; Limited-Edition Variegated Embroidery Floss in Variegated Brown; Fashionopolis: The Price of Fast Fashion and the Future of Clothes by Dana Thomas  February’s Swatch of the Month design features the Marie Stencil, which debuted in The School of Making in 2018. The… Read on

The importance of Black women in American life, culture, democracy, and history is undeniable. Even as recent years have brought some recognition, Black women’s contributions remain underappreciated or unspoken.  We still have a long way to go. But these women inspire us to continue the journey toward freedom and equality for all. This month, in… Read on

From top left: January’s Swatch of the Month Magdalena Black/Faded colorway; Fabric Detail of Black 100% organic medium-weight cotton jersey stenciled in Magdalena; Lightweight Jersey Car Coat Kit; Black Bugle Beads; The Faded Stripe Pencil Skirt Kit; The Swing Skirt Pattern in Bloomers Black/Faded Colorway  What I love about watercolor is that a lot of happy accidents occur. – Jane Seymour  January’s Swatch of the Month features our faded organic cotton… Read on

“The evening sings in a voice of amber, the dawn is surely coming.”  —Al Stewart   Amber begins as a soft resin that eventually becomes stronger with time. Because it begins in a malleable and fluid state, it can collect ancient insects, water, and natural elements as it changes form. For that reason, one might consider… Read on

Clockwise from top left: “Magpie” from the In Flight series, 2020 by Mark Harvey; Swatch of the Month 2021 Subscription from The School of Making; Graffiti Painted Tee from the Alabama Chanin Archives; Black Bugle Beads from The School of Making; The Keyhole Dress Kit in Baby Blue from The School of Making; “Structural Constellation” by Josef Albers via “Josef Albers’ Intimate Visual Relationship… Read on

Launched in 2006, the Alabama Chanin Journal celebrates the art of storytelling. This weekend we look back at our top Journal stories of 2020, starting today with The School of Making. This year, above all, we’ve learned from our readers about the importance of connection, inspiration, and making.  Check back tomorrow for Alabama Chanin’s 2020… Read on

“Hope is being able to see that there is light despite all of the darkness.” – Desmond Tutu  Wishing you peace, love, and light this holiday season.  From All of us at Alabama Chanin  P.S.: Enjoy this free downloadable printout of our Florence Collection fabric design, shown above. Sized to print on 8.5” x 11” paper, the PDF… Read on

The most important thing is that you love what you are doing, and the second that you are not afraid of where your next idea will lead. – Charles Eames  At The School of Making, we preserve the Living Arts through educational and open source initiatives and programs. We work at the intersection of fashion,… Read on

Early instances of lingerie as clothing emerged in 1700’s France with Marie Antoinette and members of her court. During their casual, all-female gatherings, they wore what was called a chemise – a loose garment that was shaped only with drawstrings or sashes. These were not worn in formal society, but became casual staples. Slips have… Read on

From top left: Asymmetrical Peacoat in Verdant made from The Peacoat Bundle from The School of Making; Color Palette Bundle #4 from The School of Making; “Things had changed for the better, which is not always the case. But sometimes is.” from Sara Berman’s Closet, 2018 by Maira Kalman and Alex Kalman; “Maira Kalman sweeping… Read on

Featured in Made It: The Women Who Revolutionized Fashion exhibition. From top left:  “Gilded Sapphire Celia Tunic”, 2019 by Natalie Chanin for Alabama Chanin, “Beaded Facets Coat”, 2006 by Natalie Chanin for Alabama Chanin, “Beaded Facets Coat Detail”, 2006 by Natalie Chanin for Alabama Chanin, “Sapphire Dot Leighton Skirt”, 2019 by 2019 by Natalie Chanin for Alabama Chanin, “Sapphire Dot Leighton Skirt Detail” 2019  2019 by Natalie Chanin for Alabama Chanin, and Lee Dress, 2017; Top right:… Read on

From top left: Suns Apron detail, Suns Tee, Suns Apron development, Suns Apron, and Suns Apron detail from Hable Construction x Alabama Chanin Collaboration; “Susan Hable painting in her studio”, 2017 by Rinne Allen “Through collaborating, great things are possible.”  At Alabama Chanin, we thrive when collaborating with others. It brings out the best in… Read on

“Most of our lives we live closed up in ourselves, with a longing not to be alone, to include others in that life that is invisible and intangible. To make it visible and tangible, we need light and material, any material. And any material can take on the burden of what had been brewing in… Read on

From top left: “Shots from “Case Study House #8; Eames House”, 1949 by Charles and Ray Eames from Eames: Beautiful Details, 2012 by Eames Demetrios and Charles Eames, edited by Gloria Flower and Steve Crist (pages 374–375); The Willie Top and Celia Florence Skirt from Alabama Chanin; “Embroidery Design”, 1885 by May Morris via the Victoria… Read on

Clockwise from top left: “Khruangbin” by Mal de Mar from Lux Aeterna: Latitudes of Reverence to an Endless Sun, 2005–2018 by Mal de Mar; Abstract Camel Fabric Swatch from The School of Making DIY Kits; hand-stitched interpretations of cliffs and Italian roof tiles from The Intentional Thread: A Guide to Drawing, Gesture, and Color in Stitch, 2019 by Susan… Read on

The recent launches of our Corset Pattern, The Baby Doll Corset Bundle, and The Corset Bundle have us looking back at Corset projects and designs over the years. We’re resharing the Printed T-Shirt Corset post from 2012 for some early gifting inspiration:  In our “old-school” company design style – and perfect for holiday gifts – make our Sister Shirts using mirror-image or mix-and-match sections of… Read on

In 2016, Grace Bonney, founder of Design*Sponge, published In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs. In it, she interviews and highlights women from a diverse range of backgrounds, races, ages, and abilities. Natalie was proud to be included among this talented group of entrepreneurs and makers, all of whom… Read on

Clockwise from left: The Baby Doll Corset Bundle in Bloomers Dove from The School of Making; Appliqué Rose Stencil Design and Facets Camisole Dress featured in Textile Futures: Fashion, Design, and Technology, 2010 by Bradley Quinn; Embroidery, Appliqué, and Reverse Appliqué Bloomers Fabric Swatch from The School of Making. From page 57 of Alabama Studio… Read on

“My dear friends: Your vote is precious, almost sacred. It is the most powerful nonviolent tool we have to create a more perfect union.” – John Lewis In times when passions and fears run high, it is inevitable that art must emerge; it speaks to our hearts in ways that words may fail us. The… Read on

From left: “Corset illustration” by Sun Young Park for The School of Making Book Series and Patterns; “Original Corset” from the Alabama Chanin archives; Bloomers Fabric Detail in Natural/White Reverse Appliqué; “Corset” from Alabama Studio Sewing Patterns by Natalie Chanin (pages 74–75); “Corset”, 1870–89 by Maison Léoty via the Metropolitan Museum of Art; DIY Corset… Read on

In 1993, in what seems a different life, I was going through a very difficult time of great upheaval and deep sorrow. During this time, like today, reading was one of the few things that kept me sane. I’ve had a tendency my entire life to find an author I like and read many, or… Read on

A warm “thank you” to Laird Borrelli-Persson and Vogue for interviewing Natalie and including Alabama Chanin in their recent article, “How the #WFH Movement Could Reshape Fashion.” Read excerpts below and view the entire story here. Also big love to Vogue for uniting all 26 global magazine editions with a forward-looking theme of ‘hope’. (If… Read on

“Untitled”, 1947 by Ruth Asawa at Black Mountain College; Keyhole Dress Kit from The School of Making; Left: “Group IX/UW, The Dove, No. 12”; Right: “Group IX/UW, The Dove, No. 13” from The SUW/UW Series, 1915 by Hilma af Klint. Photograph from Hilma af Klint: Paintings for the Future, 2018 by Tracey Baskhoff for The… Read on

From left: “Homage to the Square”, 1968 by Josef Albers via the Museum of Modern Art; Color Palette Bundle #3 from The School of Making, Abstract Gold Organic Cotton Swatch from The School of Making, “Lapis Lazuli (left) and Blue Verditer (right)” from An Atlas of Rare & Familiar Colour: The Harvard Art Museums’ Forbes Pigment Collection by Kingston Trinder (pages 116–117); Button Craft… Read on

Left: Rosa Parks 7053 Tee, a collaboration between Alabama Chanin and basic. benefitting the Equal Justice Initiative; Right: “Montgomery, Alabama, police photo (mug shot) of Rosa Parks”, February 21, 1956 from Alabama Department of Archives and History.  In the iconic booking photograph of Rosa Parks shown above, taken February 21, 1956, she is recorded as prisoner “7053” after being… Read on

“Veiled in this fragile filigree of wax is the essence of sunshine, golden and limpid, tasting of grassy meadows, mountain wildflowers, lavishly blooming orange trees, or scrubby desert weeds. Honey, even more than wine, is a reflection of place. If the process of grape to glass is alchemy, then the trail from blossom to bottle… Read on

It’s hard to believe that we are more than halfway through 2020 and The School of Making’s Year of Color. Such a year, we could never have fathomed—and, in so many ways, still cannot. Contemplation, making, and gathering inspiration for the future have become a go-to coping mechanism for me—which has been expressed through adding… Read on

Left: “Ruth Asawa amid her works”, 1954. Photographed by Nat Farbman/Time & Life Pictures via New York Times; right: “Untitled (S.270)”, 1954–1958 by Ruth Asawa via Whitney Museum of American Art  NOTE: At the same time we were working on this post, a New York Times article titled “The Japanese-American Sculptor Who, Despite Persecution, Made Her Mark” published on July 20,2020. It’s wonderful and timely… Read on

Explore DIY Kits here and find more making and design inspiration below. MAKING, DESIGN, + INSPIRATION

“Ships at a distance have every man’s wish on board. For some they come with the tide. For others they sail forever on the horizon, never out of sight…” — Zora Neale Hurston, Their Eyes Were Watching God Our most beloved essentials, re-imagined. Explore the assortment of evergreen and everyday garments designed in the spirit… Read on

Image from left: Detail of the A-Line Top + Tunic Kit in Abstract Peacock with Reverse Appliqué and Backstitch Embroidery; The Lucy Top and The Palm Wrap Skirt from Alabama Chanin’s Spring/Summer 2020 Collection; “1958 Le Trapeze ad campaign for Spring 1958″ by Yves Saint Laurent; “1950 Dior Ad campaign“, 1947 by House of Dior,… Read on

In 2017 and on a trip to New York City, I visited the Brooklyn Museum to view Georgia O’Keeffe: Living Modern. It was a beautiful spring day and before the thought of social distancing would come to rule our world. I was with a friend; we weren’t in a hurry.  As I passed the entrance… Read on

Make it Summer with our DIY Sewing Kits. Explore the collection here and find more inspiration below. MAKING, DESIGN, + INSPIRATION Available for a limited time in tone-on-tone hues Experience our full range of fabric colors for the Year of Color Introducing new Gold fabric and back-in-stock colors by the yard Sustainably made kitchen and… Read on

“Reproductive freedom is critical to a whole range of issues. If we can’t take charge of this most personal aspect of our lives, we can’t take care of anything. It should not be seen as a privilege or as a benefit, but a fundamental human right.” ― Faye Wattleton This Saturday, July 11th, is World… Read on

The School of Making offers DIY Kits made for makers: pre-cut, pre-stenciled, and with all the thread and notions needed to create a garment made for you, by you. As we continue our recent themes of tone on tone and diversity in hue and tone in the Alabama Chanin Summer of Color Collection, we feature two new kits… Read on

From top left: Backstitch Reverse Appliqué Abstract fabric swatch from The School of Making; Malick Bodian self-portrait as directed by stylist Suzanne Koller for A.P.C;  “Felt Suit,” 1970 by Joseph Beuys via Tate; Phoebe Waller-Bridge in the December 2019 issue of American Vogue wearing a dress by Balenciaga, styled by Tonne Goodman and photographed and… Read on

Ellsworth Kelly, Dark Blue Curve; Louise Bourgeois, Untitled from Ode à la Bièvre. 2007 a fabric illustrated book; Collection Whitney Museum of American Art, New York There is a certain kind of blue that feels like the deepest part of a shadow on a bright summer day. It is a color that is simultaneously cool… Read on

The fabric tells a story. In the careful stitches, the colors, the pieces, a narrative takes shape. The blue water, the bright sun overhead, the American flag. In the center, a black fist holds a red lightning bolt. Harnessing power, and powerful itself.   This fabric is a quilt, designed by Ruth Clement Bond, one of six so-called… Read on

At Alabama Chanin, we are in passionate pursuit to design, responsibly produce, and offer products and experiences that enrich life, community, and the planet.  We value inclusivity in our team, our collaborations, our partnerships, and in the fashion industry.   Part of our mission reads to “show love and care in all our actions.” We pride ourselves in… Read on

“Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.”  ― Martin Luther King Jr., Letter from a Birmingham Jail, 1963  It is clear that this is a time of great tumult. Each day brings news of more unrest: COVID-19, economic uncertainty,… Read on

“Hope is being able to see that there is light despite all of the darkness.”   –Desmond Tutu  In these unprecedented times, hope has become a pivotal emotion for all of us. There is so much wrapped up in our hope for the future, our hope for change, our hopes for well-being. Hope has always been… Read on

We have long turned to Jack Rudy Cocktail Co. when making our custom cocktails at home and for our Friends of the Café dinner series at The Factory. Jack Rudy was founded by Brooks Reitz (husband to our designer Erin Reitz) in 2010. Since that time, Brooks has slowly grown a small food and beverage empire that continues to… Read on

To plant a garden is to believe in tomorrow – Audrey Hepburn  Originally planted during World War I and World War II, victory gardens offered food security, reduced pressure of the food supply, and encouraged morale during wartimes. They have made a resurgence amid the COVID-19 pandemic, with many citizens of communities across the world going… Read on

Like so many during this unprecedented time, those of us here at The Factory have allowed our minds to rest and find joy in the simple act of making. We’ve been digging back into the archives and though all of our garments and projects are made slowly, we always like an easy project that works… Read on

The wabi-sabi cleaning cupboard has taken on a much different meaning during the COVID-19 pandemic. As we think about the importance of being sanitary, it is a good time to also consider how to balance the need for chemicals and sustainable cleaners—approaching our methodology in a safe and environmentally friendly way.  In implementing sustainable living, we are always… Read on

Our series, For the Love of Tools, looks at the history, uses, and types of tools for design, sewing, and making. Next up in the series, we are highlighting scissors. This cutting tool has a long history that has developed over the millennia, and a well-made pair of scissors will aid you in cutting the perfect pattern… Read on

Founded last year as a non-profit, Project Threadways examines, documents, and records the history of textiles. In preparation for our next symposium, we have been researching textile history over millennia and the broader arc of time (look for updates next week). As we think ahead to the future, we can’t help but question how COVID-19 will forever… Read on

“We first started talking about slow fashion as a derivative of the slow food movement. I think in many ways that industry is light years ahead of where the fashion is. People started looking at the ways things were planted and grown much sooner than we did with textiles. I think a lot of what’s… Read on

“Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” ― Jane Jacobs, The Death and Life of Great American Cities  Activist, journalist, and writer Jane Jacobs’ was instrumental in paving the way for urban planning in American cities and grass-roots organizing. Her work and writings focused on urban studies, sociology, and economic theory and often addressed controversial… Read on

Introducing our new summer project bundle, the Color Blocked A-Line Dress. In lieu of our beloved Build A Wardrobe, we are focusing this year on using existing books and patterns to expand our wardrobes with available resources.  We’ve been having lots of conversations about sustainability within our own business but also about the sustainability around… Read on

Melanie Falick has been a friend of Alabama Chanin and The School of Making since our earliest days and, through her former imprint at Abrams Books, edited five of our Studio Books. Her dedication to crafting by hand and sharing the importance of doing so made us compatible and complementary partners throughout the years. As part of her most recent… Read on

From our very beginnings, Alabama Chanin has approached design from a sustainable and zero-waste perspective. Our earliest Collection garments were t-shirts taken apart and pieced back together, sometimes using scraps for appliqué or decoration. We are always looking for ways to use scraps in clever or utilitarian ways. Sometimes that means building our patterns so that they… Read on

On Sunday, Dana Thomas, author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes, hosted a discussion with Natalie on Instagram. Dana, in the South of France, and Natalie, in her kitchen in Florence, Alabama, shared their thoughts and experiences about how the COVID-19 pandemic is affecting day-to-day life and the fashion… Read on

Every craftsperson knows that work is made easier when done with well-made tools that are appropriate for the job at hand. Very often good tools are also objects of great beauty that become even more beautiful as they acquire a patina through years of use.  As we introduce a new series about tools for design,… Read on

As we work through the COVID-19 pandemic day by day, we can look to history and see that the planet survived, even thrived, after a world secluded themselves for the sake of safety. In 1918, the “Spanish” flu virus targeted about one-third of the Earth’s population. The world emerged to a flourishing arts scene that presented new… Read on

In this time of COVID-19 and great unrest, we’ve been looking for projects that are easy to execute with on-hand materials. String Quilting is an age-old technique that uses scraps and leftovers to create something new. We’re sharing here the instructions for String Quilting and the String-Quilted Pillow project from Alabama Studio Style, which is soon to be retired. (If you don’t yet… Read on

As we spend more time indoors, social distancing, and getting through this time spent #TogetherApart, we can’t think of a better way to fill the time, keep our hands busy, and allow our minds a bit of rest, than making.   2020 is The Year of Color at The School of Making, and we have been exploring new… Read on

Music has always been an integral part of The Shoals. We are placed along the banks of what the native people have long called, “the river that sings.” W.C. Handy, The Father of the Blues, was born here; legendary producer and founder of Sun Records, Sam Phillips, is also from The Shoals. So, perhaps it… Read on

Right now, as best we can, we are looking for ways to ease anxiety. Scientific research shows the positive and calming effects that sewing, cooking, and hands-on making has on the brain. The meditative action of sewing reduces stress. It increases dopamine, the happiness hormone; it requires creativity—which improves the brain’s ability to grow new… Read on

As we write this post our national food and beverage industry is in free-fall. Restaurants and bars, shuttered in order to prevent the spread of COVID-19, have laid off an unknown number of staff and servers across the country. We feel deeply what our friend Brooks Reitz wrote yesterday, “Uncharted waters. We have been gut punched,… Read on

Dear Alabama Chanin Guests,  Thoughtful design, ethical, and responsible production are the highest priorities for us. Our guiding principles of quality, impeccable service, unified teams, organic, local, regional, and domestic sourcing are reflections of our care for the wellbeing of all. We seek to be a benefit for the broader community in our region and… Read on

“Where there is a woman, there is magic.” ― Ntozake Shange  International Women’s Day was celebrated yesterday, March 8th. In its honor, we invite you to reflect on this year’s theme, “I am Generation Equality: Realizing Women’s Rights,” and encourage you to support local and national organizations that stand behind a better and more inclusive future. We… Read on

In 2016, Natalie wrote the following on the Alabama Chanin Journal, ”In my design training, we never really spoke directly about the cultural impact of the things (products) we were making. In my memory, conversations tended more towards how the culture impacted us as designers. I learned to make dresses and thought about the manufacturing… Read on

A big “thank you” to Laird Borrelli-Persson and Vogue for sharing a preview of our upcoming Collection. They recently spoke with Natalie about her work and 20 years of defining sustainability. You can find the story online here along with a lookbook of the upcoming Collection or read below:Fall 2020 Ready-to-WearAlabama ChaninVogue, February 29, 2020 “We’ve… Read on

2020 is the Year of Color at The School of Making. From rich blues to warm browns, new color stories are the focus of this year’s programing. New offerings, like the Color Palette Bundle incorporate Natalie’s current favorite hues and today we announce new A-Line kits and that the DIY Sewing Kit colorways are getting… Read on

After announcing our Year of Color, we shared more the inspiration behind the first Color Palette Bundle with trend forecaster Li Edelkoort. With limitless combinations and possibilities, there’s so much opportunity for color and design exploration in our Year of Color series. Our Sample Swatches complement the exploration process—pair unstenciled and stenciled swatches in the… Read on

Since 2012 and in January of each year, the team at Alabama Chanin, The School of Making, Building 14, and our Family of Businesses undertakes strategic planning for the year. This process was learned from our dear friend Ari at the Zingerman’s Community of Businesses and ZingTrain. Over the years, our process has changed and… Read on

As part of The Year of Color, 2020’s yearlong exploration of creativity through color, we are delving more deeply into one of our inspirations, Lidewij – or Li – Edelkoort, one of the world’s most trusted trend forecasters. She has worked for a wide array of companies, from Coca-Cola, to Nissan, to Prada, Disney, Shiseido,… Read on

Alabama Chanin Core Essential styles are the building blocks of a modern wardrobe. Traditionally, our Core styles have represented a range of Collection basics. As our designs have expanded over the years to introduce the Leisure collection, the foundations of our wardrobe offerings have grown. Core Essentials now combine both Collection and Leisure basics in… Read on

Natalie’s passion for hand sewing and sustainability are the roots that helped The School of Making flourish into the entity that it is today. Throughout 2020, The School of Making will be launching new programing that will coincide with the celebration of 20 years since Natalie began her journey to our Family of Businesses and… Read on

Since the fall of 2018, I’ve been doing a (mostly) weekly yoga session with my friend Goode Dethero and Sarah Baxter, our teacher. This is one of the few moments in the week that I make time for myself and self-care. Sarah is a different, irreverent, non-spiritual/spiritual, knowledgeable, strong and gentle teacher and friend—as you’ll… Read on

I’d wager that every native, and recent guest, to The Shoals would urge future visitors to set aside time for lunch at Trowbridge’s Ice Cream Parlor and Sandwich Shop. The universally beloved local eatery is a backdrop for so many of our memories, and it has managed to serve up simple, delicious food for decades,… Read on

“Once you have read a book you care about, some part of it is always with you.” ― Louis L’Amour Winter is in full swing with nightfall beginning early and weather that forces you to stay indoors out of the cold. This week we share a reading list with some of our favorite books featured… Read on

It is hard for me to believe that 2020 will mark 20 years of Alabama Chanin and 20 years of defining sustainability. The School of Making programming began 12 years ago with the launch of  Alabama Stitch Book, although we didn’t know or plan how the publication of that book would change the course of our business. … Read on

In her book, Fashionopolis: The Price of Fast Fashion and the Future of Clothes, author Dana Thomas explores the heart of the modern fashion world – exposing a fundamentally broken system, while also highlighting those who are developing solutions to deep-seated problems, and offering options for consumers on how to improve their shopping habits.   Thomas writes in… Read on

This year – 2020 – will mark the 20th year of the company now called Alabama Chanin. While we have changed and grown over the years, our purpose has largely remained the same. Our values are steadfast. What began as a kind of experiment has grown into a company and a way of life that… Read on

Twenty-five years ago, Diane von Furstenberg popularized the now-iconic wrap dress. Originally patterned after ballerina sweaters, the garment wraps around the torso, crosses at the chest, and cinches at the waist. The primary appeal of the wrap was that it flattered almost every body style and was worn by everyday women and celebrities alike. With… Read on

“If you really are thankful, what do you do? You share.” ― W. Clement Stone Thanksgiving is this Thursday; a time for family, friends, good food, and reflection on the things we are most grateful for in our lives. In that spirit of thankfulness and fellowship, we were inspired this week to find and share… Read on

Our waffle knit styles have become some of our year-round, best-selling pieces. They can be styled for any season and are available in a range of colors to suit your preference. Waffle knit garments are comfortable enough to be worn for a cozy day at home and stylish enough to be worn to many events…. Read on

“If it can’t be reduced, reused, repaired, rebuilt, refurbished, refinished, resold, recycled, or composted, then it should be restricted, redesigned, or removed from production.” ― Pete Seeger This Friday, November 15th, is America Recycles Day. Originally founded in 1997, it was the Presidential Proclamation in 2004 of then-Present Bush that declared every November 15th America Recycles… Read on

“That’s the secret of entertaining. You make your guests feel welcome and at home. If you do that honestly, the rest takes care of itself.” ― Barbara Hall Holidays are just around the corner and now is the perfect time to prepare for the family and friends sure to gather around your table in the… Read on

Pumpkin carving has a deep-rooted history in American culture. Whether you are a fan of the traditional butcher knife or more fine-tuned supplies for more detailed carving, today there are specialized carving tools available from a range of sources. Martha Stewart, a lover of all things Halloween, has brought pumpkin carving to a new level, offering creative… Read on

Join us for a morning of self-discovery during the No Bullshit Breakfast: Enneagram on Wednesday, November 6th. The Enneagram is a powerful personality typing system that illuminates our walk in this world and how we as individuals experience our journey. After completing a specialty designed online questionnaire, the Riso-Hudson Enneagram Type Indicator, each person will… Read on

“Every great architect is – necessarily – a great poet. He must be a great original interpreter of his time, his day, his age.” ― Frank Lloyd Wright Located in downtown Florence and a short drive from The Factory is the Rosenbaum House – designed by architect Frank Lloyd Wright, it one of only 26… Read on

The Factory Dress has long been a favorite at The School of Making. The A-line style features a fitted bust, slight flair from the waist, princess seams, and high rounded neckline.  We find this style to be flattering on a wide range of body types and can easily be dressed up or down. The School… Read on

As part of the recent School of Making update, The Starter Poncho Kit was introduced to the DIY Sewing Kit collection. Perfect for novice and advanced sewers alike, The Starter Poncho is a versatile cover-up and a great layering piece to help carry your wardrobe into the colder season. The simple placement of the stencil… Read on

It is that time of year again – when we introduce the newest garment from our 2019 Build a Wardrobe program. This design is flattering to all and highlights the best of every person’s unique form. The Pencil Skirt can be made in any of three variations: the Basic Pencil Skirt, the Asymmetrical Pencil Skirt,… Read on

The Asymmetrical Trench is the third-quarter part of our 2019 Build a Wardrobe program, and reflects the unique style of this year’s collection. It has a style that complements its sister garments, but also stands out as a piece completely distinctive on its own. You won’t see another trench coat that looks like this in… Read on

 [Photographs by Kristin-Lee Moolman. Styled by Suzanne Koller, for The New York Times. (Left) JW Anderson windowpane wrap cape, $2,050, circular paneled jersey turtleneck, $290, wide-legged wool gabardine trousers, $950, wide-waist belt, $350, and sandals with tulle ties, price on request. (Right) Loewe pearl sweater, price on request.] In her article for The New York Times Style… Read on

Designed to work in tandem with our updated DIY Kit process, the new swatch carousel featured with all DIY Kits will allow you to see detailed design aspects of each kit. Once you have chosen the DIY Kit you would like to create and are on that kit’s page, each swatch in the carousel will… Read on

“The living owe it to those who no longer can speak to tell their stories for them.” ― Czeslaw Milosz   2019 marks the eighteenth year since the September 11th attacks. Remembering the victims – their lives and their courage – has kept their memories alive in the years since the tragedies of that day. This week we share our own memories, tributes from the 9/11 Memorial and Museum,… Read on

The School of Making is welcoming exciting changes to its DIY Kit offerings. On the heels of the recent fabric update, our DIY Sewing Kit page has also undergone a refresh with a more streamlined process for viewing and ordering DIY Kits. The DIY Kits that our makers love, pre-cut and pre-stenciled with all the… Read on

In 2008, at the launch of Alabama Stitch Book and before The School of Making was established, we began receiving questions about where to purchase organic materials and sewing supplies like the ones were using at Alabama Chanin. As some of the items were difficult to source, we began offering a small selection of our… Read on

Born in India, the now-Raleigh, North Carolina-based chef Cheetie Kumar’s life in America began in the Bronx, New York. She and her family lived in a small apartment in an immigrant neighborhood, where she began to cultivate her new Indian-American identity. Her mother began introducing Cheetie to her culinary heritage at an early age, teaching… Read on

Launching today is quarter three of Build a Wardrobe 2019 and The Asymmetrical Trench Pattern. Boasting traditional trench coat styling, the Asymmetrical Trench is full length at 47” long and features a double-breasted front, optional storm shield, and in-seam pockets. A variation for the shorter Asymmetrical Peacoat is also included with the pattern. Like all… Read on

The newest addition to The School of Making’s pattern offerings, The Jumpsuit, which debuted as the second quarter of Build a Wardrobe 2019, brings a flattering and utilitarian style to your wardrobe. With its drawstring waist, flowing wide legs, and a fitted bust, The Jumpsuit is comfortable and flattering on a range of body types…. Read on

“A museum is a place where nothing was lost, just rediscovered…” ― Nanette Avery On June 27, 1829 (190 years ago this week), British mineralogist and chemist James Smithson passed away, directing in his will that £87,620 be given to the United States for “an establishment for the increase and diffusion of knowledge.” That establishment… Read on

Inspired by bold graphics and the natural world are the Abstract and Canopy stencils – both new this year to The School of Making. With graphic shapes and leaf motifs throughout, Abstract (35.5” x 31) is available as both a Mylar stencil and a downloadable PDF that can be used to create your own stencil. Abstract’s… Read on

Most of us learned in grade school that our Earth orbits around the sun on a tilted access. For this reason, the period March through September gets more direct exposure to the sun each day. For the remainder of the year, the southern hemisphere gets more sun. The term “solstice” comes from the Latin words… Read on

“I paint not the things I see but the feelings they arouse in me.” ― Franz Kline The abstract shapes and design of our new spring Collection inspired us to learn more about some of our favorite female artists in the realm of abstract expressionism. This week we share a few of those supremely talented… Read on

“Bldg. 14 works to preserve [the] history and tell a new story of modern manufacturing in the United States.” ― alabamachanin.com It’s been 5 years since we opened Building 14, the machine manufacturing arm of Alabama Chanin’s Family of Businesses. In those five years, we have ushered in the Core Club and the Clean Tee,… Read on

To help you add even more color options to your home design studio, The School of Making introduces three new embroidery floss colors: Sage, Dogwood, and Forest. Complementing our Button Craft Thread, each 100% cotton color is wound by hand onto a wooden spool. Curated bundles like the Design Bundle—which gave us inspiration for our… Read on

Always striving to help you make your hand-sewn wardrobe more functional and versatile, today The School of Making launches The Pockets Pattern. Comprised of three unique pocket styles: Cargo, Shell, and Basic, each pocket pattern comes in three sizes (small, medium, and large), with an optional flap for each style and size. A pocket marker,… Read on

Pat Hammond has an incredible kite collection; she has assembled a group of hundreds of kites over the last couple of decades. They have been gathered from all over the world and showcased in the Smithsonian and the Museum of Modern Art. Author Christopher Ornelas discovered Hammond’s work and documented her process and collections in… Read on

Just in time for spring, the second installment of the 2019 Build a Wardrobe debuts today with The Jumpsuit Pattern. This utilitarian design features a comfortable drawstring waist, flowing wide legs, and a flattering, fitted bust. The Jumpsuit pattern includes three style variations: the jumpsuit, shirt dress, and shirt, with the jumpsuit also offered in… Read on

The School of Making workshops for 2019 are beginning to fill up. Visit our Workshops + Events page in The School of Making for our available options. Our annual community picnic, The Gathering, will feature three mini-workshops, Custom DIY, Embroidery Stitches, and a T-Shirt Workshop. Look over our calendar for the rest of the year… Read on

The School of Making’s popular Host a Party program is updated and expanded for participants who want to make together with friends. As always, the concept is simple: gather six or more friends and acquaintances who want to gather and sew, while you provide the location and hospitality. Each group chooses its own garment style,… Read on

“I do not wish them [women] to have power over men; but over themselves.” ― Mary Wollstonecraft Whether it was the right to vote, the rights to racial and gender equality, the right for control over their own bodies, or the myriad of other causes taken up by women throughout history, the activists and leaders… Read on

“To create one’s world in any of the arts takes courage.” ― Georgia O’Keeffe In celebration of Women’s History Month, this week, explore the artists who, drawing from their own unique outlook on the world, have used their work to convey the gamut of universal truths, emotions, and experiences. “The inconvenient spectacle of Frida Kahlo”… Read on

The School of Making strives to be a constant source of education and inspiration to all our makers—those local to our home base in Florence, Alabama, and across the globe. Besides the Journal and our Facebook and Instagram accounts, Pinterest is another way we connect to the world. Today we announce a new Pinterest account… Read on

“The most courageous act is still to think for yourself. Aloud.” ― Coco Chanel To honor Women’s History Month, every Monday in March we will be celebrating influential women in the spheres of art, activism, and writing. For decades (more like centuries) women’s experiences had only been seen through the lenses of those who society… Read on

“The artist creates the material that we look back upon as part of history. ” ― Roy DeCarava As Black History Month continues, we explore some of the supremely talented women who have, across the decades, created beautiful, thought-provoking, and enduring works of art through the mediums of painting, quilting, sculpture, performance art, and photography…. Read on

To set the tone of our new Collection release, we explore our color theme: blue. And not just any blue—it’s a vibrant possibility of the color. The color blue: A history from Egypt to now On the Journal: Anna Atkins + Cyanotypes Two hundred years of blue from Brainpickings Blue highways 10 artists and their… Read on

2019 marks the fourth time The School of Making welcomes the new year with an inaugural Build a Wardrobe pattern debut. With its modern style and relaxed, yet tailored fit, The Fractal Dress is flattering to a full range of body types. Made up of expertly designed panels, The Fractal Dress allows the maker the… Read on

Every year it seems that we say what a busy year it has been for us at Alabama Chanin, and every year we mean it. We seem to keep growing as a company and as people and making opportunities that expand our horizons. Look back at the 2018 happenings for The School of Making, Bldg…. Read on

In 2018, the store and café celebrated five years serving our community and the public and is anticipating brand new programming for 2019. Having shared a review of the past year for The School of Making and Bldg. 14, today we look back at The Factory Store + Café. The Factory Store rotated its offerings… Read on

Next in our “year in review” series is a look at 2018 for Bldg. 14, Alabama Chanin’s Design & Manufacturing division. Bldg. 14 began the year developing and making machine-sewn styles for the Alabama Chanin Collection—a practice that has been in effect since its inception in 2013. The team in Bldg. 14 worked to develop… Read on

On the Journal, as in life, we like to take an annual look back on our accomplishments as we head into a new year. This year we’re reviewing each of our Family of Businesses, starting with The School of Making today. Look for Bldg. 14, The Factory Store + Café, and Alabama Chanin in the… Read on

Our 2019 Build a Wardrobe subscription launches today with modern, brand new styles to add to your closet. In planning for 2019, The School of Making design team set the tone with our color of the year: Verdant. They have also developed three new stencils: Abstract, Canopy #1, and Canopy #2. And they combined these elements… Read on

Burt’s Bees is among the most prominent brands in America with a sustainable approach to doing business. Their ingredients and packaging are simple, natural, and responsible. The company describes itself as “a bunch of hands-on, tree-hugging, greased elbow do-gooders,” and we believe that is among dozens of reasons why Burt’s Bees Baby is a natural… Read on

/ˈvərdnt/ Adjective (of countryside) green with grass or other rich vegetation. of the bright green color of lush grass. “a deep, verdant green” The design team for The School of Making has taken a fresh approach with its newest color: Verdant. Verdant is a fresh green that is reminiscent of nature in woodlands, creeks, streams… Read on

We’ve been partnering with friend and fellow Alabamian Gina Locklear of Little River Sock Mill for four years to create a line of Made in the USA, organic cotton socks that complement our collections. Our most recent designs (stripe shortie, crew, and tall) launched alongside the Leisure Collection last month and match the quality and… Read on

Over the years, we have tried to create various ways to put our scrap fabric to good use and to inspire our fellow makers to do the same. We studied the zero waste design techniques of Dr. Timo Rissanen to understand how the patternmaking process could be streamlined. What is left after our garments are… Read on

Our seven-year long collaboration with Heath Ceramics began in 2011 with hand-etched dinnerware ceramics. Founded in 1948 by Edith Heath, Heath Ceramics is run by Cathy Bailey and Robin Petravic, who both have a deep background in design. While our collaboration has been ongoing, it’s been a few years since we worked deeply with Heath… Read on

Since its launch in October, the Ezra Coat Pattern has become one of our best-selling patterns. The pattern dates back to 2012 and was developed with a handful of other outwear styles. At the time, only a coat version for Ezra existed—the “companion” blazer in the group was a different pattern. When we decided to… Read on

“TO VOTE IS TO EXIST” American graphic designer Milton Glaser’s 2016 “Get Out The Vote” poster More from the AIGA Design for Democracy #getoutandvote

Cedric Burnside’s love for music was born in a juke joint, alongside his grandfather, legendary singer, songwriter, and guitarist R.L. Burnside. Though Cedric seeks to pay tribute to the man he calls “Big Daddy” and his own father, blues drummer Calvin Jackson, he blends elements of their styles with his own contemporary vibe. He played… Read on

“The reason why we won’t face up to our problems with the environment is that we are the problem. It’s not the corporations out there, it’s not the governments, it’s us. We’re the ones telling the corporations to make more stuff, and make it as cheap and as disposable as possible. We’re not citizens anymore…. Read on

As we continue to build out our paper pattern library, today The School of Making releases the Maggie Dress, Full Wrap Skirt, Alabama Sweater, Walking Cape, Unisex T-Shirt, T-Shirt Top, and Baby Bundle patterns in paper versions. Previously only offered in digital forms, these patterns will add new dimension and styling options to your hand-crafted wardrobe…. Read on

This post is the first of our new travel series; look for side trips (and side bars) on your way to and from The Factory—and from here to there. With this series, you’ll find some history, a bit of folk art, good diners, great bars and splendid adventures. Pack your bag, plan your road trip,… Read on

“Any time one or more things are consciously put together in a way that they can accomplish something better than they could have accomplished individually, this is an act of design.” – Charles Eames Our collaborations and partnerships have spanned many years and have created deep connections with like-minded companies allowing us to grow, be… Read on

We are excited to announce that our upcoming Friends of the Café Dinner with Kelly English and Cameron Razavi will be hosted by two members of the Single Lock Records team: Reed Watson and Cedric Burnside. Reed and Cedric are taking over duties for Natalie, who will be unable to attend due to family commitments…. Read on

Recently, we were honored to have longtime friend Rosanne Cash approach us to collaborate on a special project. She worked with Bldg. 14 to print and produce t-shirts dedicated to her album, “The River and the Thread.” As you know, Alabama Chanin has a special relationship with this record and its message. Rosanne has served… Read on

Jessica Ullom is the founder and brains behind Hawks and Doves (named after her favorite Neil Young album), a fabric and leather goods company based out of North Carolina. It first began when Jessica (or Jess) started crafting goods inspired by items found at flea markets. As a collector (or “borderline hoarder”, as she describes… Read on

The School of Making offers a wide range of sewing patterns—both in The School of Making Book Series and as standalone patterns—to fit many different body types and lifestyles. In the past, we’ve also adapted sewing patterns from other designers using our techniques and materials, with beautiful results. Some of our favorites from the past are… Read on

During the Great Depression, millions of people across the world faced abject poverty after the stock market crash of 1929. Architect Frank Lloyd Wright was impacted by the sight of his fellow Americans living hand-to-mouth and was determined to find a way for people to live more simply and with more affordable housing, particularly middle-class… Read on

“This ‘ethical fashion,’ this ‘sustainable fashion,’ that complies to what fashion really is, that is borne out of passion, skills, heritage, artistry, and bravery, is fashion. “ — Orsola De Castro Alabama Chanin returned to New York Fashion Week this year with a private showing at the Bowery Hotel. This return inspired us to looks… Read on

Sharing good food and good company with friends and family have brought some of our best memories over the years, at both The Factory Café and at home. Holidays, like Thanksgiving, Christmas, and New Year’s Eve (which will all be here before you know it) allow you to open your own home to family and… Read on

In celebration of the 10-year anniversary edition release of Alabama Stitch Book, we celebrate our journey and growth over the years by re-releasing special-edition kits of our Swing Skirts, which were featured in Alabama Stitch Book and remain our most popular garment pattern of all time. It is likely that, because of the number of… Read on

For our July Supper Club, The Factory Café invited chef Josh Quick of Florence’s Odette to helm the kitchen with chef Ramon Jacobsen and their team. John Cartwright of Rivertown Coffee Company—who partnered with us for our May Supper Club—joined them in the kitchen. The evening was filled with summer harvest bounty. Odette is located… Read on

Depending on when you were born, the turtleneck may bring to mind any number of things: 1950s chic, 1960s bohemian, 1970s women’s activists, or (record scratch) 1990s Jerry Seinfeld-era goofiness. But the wonderful thing about a turtleneck is its timelessness. This particular style in our recent round of Collection updates is inspired by Natalie’s closet… Read on

Ten trips around the sun. A lot happens in ten years: birthdays, anniversaries, growth, loss, happiness, struggle, and joy. I daresay that each of us has experienced all of these things in the last decade. But, for Alabama Chanin, we are crossing an entirely new milestone: the tenth anniversary of the publishing of Alabama Stitch… Read on

“It is scientifically impossible to leave here unsatisfied.” -Staggs’s Customer Taylor Smith Less than five short miles from The Factory is a diner so well known in the Shoals community, locals simply call is “Staggs”—no elaboration is necessary. It is a place where social and economic barriers are ignored or discarded; everyone eats at Staggs,… Read on

The Marie Stencil, inspired by the lush backdrops and intricate costumes of artist Eugene Von Bruenchenhein and his wife and muse Eveline ‘Marie” Kalke, is now available through The School of Making. The Marie Stencil utilizes graphic floral motifs and lends itself well to bold color combinations. The Marie Stencil is available in physical and digital… Read on

Summer is the season of vegetables, whether from your local farmers market or your backyard garden. And there are countless summer veggie recipes on the Journal, like this one for a Southern Antipasti, the beloved Tomato Sandwich (the secret’s in the homemade mayo), or a Grilled Vegetable Quiche. At The Factory Café, we eagerly anticipate… Read on

Our Collection evolution continues with the introduction of new everday styles, embroideries, and colors. These updates tie together the work Natalie and our design team have created earlier in 2018 with what’s to come. We have quite a few updates to share and present them below in an easy-to-follow outline. NATALIE’S DRESS, TUNIC, AND PULLOVER… Read on

“Alabama Chanin has evolved into a community… a company of farmers, fabric makers, artisans and our customers who support what we do.” — Natalie Chanin from the archives: W Magazine, 2011 With the excitement of a new Collection at the forefront of our minds, this week we take a few moments to reflect on all… Read on

This week we share insight and inspiration from The Art of Embroidery: Inspirational Stitches, Textures and Surfaces in a Journal series from our contributing writer, Elaine Lipson. As I was reading Françoise Tellier-Loumagne’s The Art of Embroidery: Inspirational Stitches, Textures and Surfaces, her deep visual dive into embroidery as an art and design form, I… Read on

For millennia, from the Great Plains of North America to the southern regions of Africa (and all the cultures and continents in between), beads have been used as a way to adorn garments and to communicate with others. The definitive guide to these beading traditions, The History of Beads, was first published in 1987 and… Read on

“Things are never quite as scary when you’ve got a best friend.” — Calvin of Calvin and Hobbes, by Bill Watterson Unlike relationships we are born with, like parents, siblings, and cousins, our friends are completely of our own choosing. Without any pretense or obligation, they are the people we choose to share our life… Read on

We love a good T-shirt, and our summer has revolved around this classic garment with the launch of the Clean Tee collection from Bldg. 14, a special one-of-a-kind Graffiti Tee collection from Alabama Chanin, and the Frances Dress and Top pattern—our take on an effortless, relaxed T-shirt dress—launched earlier this month in The School of… Read on

During June 2018, Natalie took month-long respite and creative journey during her residency at The Hambidge Center in the woods of north Georgia. She reflects on her time there and shares her experience for which she is eternally grateful: In the summer of 2017, I was going through what will always be known to me… Read on

It is almost impossible for us to believe, but we have reached the fifth anniversary of the creation of Bldg. 14 – the manufacturing arm of Alabama Chanin. This has been one of our most collaborative enterprises and represents the elements of what our company stands for: sustainability, creativity, design innovation, promoting the living arts,… Read on

Most of us have seen boxes of old patterns in our grandparents’ attics or at yard sales, but have you ever considered putting them to use? For those who are interested in doing just that, Vintage Patterns Wikia has posted over 84,000 out-of-print patterns from before 1990 in a searchable archive. Not all viewable patterns are… Read on

The School of Making offers a wide range of beloved sewing patterns, available in our Studio Book Series and as standalone patterns. We’ve also adapted sewing patterns from other designers using our techniques and materials with beautiful results. Some of our favorites from the past are from Merchant & Mills, DKNY, and Vogue Patterns. Our… Read on

We’re nearly halfway through the year, and the rest of our workshops for 2018 are filling up quickly. We recently hosted our largest Three-Day Workshop—with 20 guests—and the popularity of our workshops continues to grow. We normally wait until later in the year to announce upcoming workshops, but we have already set dates through part… Read on

The Geometry of Hand-Sewing has proved to be a great resource for learning and perfecting a myriad of embroidery stitches. The book and Natalie’s newest Craftsy course, “The New Embroidery”, focus on stitch samples and swatches for practice and building up a swatch library using our Stitch Journal to document your progress. While the Stitch… Read on

“Motherhood is the biggest gamble in the world. It is the glorious life force. It’s huge and scary —it’s an act of infinite optimism.” – Gilda Radner From primordial goddesses to present day working moms, the roles of mothers and society’s expectations of her have experienced a myriad of changes. With Mother’s Day fast approaching,… Read on

Iona Gonsalves moved to Savannah, Georgia, from India in 2008 to attend the Savannah College of Art and Design where she received her bachelor’s and master’s degrees with a focus on textiles. She relocated to Florence last year to begin her work at Alabama Chanin and her life here in Florence. She is learning about… Read on

Our Craftsy virtual learning courses dive into hand embellishment and construction in The School of Making techniques. In The Swing Skirt: Techniques & Construction, Natalie walks you through each step of creating a hand-sewn garment. Creative Embellishments gives an in-depth look at our most popular hand embellishing techniques including quilting, reverse appliqué, whipstitch appliqué, and… Read on

Luda Matmurtova has been a member of our production team since 2013. She moved to our community from Uzbekistan nine years ago and has incredible hand sewing and embroidery skills. Luda loves to bake cakes and meat pies, and we often find a freshly made dessert in our staff kitchen from her. She is an… Read on

Fashion Revolution Week is part of the year-round Fashion Revolution movement that encourages consumers to look more deeply into the fashion industry, with the ultimate intention of making clothing in a safe, clean, and fair way, the norm – across the world. This year, Fashion Revolution Week runs from April 23 – 29th and it… Read on

“Demand quality, not just in the products you buy, but in the life of the person who made it.” – Orsola de Castro, co-founder of Fashion Revolution Loss of life and destruction of natural resources have been the tolls paid by society for its reckless and exorbitant consumerism. “Fast fashion” and its lack of consideration… Read on

Our new Thread + Embroidery Floss Calculator charts are available for download to print and reference at home. This is a new tool that can be used to determine how much thread is needed for reverse appliqué and negative reverse appliqué on different garments using different stencils plus how much embroidery floss is needed for… Read on

Custom DIY has always been a resource to design your own garments and accessories—personalizing everything from fabric and thread color to stencil design and treatments. Now, you have even more control over what you receive once you place your Custom DIY Kit order. The new programming provides even further customization, allowing you to take into account… Read on

“A community is made up of intimate relationships among diversified types of individuals—a kinship group, a local group, a neighborhood, a village, a large family.” – Carroll Quigley As we prepare to host friends, family, Shoals locals, guests from afar, and our making community for The Gathering this week, we were inspired to explore our… Read on

Now available in the Maker Supplies + Stencils section of the website, a new take on our classic Armor Beads is available as the new Bead Mix product. Each new mix incorporates a variety of beads and sequins in an array of complementing and/or contrasting colors to add sparkle to your next project. Pair these… Read on

We’ve long been admirers of Liz Pape and her team at Elizabeth Suzann. The Nashville-based company holds quality clothing and mindful consumption at its heart—paying strict attention to detail, respecting the people they work with, their company culture, and the environment. The garments that Elizabeth Suzann produces are cut and sewn locally (sound familiar?) out… Read on

Steven Satterfield is co-owner and chef of Miller Union, a restaurant located in Atlanta’s west side that focuses on seasonal ingredients. His relationships with local farmers and producers are the driving forces behind his menus. Chef Satterfield is an active member of Chef’s Collaborative, Southern Foodways Alliance, and Georgia Organics. In 2015, Satterfield released his… Read on

Our last Craftsy virtual learning class—The Swing Skirt: Techniques & Construction—has been very popular among our community of makers, and because of it, we’ve welcomed many new followers. We were often asked on the class discussion board for more instruction, and our newest class—Creative Embellishments—released this past Tuesday. The course covers four key stitches and… Read on

American artist Louise Nevelson has been an inspiration for several elements of our style aesthetic for some time now. The textural and stylistic elements of her sculpture have found their way into our collection a few times, particularly with the Tweed fabric design in our Bridal + Eveningwear Collection. Its sculptural qualities can find parentage… Read on

Paradise Under Reconstruction in the Aesthetic of Funk—that is the name of fiber artist Xenobia Bailey’s ongoing cultural art project. It’s colorful, challenging, multi-disciplinary, and incredibly difficult (if not impossible) to categorize. Bailey’s primary media are yarn and fabric and most of her pieces are crochet or knitted. She often uses concentric circles or repeating… Read on

The Panel Tank style made its first appearance in the Alabama Chanin collection in 2013. It has been one of our most requested patterns ever since due to its form-flattering fit and debuted as the first pattern in our 2018 Build a Wardrobe program. Find design details below for some of our favorite versions for… Read on

Each year Alabama Chanin hosts a community picnic—a time for employees, artisans, collaborators, supporters, and members of the community to gather and celebrate. It gives us the opportunity to say hello to each of you, spend time together, and give thanks for the beautiful work and support we receive throughout the year. What started at… Read on

2018 Build a Wardrobe kicks off with our beloved Panel Tank Pattern. The Panel Tank flatters all body types with a fitted bust and generous flare to the bottom hem. The thin straps and scooped out neckline well to layering underneath a cardigan or jacket, or over a long sleeve tee or turtleneck. The pattern… Read on

First published in 1965, Anni Albers’ seminal book, On Weaving, is both a thoughtful meditation on the art of weaving and a beautiful photographic collection of historical craftsmanship. Albers, who we have written about in the past (and used as inspiration for some of our own work) was part of the Bauhaus movement and one… Read on

The past year has been one in which we’ve continually searched for beauty and hope; undoubtedly, 2017 has been a year unlike any other. As a company, our response to this year has been to look within and search for new meaning in what we do, to seek inspiration in the work of others, and—perhaps… Read on

It’s been a busy year for The School of Making—new packaging, new products, workshops at The Factory (and away), new patterns through Build a Wardrobe, a new website, a Craftsy course (with 2 more in the works), and our brand-new book—The Geometry of Hand-Sewing. We’ve shared it all along the way with our maker community… Read on

We have often expressed our preference for cooking with cast iron. Cast iron pans are workhorse tools that, when properly cared for, can last for decades. It is a sustainable choice and a well-seasoned skillet forms a non-stick surface. Plus, once it’s hot, it really stays hot. While we have not abandoned our heirloom skillets… Read on

Featured on the Quarter 4 Design Bundle, the newly released Tartan stencil is available today through The School of Making(along with the re-released Fern). Originally released in 2012, our natured-inspired Fern stencil has been featured over the years on garments, home goods, and Swatches of the Month. This customer favorite is again available in physical and… Read on

The books have landed, and we’ve started shipping out copies of The Geometry of Hand-Sewing. The School of Making team is so excited to share this new resource—it has truly been a labor of love. The idea for this book blossomed from Natalie’s love of geometry and math. As our team started analyzing embroidery stitches,… Read on

This post has been updated from the original post on October 17, 2017. We’re revisiting our love of Lee Bontecou as our most recent Marine update is inspired by the words and life of Zora Neale Hurston, and the artistry of Vija Celmins (more coming soon), and Bontecou. Lee Bontecou has always been difficult to categorize, as her work reflects elements of Minimalism, Abstract Expressionism, and Feminist art. She was a true pioneer in the… Read on

The School of Making was founded back in 2014 as an overseeing body that encompasses the DIY Kit collection as well as workshop programming, format, and content. It was also developed to direct and innovate learning initiatives and educational programs that will continue to teach Slow Fashion and sustainability and promote the Living Arts to… Read on

In the past, we have looked to other artists’ personal styles to inspire elements of our Collections—Frida Kahlo, Anni Albers, and Georgia O’Keeffe, to name a few. As part of our most recent Signature | Eveningwear Collection, our design team was drawn to the idea of the artist at work—how artists can combine their media,… Read on

As the final installment of our 2017 Build a Wardrobe subscription, we introduce the Drawstring Pant Pattern. Flattering on all body types and adaptable to any wardrobe or season, the pattern offers four length options for the pant (shorts, knee-length shorts, cropped pant, and long pant), three skirt length options (short, mid-length, and long), and… Read on

The Alabama Chanin Signature | Eveningwear Collection is designed with distinctive style in mind—so that you will have a special piece for your special occasion. To complement a unique sense of style, we introduce new designs for evening and reintroduce classic Bridal silhouettes in our new collection. The color palette includes a traditional White, along… Read on

Textile paint is an everyday staple at The School of Making and ­Alabama Chanin. We use it to transfer stencil designs to a multitude of items including the Alabama Chanin Collection, DIY Kits and Custom Kits—we even stencil our gift bags and boxes. Because of our commitment to lean manufacturing, everything is stenciled to order… Read on

Part of our newest Collection includes our first garments made from organic chambray fabric, courtesy of organic cotton pioneer Sally Fox. Sally was an invaluable resource for Alabama Chanin + Billy Reid as we tackled our challenging experiment in growing organic cotton in Alabama. She has worked for decades experimenting with colored cotton and researching… Read on

Natalie lived and worked as a stylist and filmmaker at the tail end of the 1990s before landing in New York to begin the great, big adventure that ultimately became Alabama Chanin. If you don’t know about Natalie’s journey, look back at this post, this post, and this post on our Journal and listen to… Read on

Bldg.14 was created during the summer of 2013, with our machine-sewn line officially launching in 2014. (Some of you might remember that it was originally called A. Chanin.) Our organic machine-sewn styles are still being produced in-house by Bldg. 14 and can be found in the current Collection. Bldg. 14 offers organic fabrics and American-made options… Read on

The School of Making was created in 2014—though our workshops, educational services, and DIY projects date back to the early 2000s. This important part of our business allows us to make living arts accessible to all consumers. Today, we guide you through this section of our new site, which has a few updates. What We… Read on

The Factory opened to the public in November of 2013 with our flagship store and accompanying café. The Slow Food movement has informed much of our work, and so we envisioned a space where the two merge—slow food served fresh and slow design made locally. We hope you’ll be able to visit us in our… Read on

Hello new Alabama Chanin Collection: new colors, new garment styles, new stencils and patterns, and—for the first time—a new organic chambray fabric. As always, we have styled our designs that these pieces work seamlessly alongside our classic silhouettes and new Core Essentials. Black Walnut, Vetiver, and Tea Dye complement our current color scheme and can… Read on

In fashion, graphic design, art, architecture, and other creative mediums, designs evolve and change with time. The same is true for website design (and technology)—and with that idea in mind, today we are over-the-moon to announce the launch of the newly designed AlabamaChanin.com. What began as a conversation about AlabamaChanin.com over a year and half… Read on

Ashley’s Pullover Collection launched earlier this summer and features designs available for a limited time. Inspired by chef Ashley’s all-time favorite shirt, the collection uses organic cotton jersey and machine-sewn artistry to create functional and flattering styles. Read back on the Journal to learn all about James Beard award-winning chef Ashley Christensen and our collaboration…. Read on

While our basic, unadorned garments provide a great foundation for your wardrobe (and are quick and easy to stitch up), it’s the embellishments you add that make them truly unique and turn them into statement pieces for your growing hand-sewn wardrobe. Beads, sequins, and decorative stitches can transform a simple hand-sewn garment into an heirloom…. Read on

This month, we began expanding our jewelry options with unique porcelain cameo rings and pendants designed and created by Marcie McGoldrick. The New York-based artist spent 16 years working at Martha Stewart Omnimedia—starting as a product developer for the “Martha by Mail” catalog, before transitioning to craft editor for Martha Stewart publications, and eventually to… Read on

Fashion accessories are one of the most effective ways for a wearer to add his or her personal style to an outfit. Over the years, traditional jewelry in gems and precious metals, bags, gloves, hats, stockings, even hair or tattoos have been used as some form of accessory—to define a “look” and express one’s mood… Read on

The Wrap Dress style made its first appearance in the Alabama Chanin collection back in 2008. Over the years, it has been made in many different variations—dressed down in a basic tank style for summer as well as dressed up as a fully embellished dress for a wedding. The sleeve variations and length options make… Read on

Sunset is the perfect balance of a bright and muted pink hue, making this color a customer favorite this summer. Introduced in our Core Essentials, Sunset is now available in our hand-embroidered Sylvan design with and without beaded details. A selection of our Collection garments is crafted entirely by hand. Some pieces feature a combination… Read on

Sylvan was introduced in our Collection in April. The design reflects on a natural, pastoral world. Garments embellished with the Sylvan design are bold and yet delicate, combining components of nature with the beauty of the forest. We’ve added decorative elements by embroidering beads and sequins in various places on the garments. The moments glisten—much… Read on

Universally flattering and a staple of any wardrobe, the Wrap Dress is the focus of the third quarter of Build a Wardrobe 2017 and is available for the first time today as a digital pattern download. Offered with five sleeve options and five length variations, the pattern is available in sizes XS through  XX-Large. The… Read on

“Nothing is less real than realism ― details are confusing. It is only by selection, by elimination, by emphasis, that we get the real meaning of things.” – Georgia O’Keeffe Georgia O’Keeffe is undoubtedly considered one of America’s greatest and most influential painters. She was a key figure in the emergence and advancement of American modernism… Read on

We’ve written before about the importance of sample blocks and how we use them to design our collections and other projects. As you explore new techniques, we encourage you to create your own fabric library to document your process. The most efficient way we’ve found to do so is to attach what we call “headers”… Read on

This year’s Friends of the Café dinner series has been a gratifying success, as we once again have worked with some of the most talented and knowledgeable chefs in the South to raise funds for the Southern Foodways Alliance. Our upcoming dinner will be hosted by James Beard Award-winning chef Ashley Christensen, a longtime friend… Read on

Photographer and artist, Rinne Allen lives and works in Athens, Georgia (though she also travels the world taking pictures. Follow her on Instagram for a glimpse.) She is deeply committed to her community, having co-founded a children’s school for creative arts and working with the University of Georgia on special arts programming. It’s an understatement… Read on

The Sylvan stencil is one of Alabama Chanin’s most intricate and involved yet—mimicking the details of its namesake (the woods). The design groups leaves, flowers, petals, and stems showcasing various embroidery stitches and techniques. The Lark Tee and Liza Dress are machine-sewn garments that feature Sylvan hand embroidery, which adds depth and texture to the… Read on

Alabama Chanin’s Core Essentials have been around since 2013, beginning with a collection of hand-sewn basic styles. We mapped the evolution of those designs a few weeks ago on the Journal, and more recently shared a fit guide for our tops and tunics. Today, we share a guide to our Core Essential skirts, pants, and… Read on

Once offered exclusively in the Alabama Chanin Collection, Aurora is now stenciled, along with Small Polka Dots, on the fabric of our latest Design Bundle. Aurora has an art deco feel and gives movement to any project. It works up beautifully in different techniques including negative reverse appliqué (shown above), whipstitch appliqué (shown below), and… Read on

The idea for our current Core Essentials began in 2013 with a collection of hand-sewn basic styles. Last week, we mapped the evolution of those designs and you can read that history here. Today, we share a guide to our Core Essential tops and tunics which fall in a price range from under $100 to just over… Read on

Design Bundle #2 launched this morning and included the return of one of our favorite specialty fabrics—Faded Polka Dot. This fabric is created by our stenciling team in-house using 100% Organic Medium-weight Cotton Jersey in Natural and the Small Polka Dot stencil. Faded fabric made its first appearance at Alabama Chanin in our Fall/Winter 2008… Read on

“A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know.” – Anni Albers Anni Albers, one of the original students trained at the Bauhaus school in Germany, was a true innovator in textile design. Though she worked as a multi-disciplinary artist,… Read on

The global fashion industry is notoriously opaque, and it depends upon exploitation of workers and environmentally damaging practices. It is an issue that we’ve spoken of many times and one that drives us to do our very best to remain as transparent in our methods and materials as possible. But for us, there is also… Read on

Since the launch of Limited-Edition Printed Cotton Jersey, we’ve used both Anna’s Garden and New Leaves variations to create a Factory Tunic and Swing Skirt (respectively). The printed fabric allows you to make quick and easy basics with the added visual interest of a pattern. With spring in full effect here in north Alabama, we… Read on

“Unto this wood I came as to a nest; dreaming that sylvan peace offered the harrowed ease—Nature a soft release from men’s unrest.” – Thomas Hardy Sylvan: of the woods; bucolic; idyllic; a mythical spirit of the forest Deriving from Medieval Latin, Sylvanus—one who frequents the woods. Sylvanus is a Roman god of the woods… Read on

We often incorporate limited-edition colors into our Alabama Chanin Collections or have our Organic Cotton Rib dyed to match our existing colors. Our lean-method manufacturing practices mean we order small batches of specialty colors and fabrics so there’s little to no waste or leftover fabric. For the first time, we now have select colors of… Read on

Build a Wardrobe 2017 continues in the second quarter with our Car Coat Pattern. Offering a fit that is flattering to all body types, the Car Coat is a great transitional piece that can be worn throughout the year—going from basic to statement-making with the addition of stencils, embroidery, and beading. The digital version of… Read on

There’s more in store this spring, as the current Collection evolves—with the introduction of new styles, a new color, Navy, and a new stencil design. We continue to love Frida, and introduce more embroidered designs in Baby Blue and Concrete colorways. With a bold floral pattern, our newest stencil design complements the delicate Frida embroidery…. Read on

As part of an ongoing exploration into indigo and other natural dyes, we are spotlighting artists we consider to be experts in the field—including Scott Peacock, Donna Hardy, and today, Kathy Hattori. Kathy is one of the founders of Botanical Colors, a well-respected source of materials, support, and educational offerings for those seeking to employ… Read on

Our Core basic styles make the perfect canvas for our accessories—with recently updated colors and designs. Here are a few fresh looks for Spring. The Rib Crew and Indigo Slim Scarf The Rib Crew, The Rib Skirt, and Indigo Poncho The Rib Crew, The Rib Skirt, and The Suzanne Slim Scarf The Rib Crew, The… Read on

Hugh Acheson is a practical man. He’s witty and inventive, too, but he has the ability to cut through nonsense like a hot knife through butter. Hugh opened his Athens, Georgia-based flagship restaurant 5 & 10 in 2000 and followed in 2007 with a second space, The National. He has since opened the Atlanta-based Empire… Read on

We’ve seen such beautiful pieces made with our Limited-Edition Printed Cotton Jersey collaboration with Spoonflower that we’ve decided to add another design. Now available is our 100% Organic Medium-weight Cotton Jersey in Sand printed with our newest Daisy Stencil design in teal. Experiment with our newest design of Limited-Edition Printed Cotton Jersey using patterns available on our… Read on

Photographer and artist Rinne Allen’s Light Drawings were introduced at Alabama Chanin during the summer of 2015. At that time, the Alabama Chanin Collection featured Indigo textiles, and the blue cyanotypes resonated perfectly with our designs. In addition to her blue light drawings, Rinne also creates sepia-colored works of art, which are presented alongside our… Read on

The Alabama Sweater has been a long-standing pattern at Alabama Chanin, and the silhouette remains one of our customer favorites (a reason we included the pattern in our 2016 Build a Wardrobe). The Alabama Sweater shown above was created using the Daisy stencil for one of our archived collections using a classic whipstitch appliqué technique…. Read on

Some people dip them in a tall glass of milk; some separate the creme from the chocolate cookies and eat them separately; some smother them with peanut butter—and others just enjoy them plain. You can even find deep fried versions at carnivals and fairs. The Oreo cookie is an undeniable American classic. In April of… Read on

One of the most fantastic things about surrounding yourself with creative people is that you are constantly inspired and challenged to look at ideas through new and ingenious lenses. Rinne Allen, a frequent collaborator, is someone who has a special skill for capturing moments—details that other people may not see. This quality has made our… Read on

In an introduction to her third book, Natalie writes, “I want to dress women like me, modern women who may not have perfect bodies or stylists to help them make wardrobe choices but who want to make their way through their busy lives with beauty and grace, who want to sustain valuable traditions and live… Read on

Donna Karan’s approach to design has been a recurring topic of conversation on our Journal and an ongoing source of design inspiration for Natalie. From a 2012 Journal post: Karan became a presence in the fashion world as the women’s rights movement found its footing in the 1970s and women began working in the business… Read on

Our Design Bundle was announced last week and includes hand-stenciled swatches in two designs: our popular Anna’s Garden stencil and a new stencil for our DIY community: the Daisy stencil. Once only offered for our Collection garments, the Daisy stencil is a now available through The School of Making as a Mylar stencil and as a… Read on

Historically, wedding gowns have not always been made in the traditional white color that we think of today. It wasn’t until 1840, when Queen Victoria married Prince Albert of Saxe-Coburg and Gotha in a lace-trimmed, white silk gown that white was established as a bridal norm. Queen Victoria sourced regional textiles to use in her… Read on

The Alabama Chanin Signature | Bridal Collection features a range of dresses, skirts, tops, and accessories for special occasions, for the bride and her wedding party, and for black-tie events. Our organic cotton jersey garments are hand crafted and modern—and offer sustainable options for everyday elegance. While many of our garments are created with simplicity in… Read on

We are continually intrigued by artists who conceive new ways to create old-fashioned arts. Cross stitch, which is one of the oldest forms of embroidery, was originally used to embroider textiles in ancient Egypt and China. Today, it is often used as a way to decorate clothing and fabric with flowers or patterns. Recently, Spanish… Read on

Now that our 2017 Build a Wardrobe program is in full-swing, we have added our 2016 styles to Custom DIY. You may now customize your own kits for the Maggie Dress/Tunic/Top, Alabama Sweater Tunic/Top/Crop Top, Walking Cape, and Full Wrap/Pull-On/Apron Skirt. In addition to the new silhouettes, you are now also able to choose between… Read on

Esteemed chef Eric Ripert of Le Bernardin, one of six Michelin three-star restaurants in New York (there are only 14 in America) has an incredibly meditative approach to life and business—appropriate for a practicing Buddhist, but uncommon for a high-powered chef. As a young chef, his hot temper led to heavy staff turnover and what… Read on

With the start of the new year, we’ve seen countless articles, podcasts, and books on organizing your home and life: clearing out clutter, taking on daily habits, and changing your way of thinking. While we make efforts to practice self-improvement each day, we appreciate the push to get back on the wagon that a new… Read on

We’ve been loving our Limited-Edition Printed Cotton Jersey—part of our collaboration with Spoonflower—which we debuted a few months back. Since then, we have used it to create a Swing Skirt, and here we utilize it to introduce the Factory Tunic. We used a variation of the Factory Dress pattern—now available through our 2017 Build a… Read on

“They thought I was a Surrealist, but I wasn’t. I never painted dreams. I painted my own reality” – Frida Kahlo Frida Kahlo’s perspective on dress was unique, in that she was able to express her political and feminist views using traditional Tehuana-style Mexican garments. Many believe that she chose this style of dress at… Read on

With one successful year of Build a Wardrobe behind us, we are excited to offer the 2017 subscription with four brand new garment patterns. The first quarter introduces the Factory Dress pattern—a long-time staff and customer favorite—with its flattering fit, princess seams, and high neckline. In addition to being included in our 2017 Build a Wardrobe… Read on

Welcome to the new year. In the spirit of the fresh start a new year brings, we present a new Collection. About the Collection During the summer of 2016 on the Journal, we started an artist series that profiled female artists and designers like Frida Kahlo, Louise Nevelson, Clarie McCardell, Sonia Delaunay, and Anni Albers…. Read on

Some years fly by and others seem to drag on forever; 2016 kept us at a steady pace at Alabama Chanin. We have been able to focus on refining our methods and more deeply developing our different avenues of work—from the design team to workshops to collections and collaborations. It is possible that 2017 could… Read on

This year was a busy and productive year for all of our divisions at Alabama Chanin. The School of Making and The Factory teams worked hard to introduce new and expanded programming for our customers. Our design team launched new home items and Collection #30, which produced some of our most intricate and beautiful garments… Read on

Natalie has a deep history with Penland School of Crafts where, more than 30 years ago, she first received a studio assistantship—an experience that opened her eyes and mind to the incredible world of design and craft. In 2012, she revisited the North Carolina mountain school to teach a course on hand sewing. Natalie documented… Read on

Thank you to Mary Celeste Beall and the Blackberry Farm team for including our hand-dyed Indigo Quilts in this year’s Farmstead Catalog. In addition to our quilts, the catalog includes holiday gift items from Blackberry Farm to stock your pantry (Pickled Ramps and Farm Jams are a favorite) and decorate your home. View the catalog… Read on

This season, we’ve launched new additions to our Collections that include our recent Holiday garments; we’ve also incorporated styling rib-knit basics, socks, and scarves. Today we announce two more styles that will complete our Collection for 2016. Our Madison and Piper Dresses introduce a hand-stenciled Flora design to our form-flattering Sleeveless and Long Sleeve Rib… Read on

Thank you to Lauren Vespoli and Amtrak’s The National magazine for highlighting the importance of community and American-made manufacturing and for including Alabama Chanin in your Made In America feature­. “There is a deep history in every community, and I think that in the age that we live in those communities are being cracked wide open,”… Read on

Today, we’re introducing two new designs for our Stripe Tall and Stripe Shortie Socks. We’ve been working with Little River Sock Mill—who manufactures in Alabama—since 2014 to produce designs exclusively for Alabama Chanin. All of their socks are quality made from a blend of organic cotton, nylon, and elastic—providing amazing comfort and great fit. Our… Read on

The Magdalena Classic Jacket DIY Kit is the newest addition to our (recently updated) DIY Collection. Featured in Alabama Studio Sewing Patterns, our Classic Jacket hits at the hip and has a relaxed fit—making it a great everyday jacket. This kit comes with everything you’ll need (including variegated embroidery floss that we’ll match for you). We’ve… Read on

Last October, we launched our Host A Party program to expand the sense of fellowship we create here at The Factory through our workshops, dinners, and events by inviting friends and colleagues to host their own workshop and event (surrounded by friends, family, and good food). When you decide to host a sewing party for… Read on

Our Cook + Dine textiles help you set a beautiful table year-round. Mix and match our solid, colorblock, and hand-painted designs with varied materials and textures in your kitchen, like our Heath Ceramics dinnerware, Etched Glasses, and Shelter Collection glassware­—or your own pieces that have been gathered, passed down, and collected over the years. Made… Read on

Today, we launch updates to our DIY Collection with new kits, colorways, patterns, and designs. We’re introducing new silhouettes while offering some of our customer favorites with new stencils and treatments. New projects include the Anna’s Garden Maggie Tunic and Polka Dot Walking Cape. Our expanded selection includes a range of projects for the home, like the… Read on

There is sometimes no greater pleasure than planning for holiday get-togethers and the excitement that goes along with them. Many of us have traditions we look forward to all year, and family or friends that we only see on special occasions. There is meaning to be found in the —smallest things, from preparing a dish… Read on

Journal followers are likely familiar with one of the newer faces on our design team: Erin Reitz (née Connelly), who we have featured recently. Erin and business partner Kerry Clark Speake are co-founders of The Commons, a Charleston, South Carolina-based shop that sells high quality, local, and American-made housewares. In addition to the work at… Read on

This year’s Build a Wardrobe program has allowed us to expand the options in each of our closets. So far, we have introduced three new garment patterns—the DIY Maggie Dress, DIY Alabama Sweater, and DIY Walking Cape—and offered several of our own variations on each piece. Build a Wardrobe provides hundreds of options for how… Read on

Though the actual German Bauhaus school technically existed for a mere 14 years, its legacy undoubtedly continues to expand and flourish. The school, active during the years of the Weimar Republic, sought to unite artists of all disciplines in a utopian goal of designing a new world. Until broken up by the Nazis in 1933,… Read on

“Clothes are for real live women…They are made to be worn, to be lived in.” – Claire McCardell Claire McCardell is effectively the founder of American ready-to-wear fashion. Working from the 1930s through the 50s, McCardell was innovative because she designed clothing that was fashionable but also allowed women to move, breathe, and generally live… Read on

“He who knows how to appreciate color relationships, the influence of one color on another, their contrasts and dissonances, is promised an infinitely diverse imagery.” – Sonia Delaunay Sonia Delaunay (1885 – 1979), alongside her husband and fellow artist Robert Delaunay, co-founded the Orphism art movement, an offshoot of the Cubist style that focused on… Read on

Anyone who is familiar with our company knows that Alabama Chanin is built on the beliefs of collaboration and the open exchange of information. Our connections and relationships with fellow designers, makers, customers, and suppliers run deep, and we appreciate every opportunity to learn from, be inspired by, and to teach and work with others…. Read on

Alison Saar, contemporary sculptor and mixed-media artist, was born to acclaimed assemblage artist Betye Saar and Richard Saar, a painter and conservator. In her work, Betye (now 90-years old) often addresses the journey and identity of the African American woman—concepts that Alison has built upon as she explores her own family and racial identity through… Read on

One of the challenges of running a company dedicated to sustainability is adjusting to the ebbs and flows of other small businesses in our supply chain—businesses that are devoted to sustainable practices themselves. Sadly for us, one of those companies has closed its doors after almost 20 years of operation. North Carolina-based Tumbling Colors, our… Read on

“A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know.” – Anni Albers Anni Albers was a multi-disciplinary artist best remembered for her work in textile design. She trained at the Bauhaus school in Germany, where she met her future husband and… Read on

Emile-Allain (E.A.) Séguy was an artist and designer who worked in early 20th-century France, and one of the few to successfully combine both Art Nouveau and Art Deco styles. He produced 11 albums of illustrations, most of them focusing on elements from the natural world, like flowers, foliage, animals, and insects. His patterns were intricate… Read on

Collection #30 was introduced—with the thought to combine machine- and hand-made pieces into the same line—as these garments are created using the same production processes, the same fabric, the same design team, and the same approach. From a design and development point-of-view, we now see that there should have never been a separation of the… Read on

“It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light and winter in the shade.” – Charles Dickens Our Walking Cape is the perfect all-weather staple, and it lives in my closet all year long. It is the ideal companion for the… Read on

The third quarter of our Build a Wardrobe program has arrived, with our beloved Walking Cape pattern. The individual garment pattern, which includes instructions for selecting fabric, cutting, and constructing, can be purchased for $18 – $24 online, depending on format. This pattern is designed for use with our Studio Book Series. The Build a… Read on

Our clothing today says much about who we are and—in some cases—what we believe in. To some, what they wear is of great importance and to others, not so much. But modern women in most Western societies have the agency to decide what to wear and how much meaning they assign to what they wear…. Read on

The newest member of our design team, Erin Connelly, has plenty of experience running a business of her own. On a road trip, she and close friend Kerry Speake had a conversation about the beautiful and quality-made home goods that their peers were creating. They decided to dedicate themselves to creating a place where one… Read on

Stenciling has a deep history that reaches across millennia, but also within Alabama Chanin. It is the basis for our lean-method manufacturing and also within part of The School of Making. We’ve got a library of 600+ stencil designs and the Stars stencil is #340. Stars was originally inspired by the costumes in found in… Read on

For the uninitiated, Spoonflower is a North Carolina-based web company that allows individuals to design, print, and even sell their own fabrics, wallpaper, and giftwrap. Founded in 2008 by Gart Davis and Stephen Fraser, the Spoonflower user community now numbers over a million people who use their digital textile printers to print custom runs of… Read on

We last shared about The School of Making on Instagram in March, and we’ve been thrilled with the increase in sharing your projects through #theschoolofmaking. Here are some of our recent favorites from our online maker community. P.S.: Follow us on Instagram: @theschooloofmaking, if you don’t already. And tag and share your projects with #theschoolofmaking Thank you to… Read on

We previously shared The History of Tailoring and continue our series on fit with a comprehensive history of pattern making. In order to survive, human beings had to master the arts of creating and sustaining food, clothing, and shelter. As time went on, we became better at those tasks and began to create standards for what… Read on

Like many Alabama Chanin garments, the Alabama Sweater was created because it fit a specific need in my own wardrobe. Years ago, I bought a cashmere sweater that became a well-worn, beloved staple. I wore it and washed it a thousand times; accordingly, it shrank and stretched—and became perfectly mine. Rather than search the world… Read on

We’ve had a fun (and colorful) month exploring natural dyes with Kristine Vejar through a series of projects from her book, The Modern Natural Dyer. Here’s a quick recap from our Journal, before we close out the month (which Kristine has tagged as #alabamachaninapril on Instagram) with a final project. – You can learn more… Read on

As a sustainable design company, we take the health of our employees and our environment into consideration every day. And though not all businesses have the same focus, it is interesting to look back on how much has changed and become the norm—both in workplaces and homes around the world. Forty-plus years ago, the idea… Read on

“If the day and the night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal — that is your success.” – Henry David Thoreau Recently, longtime friend and collaborator Kristine Vejar created fabric for us using a technique from… Read on

One of my favorite parts of design school back in the 1980s was the hand-dyeing class I took in the fall of my third year.  For me, it was a perfect combination of science and creativity that, to this day, I believe fostered some of my best work.  A few years later, after I graduated… Read on

The fourth month of 2016 launches the second quarter of our Build a Wardrobe program and, with it, the Alabama Sweater garment pattern. Available for individual purchase for $18 – $24, depending on format. The PDF download includes the nested pattern in sizes ranging from XS to XXL and comes with tips on fabric selection,… Read on

Some subjects are so polarizing that almost any discussion of them is fraught with tension or awkwardness. And so it is with the topic of gun violence. No matter what your stance is, whenever we are faced with a tragic mass-shooting incident, many of us feel powerless; we respond with anger or by shutting the… Read on

Our maker community has grown substantially in the past few years thanks to an increased interest in slow fashion and a do-it-yourself attitude. We’ve seen engagement, respect, collaboration, and beautifully-made contributions from many of you in The School of Making, which includes both a design and manufacturing service that facilitates production for other, smaller designers… Read on

For as long as we’ve known about their existence, we have been in love with Heath Ceramics. Their philosophies, their processes, their intentions—all align closely with our own. Our collaboration with Heath is our longest collaboration, dating back to 2011. When we partnered for our first collection together, they worked diligently to interpret the work… Read on

With a number of things brides could worry about on their wedding day, feeling comfortable and beautiful shouldn’t be one of them. Our organic cotton jersey allows that comfort and ease on your wedding day, while still looking elegant. We have a wide range of dresses, skirts, tops, and accessories available through Custom DIY and… Read on

We often speak of collaboration and of creating a community of artists to share ideas. This philosophy is central to our artisan-based way of making. And when we stock our stores online and at The Factory, we offer a carefully curated selection of items that complement our own—always made by other artisans who follow a… Read on

While we are known for our elaborate hand-sewn, hand-embellished garments, collaboration has long been an integral part of our philosophy. My cousin’s family owns MTM Recognition in Princeton, Illinois, where they make an array of hand-made jewelry pieces produced by skilled craftsmen. When the opportunity to create jewelry together came up, the idea of capturing… Read on

We have used stencils to transfer designs onto fabric since the earliest days of Alabama Chanin. There is a section of The School of Making devoted to the art of stenciling, and you can read about making and using our stencils on our Journal here: #stenciling. And while we’ve developed stencils of all sorts and used… Read on

Alabama Chanin as a business was founded on the idea of a quilting stitch. And although it took me months to realize that I was actually quilting as I pieced together those first cut up t-shirts, the knowledge of those quilting stitches came from my most elemental childhood experiences. Growing up in the south, at… Read on

Last week, we introduced pitmaster Rodney Scott and the care and expertise he executes in the “whole hog” process. His prowess for pork and bar-b-que balances quite nicely with Frank Stitt’s skillful translation of Southern ingredients. (I’ve witnessed it first-hand at an SFA Symposium.) Though their kitchens may look different from one another, both Rodney… Read on

As part of her first job in the fashion industry, Natalie spent a good bit of time in sample rooms—some of them denim sample rooms where new styles of blue jeans were being made every day. She remembers that the sample sewers, who were primarily from Spanish-speaking households, always referred to the yellow/orange thread used… Read on

When joining our Build a Wardrobe program, participants make design choices for each of the four garments they create. When planning a design for any garment, the first decision you make is whether the garment will be made with a single- or double-layer of our organic cotton jersey. Some embroidery or embellishment choices will make… Read on

If you follow along on the Journal, you know that Alabama Chanin is a long-time supporter of the Southern Foodways Alliance. Over the years, we have joined together for countless partnerships, events, and projects: Natalie barbequed dresses for their 2012 Symposium; we created an apron in their honor; we even supplied costumes for their collard… Read on

You may remember that back in 2013 we spoke with the trio behind Single Lock Records, when they were newly established. Single Lock is an independent record label founded by Shoals residents Ben Tanner, Will Trapp, and John Paul White. At that time, they had just released Overseas then Under, by The Bear (still one… Read on

I’ve recently been reading Brené Brown’s new book, Rising Strong. I’ve found so much good in the book, both for me personally and also for how we run our business. In any small (or young) business, you must have the courage to fall down, over and over again, and to “rise strong.” Because we aren’t perfect… Read on

The story of my coming home to Alabama in the year 2000 is one that has been told many times. My journey home started in the spring of 2000 on the corner of 38th Street and 8th Avenue in New York City. It was there that the call to adventure hit me squarely on the… Read on

I’ve been reading Pattern Recognition (2003) by William Gibson as a sort of “digital book club” with a friend of mine who lives in another state. I’ve never been a huge fan of science fiction—and had, honestly, never heard of William Gibson but managed to get lost in the book—equal parts thriller and exposé on… Read on

I’m going to ask for forgiveness in advance as this post is going to ramble. There is a lot to say and, at face value, parts of the story don’t seem to have any relevance to one another. Bear with me—I need to let the story unfold. I’ve numbered the facts to help you follow… Read on

I assume that most folks imagine that the Maggie Top/Tunic/Dress is named after my daughter Maggie—and they would be right, in a way. What few people know is that the garment is named after an apron/smock dress that my Maggie wore and loved as a three-year-old. One day as I was dressing her and life… Read on

Today, we launch our Maggie Dress garment pattern—available in PDF format through our website. Part of our Build a Wardrobe programming and available for individual purchase at $18, the PDF download includes the nested pattern and comes in sizes XS to XXL along with instructions for fabric selection, cutting, and garment construction. Our PDF patterns (more styles… Read on

I spent quite a lot of time over the holiday season digging into some of my favorite cookbooks. This was sparked on by several things: My son, Zach, and I started talking about what we want to accomplish with The Factory Café in 2016 and got side tracked talking (for a very, very long time)… Read on

New Years’ Eve is a big (if quiet) night for me. It’s been a long time since I was that girl that danced until sunrise. These days I’m much more into getting up at sunrise, writing, scheming, drinking coffee, and, on some days, simply cleaning house. That being said, I’ve very often had big changes… Read on

Looking back on 2015, it’s clear that this was the year of collaboration for Alabama Chanin. We expanded upon work that we have been creating with others for many years, added major new initiatives with new partners, and built upon our partnerships across all parts of our business. Partnership has always meant growth for Alabama… Read on

This has been a year of great achievement, great loss, great beauty, great sadness, and great friendships; but through it all I have been repeatedly reminded of the gift of family. At this time of year, I think we all look forward to looking homeward and to family—whatever home and family may mean for us…. Read on

In March of 2015, The School of Making launched a partnership with Nest—a non-profit that joins together with artisans across the world to bring about positive social impact through sustainable development. Nest works specifically with artisans because they are often community-based businesses or organizations; they collaborate with those artisans to provide tools, training, infrastructure, and… Read on

Just over a year ago we launched our line of Alabama Chanin candles. Since then, they have become one of our most popular gift items. We worked diligently to find the right collaborator for this project and are lucky to have found DPM Fragrance, a regionally-owned business in Starkville, Mississippi. The company, once named Aspen… Read on

In October, when Martha Stewart American Made announced the winners of their 2015 American Made Awards, we were thrilled to see a familiar face among the 10 honorees—our sock making collaborator, Little River Sock Mill. The American Made awards were developed a few years ago as a way to spotlight and support creative entrepreneurs and… Read on

Over the past two years, The School of Making has evolved into a community of creators who experiment together with a diverse range of sewing, stitching, and embroidery techniques, design concepts, dyeing methods, and a widening array of practical skills. Through our Swatch of the Month and our Host a Party programs, we’ve watched our community of makers… Read on

December has arrived, and with it come holiday parties, family get-togethers, and plenty of reasons to cook and bake. The Factory’s calendar is a little less packed this month, simply because we all have so much to do at home and with our families. But—great news! December is National Egg Nog Month. No matter what… Read on

Back in 1985, Donna Karan struck a chord with women across the world by introducing the concept of “7 Easy Pieces”—her collection of garments around which a woman could build an entire wardrobe. She created a system of dressing where a few interchangeable garments, used in different combinations, would create a versatile closet of stylish… Read on

For many Americans, “Black Friday” (the name given to the Friday after Thanksgiving) marks the beginning of the holiday season. It’s a day largely associated with fanatical shopping and savings. While some people dread the thought of Black Friday shopping, many get excited—even camping out at stores the night before to get the best deals…. Read on

In the spirit of the upcoming holidays, we asked artist, photographer, and good friend Rinne Allen to share some of her favorite things to give (and receive). We’re all fans of her thoughtfully curated selections. Read on to learn more about each item and why Rinne chose it as one of her favorites. Metalworker Laurel… Read on

We have updated our School of Making section with an all-new pattern called the “Baby Bundle”—a multi-item downloadable package that includes patterns for a Baby Blanket, Baby Bucket Hat, Baby Bib, and Stuffed Bunny Rabbit. This set of items would be a wonderful holiday gift for new or expecting parents, and the patterns are useful… Read on

In his last cookbook, A New Turn in the South, Hugh Acheson won us over with his focus on community, sustainability, and organic products. We so agree with his “Message About Community” in that book that we refer to it often in conversations about our own work and how to set standards for what is… Read on

I found I could say things with color and shapes that I couldn’t say any other way—things I had no words for. —Georgia O’Keeffe In geometry, a square is a regular quadrilateral; it has four equal sides and four equal 90-degree angles. A square is also technically a rhombus, a kite, a parallelogram, a quadrilateral, and… Read on

In the years since we met Rosanne Cash, we have grown from giddy fans, to dedicated admirers, to proud and honored friends. It is no secret how much we are inspired by Rosanne—as a supporter, an artist, and a beautiful person. We’ve done our best to express our admiration whenever the opportunity arises. We are… Read on

If there is one thing we’ve learned, it’s that there is joy and power in making in a group setting. We’ve witnessed this in a multitude of workshops, Makeshift events, and also in our informal First and Third Mondays and Thursday night Sip + Sew events here at The Factory. Many of us have outside… Read on

Atlanta-based chef Anne Quatrano is perhaps the most visible figure in the area’s farm-to-table movement. She and her husband and fellow chef Clifford Harrison are longtime proponents of sustainability and make concerted efforts to use locally grown seasonal and organic products—much of which comes from their own family farm. They own and operate three established restaurants—Bacchanalia, Little Bacch, and Floataway… Read on

October is here and—finally—we are beginning to get a reprieve from the heat of summer. By now, my house has gotten back into the school, work, homework, bedtime routine. (I think every year Maggie manages to negotiate a later bedtime, while mine gets earlier and earlier.) October is one of my favorite months, because it… Read on

Last September, as we were preparing for a workshop at Anna Maria Horner’s venture, Craft South, we got our first look at her new line of knit jersey fabrics—Anna Maria Knits. We have since experimented and played with several of these patterned knits using our techniques and are loving the results. Shown here is our… Read on

When the company that became Alabama Chanin began years ago, we didn’t have (or didn’t know how to find) many kindred spirits—those who were enthusiastic about celebrating uniquely Southern craft traditions. Years later, we look around and see so many individuals and organizations who have taken up the banner for Southern craft, culture, foodways, and… Read on

In the northwest corner of Alabama it sometimes feels like we are in our own little world (or, perhaps, just in our own little state of mind); we have our own way of doing things. This area boasts a beautiful terrain, unpredictable weather, its own unique musical sound, white barbecue sauce, and, of course, chicken… Read on

We are constantly inspired and impressed by our DIY community and what you make and share. We loved sharing your projects as a part of #MeMadeMay and wanted to highlight more of our recent #theschoolofmaking favorites from Instagram. With the weather (finally) cooling, now is the perfect time to settle in and sew something new…. Read on

This week, we are pleased to launch Alabama Chanin Collection #29—with never before seen garment styles and stencils. Natalie has been working for many years to grow a talented design team that understands our company mission and helps advance the design story we tell with each collection. The garments are presented in four main colors—Natural,… Read on

The source of creativity can be confounding. Artists have been famously driven by mystical or divine inspiration, obsessive love, depression, or self-exploration. Some artists are prolific; Picasso supposedly produced over 13,000 paintings and 100,000 prints. Others struggle openly, like author Fran Lebowitz whose writer’s block was so famously long that she called it “writer’s blockade.”… Read on

We are still receiving responses to Alabama Studio Sewing Patterns and are delighted to get great comments from Linda Lee, a notable maker who has quite a design collective of her own. Linda—who has become a friend over the years—is owner of The Sewing Workshop sewing school and produces a pattern collection under that same… Read on

As our home in The Shoals area continues to grow and expand, so does our list of things to do and see. Downtown Florence has been flourishing in the past few years, and new shops are popping up alongside tried-and-true mainstays. Ye Ole General Store, one of those longtime favorite spots, sits at the corner… Read on

A year ago last week, I wrote about Anne Stiles Quatrano and her cookbook, Summerland on our Journal. I mentioned how we were waiting for the perfect time to host her for our Friends of the Café Dinner Series. We are excited to (finally) announce that Anne will be joining us in October at The Factory,… Read on

Over the years, I’ve managed to amass quite a library of design, photography, and art books alongside my treasured cookbooks, novels, and random printed matter that continues to inspire. The shelf that Sara first organized has become four packed-to-the-top rolling shelves that now inspire an entire company. We were recently discussing the best way to… Read on

I’ve been carrying this book around with me for weeks—which is no small feat. In a bag that is already oversized and overloaded, a three-pound book is quite an addition.  But every time I take it out to leave on my home studio table, I reconsider, put it back in my bag and take it… Read on

September comes as a bit of a relief this year, as it brings more routine, less travel, and a few moments to relax. While I’ve enjoyed my unforgettable summer with Maggie (especially our cross-country train trip), most parents will agree that there’s just the slightest feeling of liberation when your child goes back to school (albeit… Read on

The Alabama Chanin Journal was unofficially launched back in 2006. In those early days, there was no editorial staff (or much staff at all). There was just Natalie and a couple of friends who pitched in here and there. The early blog posts had little in the way of structured format or consistent subject matter…. Read on

The months of June and July were wonderful and hectic in lots of beautiful and fun ways. There was plenty of travel, including our trip to Blackberry Farm and the cross-country train trip that Maggie and I took to San Francisco. With August comes a welcome bit of calm, just before our house gets back… Read on

Makeshift is a series of events, talks, workshops, and gatherings that invite a dynamic group of participants to explore the ways in which the fashion, art, and design worlds are inextricably linked to the world of craft and DIY, and how each of these worlds elevates the others. In its fourth year, Makeshift conversations create an intersection where we can… Read on

The Alabama Chanin, Heath Ceramics, and Boiler Room teams have been working together over the past few months in preparation for our show in San Francisco, which opens tomorrow evening. Needless to say, we are very excited. The show, Alabama on Alabama, is the fourth ever exhibition in Heath Ceramics’ new event space, the Boiler Room. Heath… Read on

Our first collaboration with Heath Ceramics, launched in 2011, has built a lasting, creatively symbiotic relationship. That joint development was a beautifully intensive design process that blended our techniques with theirs. Our Heath + Alabama Chanin line of dinnerware is made by hand, just like our Alabama Chanin handmade Collection. The artisans at Heath etch… Read on

Over the last five years, our work with Cathy Bailey and Robin Petravic has been some of the most productive, exciting, and meaningful work that we’ve had the opportunity to do. Robin and Cathy are husband and wife, parents to Jasper, writers of the new book, Tile Makes the Room, and the owners and operators… Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics—their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware,… Read on

I met Stella Ishii over a decade ago, as I was just beginning to define who I was as a designer. She was simultaneously likeable and intimidating—but intimidating only because of her impressive resume and effortless cool. She began her career in fashion not because she was fluent in design technique—but because she was fluent… Read on

Summer is now officially in full swing. As adults, we rarely get to indulge in a full-scale month of vacation—as our children often do. But, in July I like to take a few extra days to enjoy summer with my family and friends. Maggie absolutely loves July (and July 4th festivities are some of her… Read on

This month, we introduce a new layout for our Newsletter. The new design clearly distinguishes Alabama Chanin, The School of Making, and The Factory—making it easier to find the information that is most important to you. Join our mailing list to receive our monthly newsletter and keep up with our latest news, events, and stories featured on… Read on

In January, we added to our ongoing Makeshift series, adapting available garment patterns using Alabama Chanin techniques with a Merchant & Mills pattern for the Shirt Dress. This month, we’ve created another Merchant & Mills garment in our own style—an Alabama Chanin version of the Factory Dress (love the name). This piece is shown here without embellishment… Read on

As we continue to get feedback from some of our favorite makers on Alabama Studio Sewing Patterns, we realize how lucky we are to be part of such a positive DIY community. So many fellow writers, designers, knitters, and Journal followers have contacted us with generous responses and honest commentary. How heartening it is to… Read on

According to Wikipedia, supply chain is defined as “a system of organizations, people, activities, information, and resources involved in moving a product or service from supplier to customer.” At Alabama Chanin we strive to responsibly produce quality, sustainable products—at every level of the supply chain. We believe that responsibility means transparency and understanding where each material comes from… Read on

Once our garments are born and leave the nest, they have rich lives. At least that is what we hope—what we believe. We work hard to design and construct pieces that will last for many years and become heirlooms, passed down from one generation to the next. For owners of Alabama Chanin garments, it’s common… Read on

This week, we feature another in our series of posts from makers we admire highlighting Alabama Chanin garments—specially tailored for the wearer, using techniques outlined in Alabama Studio Sewing Patterns. Previous posts from Amy Herzog and Heather Ross reveal what we really already know: we are not defined by our garment fit issues and owning… Read on

With Father’s Day quickly approaching, this month’s cocktail post from our Nashville-based cocktail expert Jesse Goldstein discusses the importance of an often-overlooked component of boozy drinks—water. Want to know when to shake and when to stir (or the perfect cocktail for celebrating the fathers in your life)? Read on. From Jesse: It was in 1806 that The Balance and… Read on

In April, I traveled to Chicago to lecture at the School of the Art Institute of Chicago. While there, I spent some time at the Art Institute and found great inspiration from the works displayed in their galleries. (For someone who has been considering scale and texture quite a bit lately, Elena Manferdini’s exhibition gave… Read on

Anna Maria Horner and I have been friends and collaborators now for about 6 years; but, she is the kind of friend you feel like you’ve known forever. I’ve been lucky enough to work alongside her on more than one occasion and we created two stencil designs, Little Folks and Little Flowers, together—based on her… Read on

If there’s something we have learned from our DIY community and The School of Making programming, it’s that our fellow makers can be passionate and prolific. In a world focused on “fast fashion” we are constantly inspired to see so many taking time and effort to create meaningful things. Quite a few of you have… Read on

In our continuing Makeshift series that demonstrates how design, craft, and fashion can influence on another, we adapt another pattern using Alabama Chanin techniques. This pattern is from Marcy Tilton, a longtime Vogue pattern designer, author of three sewing books, and a name well known to crafters and sewers alike. As always, we encourage you… Read on

We wrote earlier this week about scale and patterns, and how we reduced and enlarged our New Leaves stencil artwork to create graphic variations of the design. One of our projects that looks at scale is a series of  DIY Unisex T-shirts. The shirts feature our New Leaves stencil in five different sizes and can… Read on

Today, we continue our series of blog posts from some of our favorite makers highlighting DIY garments, customized using the techniques and patterns of Alabama Studio Sewing Patterns. We last heard from Amy Herzog, who described the fit issues she has faced over the years—particularly garment length. This week, we are blushingly grateful to post… Read on

Two weeks ago we introduced Jones Valley Teaching Farm and the work they are doing with schools and in classrooms across Birmingham. With programs like Good School Food, Farm Lab, and Seed to Plate, they are providing food-based, hands-on, experimental education and design-thinking strategies for students in Pre-K to 12th grades. Their practices are sustainable… Read on

I took the pieces you threw away, and put them together night and day, washed by rain, dried by sun, a million pieces all in one. -Howard Finster, “Poem for the Garden” Howard Finster, a Southern Baptist minister and self-proclaimed “man of visions” moved to Pennville, Georgia in 1961, having purchased four acres of land… Read on

For many of us who call ourselves “mother”, there are two types of children in our lives: those that are born to us and those that come into our lives and become “ours” for life. For me, this was the case with Agatha Whitechapel, daughter of my dear friend (who I commonly refer to as,… Read on

Since the launch of The School of Making, our team has been inspired to create new resources, to design more beautiful DIY kits (that complement our newest book), and to give our online store a new look. Shop our updated Maker Supplies section here and find tools and materials to inspire your next project. And… Read on

As we’ve written in the past, there are many ways to define a mother. Merriam Webster opts for “a female parent” but we at Alabama Chanin feel the term mother is often more verb than noun. A mother can also be a member of your “family of choice” –or any woman that has offered you… Read on

Natalie’s Apron—now available for purchase as a downloadable sewing pattern from our Studio Books + Patterns —is a version of an apron my grandmother wore nearly every day of her life. The cut of the apron was adapted from the shape of our Camisole Dress pattern from Alabama Studio Style, and it features an optional… Read on

Today, we begin a series of blog posts highlighting customized DIY garments made from Alabama Studio Sewing Patterns. We are lucky to work with a range of makers and writers across the spectrum of handwork. In the coming weeks, you’ll find stories and ideas from the likes of Heather Ross, Anna Maria Horner, Kristine Vejar, Joelle Hoverson, and Amy… Read on

When I first started brainstorming what was to become Alabama Studio Sewing Patterns, I had a dream that as an elevated service to all of our sewers, our garment patterns (including patterns from our previous books) would be neatly packaged onto one convenient CD with an additional size (XXL), which had been so often requested. … Read on

Today, we launch our new Unisex T-shirt garment pattern—available in paper and PDF form through our newly re-organized Studio Books + Patterns page for The School of Making. Available for purchase at $18 – $24, it includes the nested pattern and comes in sizes XS to XXL along with instructions for fabric selection, cutting, and… Read on

Last Thursday we started shipping our newest book, Alabama Studio Sewing Patterns.  Stacks of books around the office moved quickly into boxes and off into the hands of readers.  Thank you for all your sweet notes of praise and excitement.  We find it equally exciting to move on to this next chapter. Look for our… Read on

It’s a BIG week for us here at Alabama Chanin. Our newest book, Alabama Studio Sewing Patterns, lands in stores and into the hands of the makers tomorrow. This fourth book in the Alabama Studio Series includes all the patterns from our first three Studio Books on a convenient CD, plus instructions and patterns for… Read on

I originally wrote the post below for the Etsy Seller Handbook. It ran on September 14 of 2011—just before my lecture at Hello Etsy. I ran across these “truths” recently while writing this post on The Business of Fashion’s “How To Set Up A Fashion Business”  and still find them true today. xoNatalie From the Etsy… Read on

In our week-long profile of designers Charles and Ray Eames, we studied their design aesthetic and philosophy and talked about the various media they used to forward those philosophies. They made hundreds of explorations into film, for varied purposes. Produced in 1977, Powers of Ten is perhaps their best-known film—and includes a book version. In… Read on

As we wrote in last week’s post on our DIY Exploding Zero T-Shirt, inspiration comes at us from every direction. Recently, our design team has been (almost endlessly) inspired by Eames: Beautiful Details. The use of color and form shown by Ray and Charles Eames is bright and modern, even by today’s standards. The image… Read on

…the role of the architect, or the designer, is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests—those who enter the building and use the objects in it. – Charles Eames Our favorite Eames quote above is now on our café tables, the production… Read on

The process of canning and preserving is just one of the “living arts” that we are thrilled to see making a comeback. This year at The Factory Café, we have set ourselves the goal to “put-up” as much of the bounty of summer as we possibly can. (Not to mention my plans for my own… Read on

When we opened our Bldg. 14 manufacturing facility in the summer of 2013, we knew that we had to commit to learning about the ever-changing manufacturing industry—and that the learning curve would be steep. But as we began to educate ourselves, we found that no manual or set of rules existed for us to consult…. Read on

Over the years, and despite the fact that public speaking doesn’t come to me naturally, I’ve lectured at conferences and universities across the country and around the world. Invariably, during the question and answer section at the end of each talk, someone raises their hand and says, “I want to have a collection. What should… Read on

While writing this post about March and our Swatch of the Month, I mentioned the Encyclopedia of Needlework by Thérèse de Dillmont which I am currently reading in preparation for a new book we are writing (yes, another book) on the tools of handwork. I became curious about the life of Thérèse de Dillmont who… Read on

February is technically a short month, but it was so fast and furious that I had to make conscious efforts to be mindful AND productive. March looks to be just as busy, but in the best way—full of things I want to do and people I want to see. It is National Women’s History month,… Read on

Last year, we launched our Friends of the Café Dinner and Factory Chef Series, which was quickly established as part of our Makeshift initiative. As with most things here at Alabama Chanin, the idea evolved over time from an interesting idea into something bigger. In 2015, we are continuing to host Friends of the Café… Read on

“From a scientific point of view, it can be said he [Thoreau] documented for the first time how ecological succession works … The mechanism was animals and weather. Squirrels carry acorns so oak trees replace pine when the pines are cut down. And pine seeds blow over to replace the oak.” – Richard T. Forman I started… Read on

A little musical (and visual) interlude for this cold and snowy Friday—listen to this newly released track from one of our studio favorites, Alabama Shakes. Along with a beautiful video designed by Mario Hugo—half of our husband and wife, New York-based design and web team, Hugo + Marie.

This take on our Long Fitted Skirt—one of my longtime favorite go-to pieces—is available for a limited time in our DIY Sewing Kit Collection through The School of Making. I own many versions of this skirt in a range of colors and wear them throughout the year, from one season to the next. The Long… Read on

The School of Making is firmly in place. Our new collection of DIY Kits is being loved (and completed) by many. The occasional frustration of writing a book is now replaced with the joy and pride of making something new and beautiful. Now, we can hardly believe that the arrival of Alabama Studio Sewing Patterns is just… Read on

At almost any workplace, you can hear employees talk about their co-workers with a closeness and familiarity; after years of working alongside one another, your officemates can (in some cases) begin to feel like family. In the past, that has actually been the case here at Alabama Chanin. Studio and dye house directress Diane Hall… Read on

Being intimate with the obstacles of implementing Slow Design, we are inspired by how the Slow Food movement has successfully encouraged us to pay attention to the food we eat, where it comes from, and how it is produced. And, it’s beautiful—and even more inspiring—how the conversation has quickly moved beyond the concepts of sustainable… Read on

We began our 2015 Swatch of the Month back in January but neglected to write about the swatch and share pictures here on the Journal. Many of you reached out to let us know that you missed these posts. We heard. We listened. And herewith, our February post (and the slightly late January below). Here’s… Read on

In 2011, and just before my 50th birthday, I publicly—on this Journal—declared a detox. I don’t really like to write much about my private life, as Alabama Chanin has grown into something so much bigger than me. And, truth-be-told, I am a rather shy and private person. However, I forged ahead and wrote in the… Read on

When we first opened our Bldg. 14 division in July of 2013, we learned quickly that there was still SO MUCH to learn. So, with the concept of The School of Making firmly in place, we began at the beginning to work on a set of finishing examples for our Bldg. 14 machine-made division. Like… Read on

As our new travel series expands, we realized that we have never laid the groundwork by adequately defining and describing the community that we call “The Shoals.” Since Alabama Chanin’s inception, love of community has been the cornerstone of our inspiration, design philosophies, and production practices. Shared stories of our region’s history, our neighbors, and… Read on

Vino or Moonshine? Both, please. Memphis chefs, Andrew Ticer and Michael Hudman’s new cookbook, Collards and Carbonara: Southern Cooking, Italian Roots published by Olive Press, showcases their distinctly Southern-Italian dishes—or is that distinctly Italian-Southern dishes? Either way, it’s fusion cuisine with an accent. The two chefs and best friends opened the upscale Andrew Michael Italian Kitchen in Memphis… Read on

During Makeshift 2012, we dedicated a portion of one event to “Worn Stories,” a concept defined and documented by Emily Spivack that explores the stories and emotional attachments surrounding our clothing. Jessamyn Hatcher introduced us to Emily and her work about the relationships we create with our garments and the rich memories we associate with… Read on

In 1982, Ari Weinzweig and his business partner Paul Saginaw opened Zingerman’s Delicatessen in Ann Arbor, Michigan. Today, that institution has evolved into a collection of food specialty businesses (known as the Zingerman’s Community of Businesses, or ZCoB) that includes a bakery, mail order operation, a coffee company, candy manufacturer, a barbeque restaurant, creamery, and… Read on

With the release of Alabama Studio Sewing Patterns, we offer a DIY Sewing Kit for our A-Line Dress. This dress is part of our DIY Sewing Kit Collection. Made from our medium-weight 100% organic cotton jersey, the dress is patterned with our Magdalena Stencil and shown here worked in negative reverse appliqué; however, you may choose… Read on

The Camisole Apron is an embellished version of an apron my grandmother wore nearly every day for most of her life. It is beautiful and incredibly practical—especially for those of us that need full-coverage protection in the kitchen. This kit—created from our Camisole Dress pattern from Alabama Studio Style—is fitted for a woman’s body and… Read on

Based in Charleston, South Carolina, The Local Palate is a food culture publication that celebrates the region’s best culinary figures, recipes, and processes. The magazine has recently launched their digital presence, resulting in a beautiful, easy-to-navigate, and delicious website. From The Local Palate website: Food in the south is intrinsically connected to life in the… Read on

About two hours south of The Shoals is Birmingham, Alabama’s largest city. It is a city built on railroad industries and iron and steel production. Birmingham has been called “The Iron City” and “The Magic City,” and it has a contentious past as a central player in our nation’s civil rights struggle. But today’s Birmingham… Read on

Our final Swatch of the Month for 2014 combines several techniques explored (and hopefully mastered) in previous months’ swatches—including appliqué, negative reverse appliqué, and eyelet beading. The design, titled Natalie’s Dream, is beautifully intricate and one of my personal favorites (hence the name). To create the swatch, begin by stenciling the design to the top… Read on

In March of this year, we unexpectedly received an email with the subject line, “Asante Sana (Thank You) from Kenya!” It was sent by a woman named Nirvana, who is part of a team working to empower rural Kenyans with life and entrepreneurial skills. It seems that their goal is to inspire people to challenge… Read on

At Alabama Chanin, we frequently speak about the concepts of Slow Design and sustainability. We attempt to create a healthy environment so that we can create healthy products. Part of being sustainable means we take great care in the materials that we source to create our products; it also means that the processes we use… Read on

Over the past months, we have been exploring heirlooms through ongoing Journal posts. Our intention is to look at the things we hold dear and examine how we find meaning in our personal heirlooms and mementos—even if those things don’t necessarily have great monetary value. The Heirloom series is meant to celebrate things that last… Read on

One of our more popular series of do-it-yourself posts has been our ongoing adaptation of commercially available patterns in the Alabama Chanin style. Among the patterns we have reworked are: a dress from an Anna Sui Vogue pattern, two variations of a Vogue dress from Vena Cava, an open-sourced jacket pattern from Yohji Yamamoto, and… Read on

Our Alabama Chanin Candles, with a seasonal Grapefruit + Watercress scent, are the newest addition to Cook + Dine. Hand-poured in Mississippi, the soy candles feature our floral Magdalena pattern and a graphic Diamond design, inspired by vintage glassware that I’ve collected over the years. Once you burn your candle, clean the 6 oz. votive… Read on

In 2014, we were inspired by our extensive fabric library—and readers expressed interest in trying new techniques—to create our first Swatch of the Month Club. Our library of sample swatches archives over 500 techniques, embroideries, fabric treatments, and colorways that we have experimented with or used in past and upcoming Alabama Chanin collections. If you… Read on

The Swatch of the Month for November highlights one of my all time favorite designs, Climbing Daisy. The technique uses ribbon embroidery, which beautifully adds dimension and detail to projects and garments. The concept is simple: we use cotton ribbon rather than thread or embroidery floss to stitch the design. This technique can be applied… Read on

As I’ve mentioned before, writing a book is no easy feat. It involves months (often years) of planning, drafting, edits, new designs, reviews, rewrites, photo shoots, patternmaking…basically, equal parts labor and love. So, I honestly surprised myself when I agreed to write another one. While still a work in progress, the end is in sight,… Read on

Today we introduce our newest Alabama Chanin silhouettes like our Marie Pencil Skirt and Garter Dress which have a flattering and feminine shape, alongside our Peasant Top and Factory Dress which offer a more relaxed fit. Classics styles, like our Corset and Long Fitted Skirt, are combined with new stencil designs like ‘Aurora,’ ‘Marie,’ and… Read on

Where does inspiration come from? Do ideas spring from a single stimulus? Or are they generated by a creative environment fostered over time? Of course, we know the answer is both – and many more sources. My daughter, Maggie, is obsessed with Minecraft, which (if you don’t already know) is an open-ended game that relies… Read on

Alabama Chanin as a concept and a company began as a DIY enterprise. I made the first garments by hand, to fit my own body. Our entire business model was created because I couldn’t find manufacturing for the sort of garment I wanted to make—and so, we created our own manufacturing system, one stitch at… Read on

Since the launch of Alabama Studio Style, our DIY Eyelet + Angie Throw (also known in my family as a “couch saver”) has been a favorite do-it-yourself kit among home sewers and our workshop participants alike. Today we introduce another design option for this project: the Polka Dot throw. This 36” x 48” throw, made from… Read on

“Zero” is both a number and a concept. It is both incredibly complex and perfectly simple. Zero is both a value and a digit—a number and a placeholder. It can be called: nil, oh, naught, nada, and zilch. Complex chemical and physical theories involve and surround the concept of zero. All of this to say… Read on

Quite a few years ago, I loaded up the car with scissors, needles, and an array of other sewing supplies and took a trip with a group of friends and fellow stitchers to a women’s prison facility (at their invitation, of course). My friend Kyes had organized this meeting in the hopes of developing a… Read on

The October Swatch of the Month highlights one of our most popular embroidery treatments—Alabama Fur. The technique, first presented in Alabama Studio Sewing + Design, combines our Spiral stencil with backstitch-worked embroidery floss, and incorporating exposed knots and tails. Simple, yet time consuming, the end result is a hypnotic continuation of curves that is both… Read on

Eight years ago, and three months after Maggie was born, I stood in the wings on a stage in New York City, waiting to go on and tell the story of Alabama Chanin. I was nervous and jittery, waiting my turn while a woman named Jill Dumain talked about the sustainability work of the company… Read on

As a designer, I am constantly in search of inspiration for new patterns. Often, I find ideas in nature. Other times, I’m drawn to simple geometric shapes—such as circles or dots—and how they interact with one another. Polka dots, with their equal size and relative spacing, create a classic pattern on a garment. In fact,… Read on

Perhaps the most common advice given to any writer: write what you know. Fabric designer, crafter, illustrator, writer, friend, and heroine Heather Ross manages to do just that in her newest publication, How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY. In the book, Heather shares wisdom, heartfelt stories,… Read on

Beginning today, we launch our new DIY Sewing Kit collection. These DIY collections are designed and sold in the same manner as our ready-to-wear collection—created through seasonal inspirations and focusing on garments and patterns that we love. Some pieces are designed in conjunction with our current Alabama Chanin collection; others are top customer picks and… Read on

Over the last several years, The Factory has expanded in leaps and bounds and the Alabama Chanin team has grown to keep in-step. Working in a creative industry, it takes a while to find the perfect mix; some people must be true creatives, while other jobs require a tactical mind. It is special when you… Read on

Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner… Read on

The Swatch of the Month for September continues August’s emphasis on texture as it relates to an overall design perspective. Couching has a sculptural quality and it places significant focus on the stencil or design motif it highlights. This stencil, Anna’s Garden, works well with the couching technique, as it has lots of curved shapes… Read on

James Beard award-winning chef and restaurateur Anne Quatrano is enthusiastic about food and community—passions I admire and write about often here on our Journal. Around her home-base of Atlanta, Georgia, she is referred to “Queen Anne” and is the city’s “undisputed Grande dame” of the farm-to-table movement according to The Local Palate. It makes sense;… Read on

Passion. It takes passion to make a difference. When you truly want something, you find a way to make it happen, naysayers be damned. In the moments when it seems your project is doomed for failure, you carry on. You learn to ask for help and to count your blessings. Our organic Alabama cotton is… Read on

One of the great joys of my job is the fact that we sometimes get to review books for other authors. Sometimes we order the books from a catalog of new titles and sometimes, the books just arrive like magic in the mail. This was the case last year, when we received a book called… Read on

I have known many storytellers in my life. Some have a natural and unrehearsed style that feels captivating and immediate; some present new or unfamiliar points of view; others are quite deliberate and thoughtful in approach; all of them are enthralling to me. As a storyteller born into a family of storytellers, I find master… Read on

Each month, we invite our fellow stitchers to create a favorite Alabama Chanin pattern, embellishment, or embroidery technique through our Swatch of the Month Club. As a companion to that monthly series, we are also offering DIY projects that you can create with your completed swatches. Past projects include DIY Swatch Pillows, DIY Book Covers,… Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics – their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line… Read on

I met Julien Archer when he was only sixteen, in his hometown of Richmond, Virginia. I was leading a workshop at the Visual Arts Center there. He was a creative and enterprising sophomore in high school who had already started a screen-printing business (and had designed shirts for the venue where we were holding the… Read on

Clockwise: Studio Bundle #2 from The School of Making; Fabric Swatch in Natural/Bright White Kristina’s Rose with appliqué and beading; “Roses and Revolution” featuring the iconic Tina Modotti photograph “Roses, Mexico” (1924) from Orwell’s Roses by Rebecca Solnit; Kristina’s Rose stencil artwork; Fabric Swatch in Bright White/Natural Kristina’s Rose with appliqué and beading; Detail of… Read on

Maria Popova is the founder of Brain Pickings, a website designed to introduce you to a broad variety of subjects that feed one’s mind and inspire creativity.  Since founding Brain Pickings, Maria has spent countless hours researching and writing – hours that have taught her many life lessons. In honor of the website’s 7th birthday… Read on

We at Alabama Chanin have long been obsessed with and inspired by Maira Kalman. She has a rich and singular voice – as a visual artist, author, illustrator, and storyteller – that imbues people, objects, and words with knowing wit and humanity. Maira has written and illustrated 18 children’s books, all of which have been… Read on

I have done a bit of traveling and it has been my lifelong habit to observe local fashion trends – what crosses regional boundaries or doesn’t, what I predict will be a passing fad, and what has become a mainstay. In the last couple of years, it has become evident that tweed is reappearing in… Read on

Based on feedback that we have received from some of our DIY customers, we are now offering supplementary instructions in each of our DIY Kits. Each kit will be shipped with an insert that includes basic instructions, including how to “love your thread,” directions on completing basic stitches, simple construction tips, and how to add… Read on

The process of starting our own dye house began with an exploration into the materials and methods that involve the chemistry of dyeing. That exploration began with indigo. In its natural form, indigo is a tropical, leafy shrub and a member of the legume family, and a version of the plant is native to our… Read on

Each month of 2014, we have been demonstrating some of our favorite embroidery techniques as part of our Swatch of the Month Club. The month of July features our satin stitch-embroidered Stars design, embellished with beads and sequins. To highlight this stencil and technique – and as a way to celebrate Independence Day all summer… Read on

The July Swatch of the Month demonstrates one of our popular beaded embroidery techniques, the Satin Stars design. This technique is highlighted in Alabama Studio Sewing + Design, where you can view an in-depth fabric map of the embroidery. Use the Satin Stars design to add embellishment using either an allover or placement technique, as… Read on

Friend, inspiration, and collaborator Anna Maria Horner has been featured on our Journal several times. She is a multi-talented woman fluent in more than one creative medium, from her imaginative books and fabric design to fine art. Natalie and Anna Maria’s friendship has only continued to grow as they connect over everything from food and family,… Read on

We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison.  We are drawn toward natural tones and some of… Read on

The act of sharing a meal with others can be a uniting experience, with the potential to create memories and build relationships. Ashley English’s new book, Handmade Gatherings: Recipes and Crafts for Seasonal Celebrations & Potluck Parties, is a celebration of just that sense of community. We previously featured another of Ashley’s books, A Year… Read on

The Alabama Chanin Gore Skirt is one of our more popular DIY items because it is a simple design that is the perfect canvas for a wide variety of colors, stencils, and embroidery techniques. Shown here in reverse appliqué in our Magdalena design, the skirt sits low on the waist and flares to the hem—creating… Read on

Last week, we hosted our inaugural “Friends of the Café” Dinner, featuring chef Chris Hastings of Hot and Hot Fish Club. Chris and his team came to The Factory for an evening of superb food, lively conversation, and support for the Alabama Gulf Seafood organization.

Each month, we feature a favorite Alabama Chanin embroidery technique as part of our Swatch of the Month Club. Additionally, we offer suggestions as to how you might put your completed swatches to use. Past month’s project offerings have included the DIY Clutch, DIY Book Covers, and DIY Swatch Pillows. This month – with 6… Read on

Alabama Chanin’s slow design ideals are deeply rooted in and inspired by the Slow Food Movement, whose tenets call for good, clean, and fair food for all. Local, organically sourced food echoes through the pages of the Hot and Hot Fish Club Cookbook by husband-and-wife team (and friends) Chris and Idie Hastings. In continuation of… Read on

Two weeks ago, our team left New York feeling excited and energized—and with the conversation at The Standard the night before fresh on our minds. This was the third annual Makeshift, held in New York each spring during Design Week. Over the years the conversation has shifted—but our goal of learning how certain themes cross… Read on

The Swatch of the Month for June combines a number of embroidery techniques into a single design. This stencil, appropriately titled June’s Spring, combines both basic techniques, like backstitch embroidery and appliqué, with more elaborate treatments, like beading and Feather stitch embroidery. The combination of these elements on one swatch results in a lush, rich… Read on

At Alabama Chanin, we believe DIY projects are integral to sharing creativity and promoting sustainable heirloom-worthy pieces. Bibliocraft: A Modern Crafter’s Guide to Using Library Resources to Jumpstart Creative Projects is a great guide to DIY crafts that utilize a range of library resources for inspiration. Written by rare book librarian Jessica Pigza, this book… Read on

MAKESHIFT began three years ago as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations and build communities…. Read on

Olga Rei and Valentine Uhovski are stepsiblings and creators of Art Ruby, a daily art bulletin that presents art of all disciplines to readers around the world in an approachable, open format. Art Ruby is a hub for relevant news, exhibits, designers, and innovations in and around the art world. Olga and Valentine created the… Read on

Each month, we highlight one of our favorite embroidery techniques through our Swatch of the Month Club. As a companion to that monthly series, we have also put together a selection of projects you can create with your completed swatches. This month, we have created a beaded clutch bag, which you will need one finished… Read on

One of our Mother’s Day Gift Guide selections, the DIY Magdalena Shawl is versatile in design and function. The Magdalena stencil is a bold design that dresses up casual wear. A shawl is a simple way to adjust to the changes in weather that tend to occur on a whim this time of year and acts… Read on

The Swatch of the Month for May demonstrates our beaded ruffle stripe technique. This is a variation of our random ruffle technique, featured in Alabama Studio Sewing + Design. You can add several rows of ruffles for a more elaborate textural design or use just one if you want to highlight the technique itself. Detailed… Read on

For several years now, Alabama Chanin has drawn ideals from the Slow Food movement (Slow Design is rooted in the tenets of the movement)—a philosophy we share with Blackberry Farm. We are currently featuring some of their goods and recipes on our café menu and are excited to be holding a Weekend Away Workshop there… Read on

Today, April 24, is the one-year anniversary of the Rana Plaza factory collapse in Dhaka, Bangladesh. It has also been declared Fashion Revolution Day—celebrating best practices in the fashion industry and raising awareness of the true cost of fast fashion. In homage to the anniversary, we etched wax candles with our Anna’s Garden and Bloomers… Read on

“Don’t throw anything away. Away is not far from you.” The quote above hangs in our studio as a reminder that each action we take (no matter how big or small) impacts our environment. Designed by our friend Robert Rausch a few years ago, the simple quote was stamped on an event invite as a means… Read on

Our Heirloom series highlights personal items or mementos that hold a special meaning, regardless of monetary value. Our hope is to reveal the incredible value of family, memory, and things that last. This week Erin, our Director of Media Services and Special Projects, shares the story of her grandmother’s kerchief. From Erin: My grandma, Nancy… Read on

You may have read recently about dear friend, advisor, and co-worker, Jennifer Rausch. As I recounted then, I have known Jennifer and her husband, Robert, since returning to Alabama. After moving home from New York (and after years abroad), I felt a little shy and out of place in my own hometown. It was a… Read on

In service to everyone who showed such great response to our Swatch of the Month, we are featuring a series of DIY projects that you can create with your completed swatch(es). This month’s project is a book cover adapted to fit the size of our Studio Books. It requires one swatch and four blank panels… Read on

Our team experiments with all types of fabric manipulation here at Alabama Chanin. We have used ruffles to create texture in our textiles and jewelry; have featured crochet work in our collections and projects, and love how something so simple as a knot can add complexity and depth to a piece. In Alabama Stitch Book,… Read on

“In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.” –Josef Albers Color, as we see it, results from our eyes and brains working together to make sense of the light around us. Since as early as… Read on

The Swatch of the Month for April allows you the opportunity to experiment with a basic, traditional appliqué technique in our Anna’s Garden stencil design. Appliqué is a way of “applying” one fabric on top of another. We use appliqué for many reasons – to add color, texture, dimension, and more elaborate design work to a… Read on

After launching our Swatch of the Month Club in January, we received several requests for a more accessible way to sample a variety of our techniques before investing in a club membership. Our commitment to listening to your feedback and, in turn, giving better service, led us to create the Starter Sewing Kit. Our Starter… Read on

Our newest Journal series highlights our personal heirlooms – things that hold special value and meaning to us personally, regardless of their monetary value. Alabama Chanin wants to honor things that last and things that we choose to keep in our lives and our homes as reminders of family, friends, or important moments. This week,… Read on

In early May, we will be traveling to Montgomery, Alabama, to participate in the second annual Southern Makers event. Southern Makers is a one-day affair that celebrates innovation and creativity of all types in Alabama. From panel discussions and artist talks, to cooking demonstrations and workshops, Southern Makers highlights some of the top talent working… Read on

I have a deep respect and admiration for the work happening at Rural Studio, located in Hale County, Alabama. Founded in 1993 by the late Samuel “Sambo” Mockbee and D.K. Ruth, the studio is now celebrating its 20th anniversary. After having the chance to visit the stunning Yancey Chapel in 2008, I noted on the… Read on

If you have purchased an Alabama Chanin garment or DIY kit in the last year or so, there is a chance that the fabric in your hands was also touched by Carra-ellen Russell. Carra-ellen is our Production Manager and is present at the beginning of most of the things that we make; she starts each… Read on

Each Thursday on the Journal we post DIY projects and ideas. On Thursdays following our highlight of the Swatch of the Month, we will be creating projects made from our completed swatches as a source of inspiration for those of you following along. At Alabama Chanin, swatches start out as a design concept for new… Read on

Long-time friend and artist Jack Sanders is also an architect, filmmaker, and baseball enthusiast. He is the founder of Design Build Adventure, a full-service “design, build, and adventure company” that focuses on collaboration. I first met Jack when he was a student of Samuel “Sambo” Mockbee of the Rural Studio.  I sent him a box… Read on

Each morning, when the rising sun (or my daughter) wakes me and I open my eyes, I begin to go over my plan for the day. This is a treasured time. Some days, I can’t wait to get going and the day’s tasks are joyous and fruitful; other days, work just feels like…work. Last summer,… Read on

Each month, as part of our Swatch of the Month Club, we are demonstrating some of our most popular techniques so that you might try your hand at creating new designs and embroideries. If you join the Swatch of the Month Club, you will receive a ready-to-sew package each month with the supplies needed to… Read on

Alabama Chanin’s first-ever sewing workshop took place in 2008 alongside a seminar on Southern cooking, organized and presented by our friend and collaborator, Angie Mosier. While the sewing participants stitched and chatted, the food preparers fried up some chicken, steamed collard greens and made pot likker, then baked the most delicious Lane Cake. At each… Read on

Our newest men’s DIY Kit features the Check, our 2014 Stencil of the Year. The shirt is shown here worked in reverse appliqué, but there are various ways to work this stencil, including negative reverse appliqué and outside reverse appliqué, along with a variety of other techniques found in the Alabama Chanin Studio Book series…. Read on

Alabama Chanin has always aimed to make products that will last a lifetime – even multiple lifetimes. We create things that are both beautiful and durable and we embrace the ideas of Slow Design. But, once upon a time, Slow Design did not exist as a theory or a process; rather, it was simply how… Read on

Alabama Chanin recently partnered with our friend Gina Locklear of Little River Sock Mill (and Zkano) to create a line of Made in the USA, organic cotton socks as part of our new collection. We’ve written before about the textile and manufacturing history of the Shoals, and our current strides towards revitalizing manufacturing within our… Read on

I’ve kept a journal, or some type of notebook, on and off since I was fifteen years old. My current journal is full of messages, reminders, sketches, and sweet notes and drawings I’ve collected from Maggie over the past few weeks—which, since Valentine’s Day is fast approaching, includes a lot of heart-shaped and heart-adorned things…. Read on

Recently, Building 14, our new Design + Manufacturing Services division, produced the Grist in collaboration with our friends at Billy Reid. This raglan style men’s t-shirt is made with our 100% organic cotton and features an antique button snap pocket. Read more about our team, the manufacturing collaboration, and Building 14 on the Billy Reid… Read on

February’s Swatch of the Month illustrates a variation on Alabama Chanin’s basic reverse appliqué technique in our Anna’s Garden design. With a membership in our Swatch of the Month Club, you can try out a different technique each month. You may purchase a Swatch of the Month membership at any point in the year and… Read on

Those of you who have followed Alabama Chanin for years know that this company was built around the concepts of expert craftsmanship, beauty, function, and utility. Focusing on using sustainable, organic, and local materials and labor, we have committed ourselves to producing quality products made in the USA. As we grew, the company developed a… Read on

Last year, we announced with great excitement that Alabama Chanin would be launching a machine-made line called A. Chanin. After months of hard work from our team (and the receipt of the CFDA/Lexus Eco-Fashion Challenge award), the inaugural A. Chanin pieces are here. Until now, all Alabama Chanin products have been made by hand, using… Read on

“If you can’t fly then run, if you can’t run then walk, if you can’t walk then crawl, but whatever you do you have to keep moving forward.” –Martin Luther King, Jr. In continuing our celebration this week of Martin Luther King, Jr. and his philosophy and teachings, we sought to create something sustainable that… Read on

Sun Young Park, a freelance illustrator living in New York, is an integral part of the Alabama Chanin team. If you own Alabama Studio Sewing + Design or have ever browsed our Studio Style DIY Custom DIY Guide, then you’ve seen the beautiful sketches of our garments, illustrated by Sun. I met Sun several years ago… Read on

In the book Eco Fashion, our friend Sass Brown celebrates and examines designers and labels practicing sustainability in the fashion industry, including Alabama Chanin (you might have recognized our hand-sewn garment featured on the cover). Sass offers several definitions for eco fashion—from slow design and traditional techniques to recycled, reused, and redesigned methods—and explores ecological… Read on

January’s Swatch of the Month incorporates Alabama Chanin’s basic reverse appliqué technique with our Paisley stencil. Explore our techniques and build your skills with a membership to our Swatch of the Month Club and follow along here on the Journal. The photograph above shows one of many options you can create when making your own… Read on

This holiday season, as part of our Handmade Holiday collection, we are offering a DIY tree skirt kit that features our Anna’s Garden design in a negative reverse appliqué, and coordinates beautifully with our Natural Appliqué Stockings. This project was inspired by the custom tree skirt we created for the official White House Christmas tree… Read on

This stuffed bunny rabbit is Alabama Chanin’s version of the old-time childhood favorite, the sock monkey. My grandmother used to make sock monkeys for all the children in our family. Each one she made took its own personality and looked different from the others. Our DIY Bunny Rabbit doll is an easy project to complete,… Read on

Heath Ceramics is celebrating 10 years of design by showcasing interpretations of time in the form of one-of-a-kind clocks designed by friends and collaborators. I was honored to design and contribute two clocks, featuring Alabama Chanin’s etched Camellia pattern. It’s really common in my family to hang plates on the wall, and I was inspired… Read on

December’s Desktop of the Month highlights an elaborate modification of a traditional embroidery technique, negative reverse appliqué. Negative reverse appliqué looks much like traditional appliqué, but is worked slightly differently. Here, we stencil the top layer of fabric, then place it on top of the backing fabric. We then use a straight stitch to attach… Read on

Thank you to everyone who graciously showed their support for Alabama Chanin over the last few weeks. Your purchases, emails, and love are the things that keep us going. It has been an incredible year and we appreciate your amazing show of kindness and loyalty as we move towards the holidays and the end of… Read on

For many Southerners, ambrosia salad is a dish often associated with holiday potlucks or aunts and grandmothers. It occasionally gets a bad rap, along with the often-maligned fruitcake, but when prepared correctly it can be light and delicious. The dividing line between love and hate seems to be one ingredient: coconut. But, this much is… Read on

This time of year, often associated with peace, may not always feel so peaceful with the chaos and frenzy that sometimes accompanies the holidays. At Alabama Chanin, we strive to practice DIY Peace, doing what we can to promote peace: in our lives, at our business, in our community, and within ourselves (body and mind)…. Read on

I’ve written before about our Fabric Library, a collection of sample blocks and swatches that our company has created over the years. Each swatch starts out the same way, as a basic 10” x 16” rectangle of our organic cotton jersey. Then each one is embellished with embroidery, stencils, beading, and/or appliqué. These sample blocks,… Read on

Perfect for the nature-lover in your life, our Stag T-Shirt is part of a new series of Men’s DIY projects and is currently featured in our Handmade Holiday collection. Designed to be worn (and loved) by men and women alike, this adaptation of our basic t-shirt features a bold Stag stencil across the chest and… Read on

Holidays often mean family visits, friends and neighbors stopping by unannounced, parties, and dinners. But, all of this merriment can come with a bit of chaos, rushing around, and readying for all of these events. Avoiding clutter may be impossible, but there are easy ways to help make your home look holiday ready at a… Read on

A former business partner of mine once wrote a press release that stated our company “came from nowhere.” When I read that “came from nowhere” years ago, my stomach began to turn and, honestly I was a little angry and my feelings were a bit hurt. That sentence seemed to imply that our work was… Read on

We are in the season of giving – giving thanks, giving gifts – but also of making. Perhaps you’re baking a pie, sewing a stocking, or creating a one-of-a-kind garment or handmade item full of personal touches and plenty of love. No matter what you choose to make, handmade items are certainly the best kind… Read on

The Alabama Chanin Gore Skirt has continually been a popular DIY item because it works up beautifully in any color, using any design and embroidery technique. As part of our Handmade Holiday collection, we are offering a special-edition DIY Eyelet Embroidered Gore Skirt that is perfect for any holiday gathering. The bottom edge of the… Read on

Thank you to Eric Wilson and the New York Times for their unwavering support these last years. And for this report on Green Fashion. We are deeply honored. xoNatalie and all of us @ Alabama Chanin

The Long Coat and Short Cardigan have long been staples of our collections and are popular projects at our Weekend Workshops. Both the Long Coat and the Short Cardigan are perfect layering garments for the chilly months leading up to the busy holiday season. The Long Coat is great for cooler evenings and is a… Read on

Pumpkin carving has a deep-rooted history in American culture. As a child, my family always used the butcher knife/three-triangles-and-a-mouth method. Today, there are specialized carving tools available from a range of sources. Martha Stewart, a lover of all things Halloween, has brought pumpkin carving to a new level, offering creative designs and techniques. Meanwhile, Maggie’s dad, Butch,… Read on

The holidays offer a unique opportunity for each of us to spend a little bit of time and energy creating for those we love. If you are a maker, you may innately understand the value of a handmade gift. Creating presents an avenue for you to express your love and admiration in the most personal… Read on

Mary Adams studied art, not fashion, in college, but eventually chose fabric, specifically, the dress as her medium of choice. Her first storefront in New York City was in the Lower East Side, on the corner of Ludlow and Stanton in the early 1980’s, when that area of the city was cheap and dirty and… Read on

As part of our Handmade Holiday 2013 selection, we are offering limited edition Holiday DIY Kits. Look for brand new items, some favorites from the past, and special, holiday picks. Alabama Chanin believes that holiday gifts mean more when they are handmade. This DIY Onesie + Baby Blanket Kit is a two-item option normally only… Read on

Before Alabama Chanin existed in its current form, before the Journal, the Studio Books, the DIY Kits, even the website, we were a very small company. When I began working to create these garments, I was doing the majority of the making myself. That meant buying t-shirts from thrift stores around the community (or anywhere… Read on

Phillip March Jones is an artist, photographer, and author of the photo essay book, Points of Departure. He runs the non-profit gallery, venue, and publishing house, Institute193 in Lexington, Kentucky, and curates shows in the U.S. and Europe for various artists, including Lina Tharsing’s recent exhibit of new paintings at Poem 88 in Atlanta, Georgia…. Read on

At Alabama Chanin, we believe in living and creating a sustainable life—contributing in every way we can to the Slow Design movement, growing and reusing existing cotton, whenever possible. In our continuing efforts to become a better company and commit to ecological sustainability, Alabama Chanin ships UPS packages using carbon neutral shipping. Carbon neutral means… Read on

We use stencils in many of our designs. Most often employed as a pattern to follow when adding elaborate embroidery, beading, and appliqué, we also love the simplicity of a stenciled pattern on a basic silhouette. This DIY Stencil T-shirt focuses on the simple beauty that emerges when you combine just the right pattern, stencil,… Read on

Our finished Alabama Chanin garments, made from 100% organic cotton jersey, are beautiful when worn as unembellished Basics; however, through the years, most of our designs have highlighted the incredible number of stencil patterns in our growing library. These stencils are the cornerstone of both our design process and our business model. From page 10… Read on

The Bolero is a popular item for those of us in Alabama, as spring and fall temperatures (and in some years, mid-winter) can swing from 50 degrees to 80 degrees in the course of one day. It is an easy piece to toss into your bag on the way out the door and an effortless… Read on

I’ve known Heather Ross for almost five years now. We first met in New York, at a show celebrating our collection based on the work of famed Alabama photographer Charles Moore.  Heather arrived with my editor, Melanie, and I was bowled over by her beauty AND her spirit. When Alabama Studio Style launched back in… Read on

Couching is one of the more sculptural techniques that we use to embellish garments at Alabama Chanin. The effect adds a unique texture and visual appeal. Traditional couching is a very old technique where yarn (or another material) is laid across fabric and sewn into place, creating shapes and patterns. Our process of couching involves… Read on

The Eagle T-Shirt is the second in a new series of Men’s DIY projects, designed in a style that is flattering to both men and women. The Eagle stencil has been in the Alabama Chanin library for several years now. We shared instructions on how to create the stencil and apply it to a basic… Read on

I recently came across this documentary about the disappearing North Carolina textile industry. I studied design and textiles at North Carolina State University (shown in the video), when the state was still known as the capital of textile production in the United States, and so this especially hit home. But what this documentary accomplishes is… Read on

Yohji Yamamoto has been a hero of mine since I graduated from design school. I once saw him walking down the streets of Milan, Italy, not long after I started working in the New York garment district, and felt that I had made the big time. “Walking on the same street as Yohji Yamamoto?” I… Read on

If any of you are like me, when preparing food, you end up with at least a modest amount of flour, eggs, or whatever you’ve cooked for dinner all over your clothes. (Close family members also know that I am notorious for dropping food, plates, and glasses.)  Anyone will acknowledge that this is not a… Read on

The Alabama Corset is one of our signature pieces and, over the years, has proven to be the perfect canvas for a wide variety of colorways and techniques. Shown here in Anna’s Garden reverse appliqué, the garment is created by joining two layers of fabric. The top layer is stenciled, then the maker stitches around… Read on

Past & Present is a collection of essays on decorative art history and DIY projects by Design Sponge columnist, Amy Azzarito. Grace Bonney, founder of the very popular Design Sponge website, first met Amy while working on a video project at the New York Public Library. The two became instant friends, as Grace was impressed… Read on

Yesterday, we heard from Heather Wylie about her Bohemian Bop venture, her love of printmaking, and how she got into screen printing t-shirts. Today, Heather shares with us a recipe for screen printing at home, based on her own self-taught experience and by following You Tube videos and a few books on the subject, including… Read on

Amos Kennedy became an artist in an unusual way. At age 40, he left his corporate, white-collar job and secure middle class life to pursue a passion for printing, took to wearing overalls, and learned to live on an artist’s salary. He prints posters for The People, keeping the message clear and the price affordable…. Read on

We recently shared a few thoughts and memories of the library, collected from friends and neighbors, about the role libraries have played and continue to play in our lives. The draw of the library is foremost, the books. It is a democratic place to learn, escape, and relax. For many of us, the library conjures… Read on

We are pleased to welcome back friend and writer, Phillip March Jones, who we have convinced to join us as a regular contributor to this Journal. Phillip will be writing about art, visual design, music, food, and travel. This week, Phillip shares a photo essay of (and a delicious recipe from) his new favorite restaurant,… Read on

Kristen Wentrcek is the founder, owner, designer, and creative director of Wintercheck Factory, a Brooklyn, New York, manufacturer producing American-made, design-focused goods for living. Wintercheck Factory began designing and manufacturing furniture in 2009 and soon after, expanded into soft goods, including apparel, accessories, and home goods with a balance of aesthetic and functionality. During MAKESHIFT… Read on

Alabama Chanin has long looked to Patagonia, and Yvon Chouinard, as the standard for sustainable design, manufacturing, and corporate culture. The recent film “Legacy Look Book” (shown above) is a beautiful reminder of why we love this company so very much. When Socrates said, “The unexamined life is not worth living,” he wasn’t implying that… Read on

I love having fresh flowers around the office. I dream of flower beds surrounding the building and vases of camellia blooms on each desk. Shane Powers’ book, Bring the Outdoors In: Garden Projects for Decorating and Styling Your Home, has inspired me to perhaps be more ambitious in my plans for floral décor – both… Read on

For those of you who sew often, you likely understand how something as simple as draping fabric can also be very complex. For those of you who don’t, or who are novice sewers, the technique of fabric draping can involve more than just hanging fabric in a lovely way. It is not likely that a… Read on

Next week, as part of the Crafted by Southern Hands event and workshop, our Barbeque-inspired Collection will be on display at Warehouse Row, a historic, old stone fort turned community retail center in downtown Chattanooga, Tennessee. The couture dresses were originally a part of the 15th Annual Southern Foodways Alliance Symposium’s Punch, Pictures, and ‘Cue… Read on

I told someone the other day, “Books saved my life when I was growing up.”  And they did. I have spent days/weeks/years with my nose in books and, consequently, in libraries. As a designer, I find inspiration, and sometimes escape, inside of a library; as a business owner, I find critical information that has helped… Read on

We learn our first real poem around the age of 2 — the ABC Song. Soon, we graduate to nursery rhymes, then rhymes for jumping rope. By the time we reach junior high and high school  we’re reading Epic Poems, like The Odyssey, and reciting Shakespeare in Iambic Pentameter—well sometimes. Songs can be poems set to… Read on

I’ve been thinking about painting my back porch and deck white since it was built last summer. After all, we spend about fifty percent of our time out there. I’ve long disliked the toxicity of commercial paints on the market. Most common indoor and outdoor household paints contain volatile organic compounds (VOCs). VOCs contain a… Read on

Yesterday, I wrote about my appreciation of hand-painted signs, inspired by the book Sign Painters, authored by friend Faythe Levine with Sam Macon. Faythe and Sam have directed a documentary – also called Sign Painters, as a companion to the book. In 2008, Faythe co-authored and directed a book and film, both named Handmade Nation: The Rise… Read on

Growing up in small-town Florence, Alabama, a trip into downtown meant a visit to colorful shops, recognized by equally colorful signs. Ye Ole General Store had a block letter, serif-type sign across the entranceway and inside, we could find canteens and hats and overalls for backyard battles and explorations. Next, we’d walk to Court Street… Read on

This past February, Alabama Chanin partnered with the team at Craftsy, an online community of makers who offer projects, craft ideas, and courses on dozens of topics. Our online class, Hand-Embellishing Knit Fabric: Stenciling, Appliqué, Beading, and Embroidery, has provided us with a new way to interact with our fellow makers and has given us… Read on

At Alabama Chanin, we practice Slow Design, which focuses on producing goods in a socially and environmentally responsible manner. The intent is to design clothing and home goods that are made from sustainable raw materials using environmentally sound methods, resulting in beautiful, healthy, and long-lasting products. We want to create connections with our customers and… Read on

Louisa Murray is the face of one of our favorite local bands, The Bear. She shares the stage with her husband, Nathan Pitts, each of them writing and performing their own respective songs, and the two are backed by a talented band. Their newest album, Overseas Then Under was produced by local indie label, Single… Read on

We’ve written about our friend Phillip March Jones. Institute 193 in Lexington, Kentucky, is his gallery, a music venue, and multi-faceted publisher, which recently released a compilation of recordings from artists who have performed in the space. Phillip joins us as a contributor to the journal, with an introduction to 193 SOUND. Sound is a… Read on

We have written before about the rich manufacturing and textile history present in our community. The Shoals area and surrounding communities were working fabric and textile materials beginning in the late 1800’s. Those earlier years were often unkind to the mill workers and their families who worked long hours, lived in factory-owned apartments, and shopped… Read on

I’ve been a member of the Southern Foodways Alliance for years. I plan to be at the 16th Annual Symposium this coming October, if I can get a ticket soon enough (last year’s event sold out in minutes). The Symposium (as it’s loosely called) is wonderful simply in the fact that you spend the series of… Read on

Here is a bit of information that may surprise you: not all cotton is white cotton. If you are like me, you may not have always known that natural cotton comes in plenty of hues. In fact, there were originally shades of cotton that ranged from many tones of brown, to dark green, to brown,… Read on

This year, with MAKESHIFT 2013, we expand ideas that were born from MAKESHIFT 2012 to create a global conversation among artists, designers, and makers. The first part of the MAKESHIFT 2013 SERIES took place at the Standard, East Village where panelists and conversation guides Cathy Bailey – Heath Ceramics, Rosanne Cash – Singer/Songwriter, Natalie Chanin… Read on

Earlier this year, we featured artist, friend, and collaborator, Anna Maria Horner. As that week came to a close, we were inspired by Anna Maria’s elaborate needlepoint projects and decided we would experiment with more involved embroidery techniques ourselves. For our first project, the  Embroidered Flowers T-shirt, we mixed traditional embroidery stitch work with retro… Read on

The practice of numbering houses supposedly began in Paris in the 1500’s. Having a house number is something we don’t give a second thought to these days, but they have not always been used and they certainly have not always been popular. Some countries have numbered zones, requirements for the number of digits, double sets… Read on

The process of writing a book is involved. Don’t let anyone tell you otherwise. Each draft gets written and edited, reviewed, passed from hand to hand, rewritten, reedited, and re-reviewed until – after many (many) drafts – you finally arrive at a finished product. It’s a shiny new representation of years of hard work. And… Read on

The music industry as we once knew it has been forced to evolve rapidly in recent years, as technology has grown faster than established business models. Major record labels struggle to maintain control of the radio waves, music sales, artist development, and our ears; meanwhile, established artists like Radiohead and Beck have embraced the Internet,… Read on

On the heels of MAKESHIFT 2013, we are inspired and invigorated by the conversations around design, fashion, food, craft, and DIY that took place last week during New York Design Week. We hope that you have followed our explorations throughout the events this year and have used our discussions to begin conversations of your own…. Read on

On Sunday, as part of MAKESHIFT 2013, we co-hosted a Chair Workshop, modeled after the MAKESHIFT 2012 workshop, Crafting Design, sponsored by Partners and Spade. This year we teamed up with Build It Green!NYC (BIG!NYC) and Krrb and invited an array of makers to join us for an afternoon of collaboration, innovation, and chair re-design…. Read on

“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. – MAKESHIFT 2012 The MAKESHIFT conversation began last… Read on

Last night we kicked off our Makeshift 2013 conversations with an intimate dinner hosted by friends Lisa Fox and Rosanne Cash. It was wonderful to hear all of the conversations running through the night, from the study of 50 pages of Proust, to the intellectual property rights on patterns. Come back tomorrow for more New… Read on

Cows were born to roam and graze. Hogs were born to root and wallow. Chickens were born to scratch and peck. According to Will Harris and White Oak Pastures, these are the natural behaviors of animals, making them commonsense tenets of how to raise healthy livestock. “Nature abhors a monoculture,” is one of Will’s favorite… Read on

As MAKESHIFT 2013 takes shape, we continue the conversation that began last year about the intersection of art, craft, making, producing, designing, and manufacturing.  One of last year’s most popular events, Crafting Design: Chair Workshop with Partners and Spade, found resonance with a league of artists, designers, crafters, and makers. And due its popularity, we are… Read on

We’ve loved every plate, bowl and serving dish from our collaboration with Heath Ceramics that has come through the studio. But it’s this newest addition, the Camellia pattern, that is easily my favorite, and the most elegant. Each piece is hand-etched by a Heath Ceramics artisan and comes in Opaque White. The design is offered… Read on

Makers and doers Kerry Diamond and Claudia Wu, two friends and former Harper’s Bazaar colleagues, have teamed up to produce the first indie food magazine to celebrate women in the food world. Beautifully designed and expertly curated, Issue #1 – The Tastemaker Issue – will be released in May. I’ve just contributed to their Kickstarter… Read on

We often hear the mantra, “Live for today.” Most of us need to slow down, curb our expectations and anxieties, and embrace the present.  And for the most part, I try to approach life that way. But we can’t always live completely in the present. Sometimes we have to plan ahead, we have to think… Read on

Last January, we had several conversations in our studio about punks and pirates spurred by Richard McCarthy’s analogy about pirates and “big food.” Just last week, the conversation continued in our studio about how the underground punk movement changed the way music was produced and delivered to the listening public. (More on this coming in… Read on

Last  fall, one of my neighbors gave me a box of vintage patterns he found tucked away in his basement. The weather-stained cardboard box that once belonged to his mother was filled with patterns that represented decades of accumulation: Vogue Patterns, McCall’s, Simplicity, and Butterick . Each had been purchased for as little as a… Read on

My friend Kay and I started giving one another socks for each holiday several years ago. Although this may bring back memories of dreaded Christmas gifts from years past (not socks again!), I find the gift of socks a very practical thing. It’s just not one of those things that I go out and purchase… Read on

This week, we’ve been exploring Finnish design company, Marimekko, well known for creating colorful, often bold patterns and fabrics. While their designs were first made popular in the 1960’s by Jacqueline Kennedy, the bright and vibrant garments remain classic choices, appropriate for any generation. Personally, I love to add a bold pattern or color to… Read on

For Marimekko Week, we wanted to make (and eat) one of the delicious Finnish dishes on the Marimekko Feeling Festive blog. Armi Ratia has been an inspiration to so many, myself included, for decades. The clean lines and graphic look of Marimekko patterns are both simple and exciting to the eye and the bold, bright… Read on

This week, we highlight the Finnish design company, Marimekko. As a long-standing leader in the fashion and design worlds, Marimekko has created timeless and colorful prints for over 60 years. I’ve followed the company from my days at NC State University and, as a designer, I have deep admiration and respect for Armi Ratia, the… Read on

Confession: I have a certain disdain for flip flops. More often than not, they are considered a faux pas in the fashion world, and sometimes for the right reasons. This being said, I must also confess I own a pair of Havaianas that I bought years ago on my Venezuelan adventure. They are packed snuggly in… Read on

We’ve been talking about friend and collaborator Anna Maria Horner all week, featuring a DIY A-line Tunic with her Little Flowers stencil, a Greek lunch in her honor, and a review of her new book, Anna Maria’s Needleworks Notebook, which we wrote about on Monday promising a giveaway later in the week. Details below on… Read on

As most of our readers know, we have a deep love and admiration for our friend – and collaborator – Anna Maria Horner. She is an artist, fluent in more than one creative medium. She not only creates bold and unique fabrics, some of which we have adapted into Alabama Chanin garments, but she also… Read on

Monday, we wrote about artist Tilleke Schwarz’s New Potatoes as inspiration for the week. However, Tilleke’s textiles have been a source for inspiration for me for years. When New Potatoes landed on my desk about a year ago, we started the skirt you see above as homage to Tilleke and her work. We have produced narrative work… Read on

I first saw Tilleke Schwarz’s work in an exhibition called Pricked: Extreme Embroidery at the Museum of Arts & Design in New York. The needlework was displayed proudly as contemporary art by extraordinary female artists. Boundaries were pushed as textile art was made. Friend, Maira Kalman, also had work on view. Tilleke’s work resonated with… Read on

You can add texture to anything (and everything) with our Spiral embroidery technique from Alabama Studio Sewing + Design. Personally, I would like to have a Spiral embroidered couch; however, my production manager just shakes his head. Perhaps a quicker and easier place to start is with a set of the Spiral embroidered coffee cozies… Read on

From far away, Ghanaian artist El Anatsui’s large-scale artworks take on the appearance of textiles and tapestries with patterns resembling those a master weaver might create. But upon closer inspection, the poignant pieces are actually constructed with simple bottle tops connected by copper wire.  Flattened then stitched, their unique assembly allows the works to move,… Read on

This month’s Desktop of the Month features our Spiral embroidery technique from Alabama Studio Sewing + Design. Due to its textural quality, I think the Spiral is one of the most beautiful techniques that we use here at Alabama Chanin. Those that wear garments embellished with this simple (but time consuming) embroidery treatment often remark… Read on

There are a growing number of programs tailored to adults in the workforce who want to advance their careers or earn a degree. These days, it’s not unheard of for someone to earn their bachelor’s or master’s degree online. There are also entirely new platforms emerging, called MOOCs, or massive open online courses. The expectation… Read on

Fit is by far one of the hardest subjects to address within the realm of manufacturing. There are just so many different body types that it would be near impossible for one manufacturer to address EVERY type in one product—and often times in one line. The most basic body shapes range from round to pear,… Read on

Couching is another age-old technique that we employ over, and over again as a design practice at Alabama Chanin. When embellishing, we often use cotton jersey pulls as appliqué to give weight and a sculptural quality to our crafted garments and home goods. From page 110 of Alabama Studio Sewing + Design: “At Alabama Chanin,… Read on

I don’t want to overstate the obvious, but most of you would know that I am neither a New Yorker nor a fashion expert. While I enjoy style and design and I’m somewhat awed by the city, it’s clear to any observer that I’m native to neither. But, there’s something about Bill Cunningham that makes… Read on

Update: The class is no longer available on Craftsy due to the discontinued pattern; however, Natalie does teach additional online courses that you can find on Craftsy and Creativebug.  Heirlooms aren’t created overnight, and it’s the time that goes into embellishing and constructing an artisanal garment that gives life to its one-of-a-kind beauty. Join me,… Read on

As I mentioned earlier in the week, I live in a house where hearts can be the overriding theme for weeks on end.  I find them tucked under plates, randomly lying on the floor, taped to my bedroom door, and, yes, the most beautiful little heart-shaped lips that kiss my face all-over.  You haven’t truly… Read on

In his classic tome on two-dimensional design, Wucius Wong indicates that it takes at least three elements for something to be considered repeating. Repeating elements is one of the first theories you learn as a textile designer. I spent an entire semester discussing the theory of words and their meanings in design language. We were… Read on

Follow instructions for the Woven Farm Chairs (or Friendship Chairs) on page 95 of Alabama Studio Style to make your own chair with our Hearts stencil.

This post published last Wednesday in the midst of technical difficulties that lasted more than a week. We are deeply proud of this collaboration, adore all things Jack Rudy, and want to be sure that everyone gets a chance to meet Brooks up-close (or at least closer). Here we re-publish  the story, giving the Pink… Read on

I’ve written a couple of times about what happens when your heroes and heroines become friends. For me, it brings about a feeling of connection to the ever-expanding universe; all things are possible.  A girl from the countryside in Alabama can dine with royalty (in all its meanings).  The picture above is proof. When I look… Read on

While cleaning up for our recent Garage Sale (stay tuned for another coming towards the end of February), I found a bag of our Cotton Jersey Pulls cut into 4” lengths. Most likely, these were prepared for button loops, but no one in the studio can remember exactly why they were prepared and cut.

I’ve mentioned this a few times here on the Journal: I am a grandmother.  And in the photo above, you see our sweet Stella Ruth.  Her hands, clearly visible, are surrounded by my son Zach’s, my dad’s, my grandmother’s, and mine.  That’s right—five generations.  You may have seen pictures of five generations in newspapers and… Read on

On Monday, Sara wrote her thoughts on fashion and designing for real people with different body types. We’ve written before ‘On Beauty’ and the comeback of pin-up style. Even though media representations might make you feel differently, the fact is that women come in so many beautiful shapes and sizes. This is a deeply important… Read on

This post – part of our new “Real Women” series – is dedicated to two of the most “real” women I know: Davia Nelson and Nikki Silva of The Kitchen Sisters.  Without their dedication to telling the “real” story, I would not be the designer, or the person, I am today. Lost and Found Sound… Read on

I’m going to admit something that might seem a little pedestrian to some of you, perhaps a little familiar to others: I watch a lot of television, all kinds. I’m simultaneously a television snob and a consumer of frivolous content. I’m not sure how I rationalize all of that, but to quote Whitman in a… Read on

“Craft” might seem like it’s for the amateurs, and “fashion” for the auteurs. Yet we live in an age where creativity and innovation are increasingly found in collaborations between makers and users, crafters and designers, designers and manufacturers, and in the loosening of the boundaries between them. Open sourcing and the emergence of DIY everything… Read on

No one can find inner peace except by working, not in a self-centered way, but for the whole human family. – Peace Pilgrim There are many ways to make DIY Peace. Mildred Norman set off on New Year’s Day and began to walk across the country in the name of peace. Changing her name to… Read on

This year saw our Journal take a more structured tone and we devoted particular days to particular topics. Wednesday’s became Recipe Wednesday and we worked to get ourselves organized and cook. EVERY WEEK.  It was quite a feat of organization since we also run the production office, online store, design, pay bills, and as I… Read on

In the last few months, I have been given two wreaths made from living materials. The one above comes from my friend Erica Rosenberg of St. Florian Fiber Farm—just outside of Florence, Alabama. The wreath below was lovingly made by Sybil Brooke Sylvester of Wildflower Design in Birmingham, Alabama. There are so many ways that… Read on

Everything from roasted potatoes to strawberries and Prosecco  (sometimes in the same meal) have been flavored by my rosemary plants; I have been known to make flower arrangements (and wreaths) from the fragrant leaves and drink rosemary infused tea at the same time.  And while I use rosemary year-round, this evergreen bush is readily available… Read on

With the publication of our Alabama Studio Book Series, we open sourced our beloved techniques that these living arts might be preserved for future generations. One of the things that we learned along the way is that people who are dedicated to one particular area of craft can also become converts to another area. The… Read on

I think that our Beaded Fern treatment lends a holiday feel to December’s Desktop of the Month. Up close, Beaded Fern resembles a holiday tree, but the glass beads can also catch your eye across a crowded room. Perfect for your next holiday gathering… Learn more about the Fern Stencil here and flip to page 121… Read on

Just in time for fall weather and the upcoming holiday season, we’re featuring the Anna’s Garden Poncho Kit. One of our most popular garments, the poncho is a classic piece, fit for most any occasion. Originally featured in Alabama Studio Sewing + Design, the poncho is seen here in our 100% organic cotton jersey fabric in… Read on

Amethyst, aubergine and lavender; lilac, mauve or mulberry; orchid, perse, plum, and violet. All of these beautiful words for one color, and yet, purple has never been one of my favorite shades. While I haven’t had any adverse experiences with the color purple (it is, after all, one of my favorite books— ever), it is… Read on

There’s a cluster of Polaroids in our production office that never fail to captivate our visitors, and even though they’ve been there for the better part of a decade we still find ourselves staring. They’re so beautiful. It’s hard to look away. Those Polaroids are from our first fashion show— 8 years ago—a cast of… Read on

Alabama Chanin, Florence, Alabama, in collaboration with Drew Robinson, Jim ‘N Nick’s, Birmingham, Alabama Ingredients 64 yards 100% organic medium-weight cotton jersey, colors white and nude 47 spools Button Craft thread 112 yards embroidery floss 1 pound white glass beads 9 garment patterns 4 stencil designs 1 quart textile paint 24 talented embroidery artisans 27… Read on

Today, for DIY Thursday, we are featuring a Guy Laroche pattern from Vogue Designer Patterns constructed in the Alabama Chanin style. I never had the chance to meet Guy Laroche, nor have I met the house’s current artistic director, Marcel Marongiu, but I admire their focus on impeccable tailoring. Laroche’s collections once featured billowing empire… Read on

On set today @ GAS Design Center. Look for new collection pieces AND our new website. Coming November 2012.

Recently, I had the opportunity to visit the Frist Center for the Visual Arts in Nashville, Tennessee, to view “Creation Story: Gee’s Bend Quilts and the Art of Thornton Dial.” I spent forever moving from one quilt to the next – leaning as closely in as I could without being reprimanded. No matter how many… Read on

I recently read a NYTimes article about the comeback of curvy body shapes among the Y- generation.  It seems that an increasing number of women in their 20s and 30s are finding the “calendar girl” silhouette appealing. Along with a curvaceous silhouette, the look includes Betty Page style bangs, swing skirts, and bright red lips…. Read on

In 2009 and 2010, an exhibition was held at Pratt Institute to help explain the relationship between fashion and sustainability. For this exhibit (called Ethics + Aesthetics = Sustainable Fashion), curators Francesca Granata and Sarah Scaturro (now Conservator at The Costume Institute at the Metropolitan Museum of Art) displayed garments from our Alabama ChaninSongbirds collection, and… Read on

As the days grow shorter and the nights become chillier, I find myself craving an evening around the fire. In my family, I am a renowned fire builder. My patience for building fires was nurtured as a child as we built fires at our family camping spot to roast hot dogs and grill hamburgers; at… Read on

Some months back, a bowl of tea towels became a permanent installation on my kitchen table. We use them as napkins for breakfast, lunch, dinner, and just about every moment in between. I found one in the car yesterday that had served as an impromptu placemat for one of my daughter, Maggie’s fruit pops. I… Read on

Olivia has been knotting away in the studio today. We make our Knotted Necklaces from 100% organic cotton jersey fabric scraps and accessorize as a necklace, belt, or headband. Featured in Alabama Studio Sewing + Design.

Our Camisole Dress from Alabama Studio Style is highlighted in a video class on Traditional Appliqué at Creativebug.com. You fill find the pattern sheet for this dress at the back of the book and can follow along step-by-step with our instructions on Creativebug. We now offer this project as a DIY Kit from our online store… Read on

Continuing our conversation around design, craft and fashion, this week we present a Tracy Reese pattern from Vogue Designer Patterns for DIY Thursday.  In all my years as a designer, I have not had the chance to meet Tracy, although I have been familiar with her work since the launch of her collection in the… Read on

Last month, I had the incredible honor of hosting a studio visit from three amazing women who have inspired me for years. On a beautiful summer day, Rosanne Cash, Gael Towey, and Maira Kalman arrived in Florence for a two day sewing workshop and adventure. The idea for the trip was hatched on a spring… Read on

If you’ve been following our blog, you’ve read about the rollercoaster that has been our first exposure to cotton farming. Having survived the terrible drought, the cotton has been carried through the summer by equal parts rainfall and sunshine. Right now, the bolls are looking healthy, but so are the weeds. Following the organic guidelines, we did… Read on

Crocheting was one of my first creative outlets, once I felt the distinct urge to make. When I had a crochet hook in hand, making hats, scarves, bags, whatever I might need, the process came to me like second nature.  Often, I couldn’t find patterns to fit what I needed so I ended up making… Read on

A helpful resource for your sewing box or design studio. The book categorizes many types of needles: bodkins, embroidery, quilting, sharps, and more.

Sustainable. Natural. Organic. These are all words that are integral to the Alabama Chanin identity. Our core values compel us to take a holistic approach to our design methods, looking at every aspect, quality, material or person that may play a part in our production process. This way of thinking led us toward using natural… Read on

In response to Tuesday’s post on our collaboration with Anna Maria Horner, the designer herself replied with an overly generous, almost embarrassing, thank you. In return, I am moved with gratitude. xoNatalie  

In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with… Read on

It is so easy to sing the praises of Anna Maria Horner. Our frequent readers know that she has appeared on our blog before and is a friend and inspiration to Alabama Chanin. I adore her personality, a perfect mixture of sweet, sincere charm and biting wit. Her joy for life is irresistible and her… Read on

When working on a new collection, part of the design process involves creating fabric swatches in various colorways and patterns, and using an assortment of embellishment techniques. These “samples” help us quickly and sustainably choose the perfect finish for our garments. I’ve written before about our Sample Block library and swatches as part of a… Read on

If you’ve called or stopped by the studio lately, perhaps you’ve met one of our newest team members, Erin Stephenson. Erin has her hand in many pots here these days, doing everything from writing, to graphic design, to closely monitoring our organic cotton crops. Her ability to seamlessly handle multiple projects makes her an excellent… Read on

Originally featured in Alabama Stitch Book in reverse-appliqué, these simple tea towels can be given a new look using what is essentially the opposite technique – applique . For this project, our design choices include one Navy Tea Towel with Natural appliqué, whip-stitched with White Button Craft thread, and one Natural Tea Towel with Navy… Read on

It has been a wonderful two weeks at Penland: learning, exploring, resting, dreaming. I dread leaving this magical place and at the same time I look forward to going home and using the tools I learned here to become a better designer. As I pack the car, we leave you with a few shots of… Read on

1. A decorative design, as for fabrics, wallpaper, china, or rugs. 2. Decoration or ornament having a design. 3. A natural or chance marking, or design: patterns of flowers on a fabric. Moving through the Penland studios, you see patterns emerge everywhere.

As the first week at Penland progressed to week two, the piles of books on our studio meeting table (and the individual studio tables) have grown substantially. We have spoken of so many things and explored SO many ideas.  Here are a few of the volumes that have made their way into our conversations:

It’s been raining every day here at Penland—such a change from the dry, dying fields of North Alabama over the last weeks. Like a miracle, it rained on our cotton field, too (more to come on that next week). My father reports that we did get 3 inches of rain at my house and I… Read on

I was about 22 years old when I entered my first design studio. I felt like a baby. I had rarely taken an art class in school.  When I say rarely, I mean there had been a few special days of art in grade school – nothing particularly formal, and certainly nothing recent. At that… Read on

I first tasted the fried chicken at Watershed restaurant in Georgia about 10 years ago, while visiting friend and colleague, Angie Mosier. This was also my first meeting with Scott Peacock, the then-head chef of Watershed who led them to a James Beard award in 2007. Scott’s close friend and culinary mentor, Edna Lewis, is hands… Read on

Even when I land in one of the most beautiful (peaceful) places on Earth, it takes me time to settle in, to relax, and to feel like I belong. Regardless, there is already a sort of “hum” in the studio, as my friend Cathy Bailey might say.  You can “hear” thoughts coming together, the whisper… Read on

I flew out of hot and dry North Alabama on Saturday afternoon and woke up in room #2 surrounded by the cool mountain airs of Penland, North Carolina.

Check out our classes at Creativebug.com and make this Random Ruffle T-shirt: From the Creativebug Website: “Basic sewing skills can transform a plain t-shirt into one of your favorite go-to wardrobe pieces. The random ruffle t-shirt uses a simple appliqué technique that’s quick and easy, yet true to the Alabama Chanin style.” Shown here our T-Shirt… Read on

We recently shared companies that are making quality products in the United States. To continue this ‘Made in America’ post from last week, we feature another round of companies who practice the same excellence and pride. Some of these products have been staples in my daily wear for ages; they’ve held up to the test… Read on

Earlier this week, I wrote that, as a designer, I feel a deep connection to Donna Karan. Today, for DIY Thursday, we feature a Donna Karan dress constructed in The School of Making style. It works up beautifully using our 100% Organic and Extra-Long Staple Medium-Weight Cotton Jersey in a single layer and with our… Read on

From the Creativebug Website: “Reverse applique is the signature look of Natalie’s designs at Alabama Chanin. Natalie demystifies the process in this workshop, showing you how to add depth and texture to a cotton table runner. The technique is worked on two layers of fabric, with the top layer stenciled and then stitched to the… Read on

When I was a design school student at the end of the 1980s, there was one name that you found in all of the magazines and on everyone’s lips: Donna Karan. She was changing the way women dressed. She wanted to “to design modern clothes for modern people.” Karan became a presence in the fashion… Read on

Our Beaded Seam Corset is easy to make for yourself by following the pattern with instructions from page 145 of Alabama Stitch Book, by using our Corset Pattern, or The Corset Kit.  As one of the most popular garments in our collections, the corset is designed to show off a woman’s best assets, enhancing natural curves. A… Read on

I have collected quite the assortment of cookie and biscuit cutters over the years, all crammed into a drawer in my kitchen. Each year for Valentine’s Day, my daughter Maggie and I make heart-shaped biscuits. We also have a few animal shapes for pet themed birthday parties… What more appropriate shape for Independence Day than… Read on

Today we share our final MAKESHIFT post (for this year) of observations and thoughts from participants. Many have already written, photographed, or posted about their experiences during the week. Compiled below are reflections and lingering thoughts to help continue our MAKESHIFT conversation into next year. Keep in mind (and close to heart) what is valuable… Read on

After taking time to reflect on our recent week in New York for MAKESHIFT, I’m already thinking about MAKESHIFT 2013. Here are some highlights from the conversation at The Standard Talks. We reported the MAKESHIFT events here on the blog throughout the week, and had great press coverage from the New York Times, Style.com, Page… Read on

Our current selection of DIY Kits offers many garment styles with a variety of color and notion choices; however, we understand that often times the perfect design is a matter of personal expression. For this reason, we now offer Custom DIY. For our Studio Weekend Workshops or home use, choose from our selected Custom DIY Kits…. Read on

It’s a mouthful. But then, as people (and especially Southerners) do have an undying love for the complexity of words, stories, and the beauty of textiles. Last Tuesday night at The Standard, East Village, we were riveted by Jessamyn Hatcher’s stories of processing unwanted clothing in a clinic format. Today in New York City, you… Read on

Crafting Fashion, a pop-up shop curated by Alabama Chanin and Billy Reid, featured designers- Alabama Chanin, Susan Cianciolo, HEATH Ceramics, George Esquivel, Hugo & Marie, Imogene + Willie, Pamela Love, Leigh Magar, Maria Moyer, Billy Reid, Albertus Quartus Swanepoel, Tucker, and Kenlynn Wilson. Thanks to everyone for the great turn out. And a bigger thank you… Read on

We had the best intentions of posting lots of pictures and stories from our Makeshift event yesterday and the day just got away from us. There IS so much more to come and to write about, but for the meantime, here some great pictures of the making process at The Standard East Village on Tuesday… Read on

Thank you to everyone who braved the rain and came out last night for MAKESHIFT at the Standard Talks. On behalf of myself and all of the panelists, we appreciate everyone’s enthusiastic response to MAKING. It was a beautiful evening. As a group, we crafted a song and sang together, finger-knitted, and shared our ‘worn stories.’ Throughout… Read on

Our conversation for MAKESHIFT is about finding the point where the professional worlds of craft, fashion, design, and DIY intersect. It is our belief that the simple act of MAKING will be found at that point of intersection. However, it is also our understanding that this convergence has yet to be defined, because there are… Read on

When Andrew Wagner was asked to moderate the MAKESHIFT panel conversation as part of New York Design Week 2012, he jokingly insisted that he be considered MC rather than moderator. That’s exactly the type of robust, experienced personality I look forward to sharing the stage with next week at the Standard Talks, as we discuss the intersection… Read on

John Bielenberg and his work with PieLab aren’t new to Alabama Chanin, or our blog. We were curious what John has been up to, so we caught up with him between his travels to learn more about Project M, PieLab, and recent goings on in Greensboro, Alabama. We also got our hands on a delicious… Read on

As we continue to explore the design elements that make up Alabama Studio Sewing + Design, we look at the simple, but incredibly beautiful Spiral pattern. This pattern is reminiscent of both our Circle Applique and Kristina’s Rose treatments, but this particular design stands out largely due to its use for an entirely new application- Alabama… Read on

Spending the past couple of days in the San Francisco Bay Area, I’ve seen firsthand the “making” spirit that defines the unique culture and character of life here. Alabama Chanin feels very connected to–and inspired by the creativity, craftsmanship, quality, and local manufacturing in this community. Watch Monocle’s video which highlights some of the craftsmen… Read on

I have had a set of cotton twill curtains in my house for years. I don’t really remember where I bought them anymore; they have just been a part of my home for ages. This spring, I got a set of new set of (more energy efficient) French doors to replace the 1950s era sliding… Read on

Thank you to our employees and artisans for their commitment to the extraordinary and thank you to everyone at Etsy for telling our story with this beautiful film. It makes us proud to share the stories that unfold each day in our growing community. Please visit the Etsy blog to read a little more and leave a comment to enter to win… Read on

At the Factory, we play music to help set an inspiring tone for our work environment, and sometimes to just get us through the day. At any given time, you will hear a range of genres including folk, classical, rock, country, and independent artists. We don’t usually pick favorites, but The Civil Wars’ sounds are… Read on

Over the last weeks (and months), we have been introducing our new patterns, stencils, fabric designs, plus patterns from our newest book, Alabama Studio Sewing + Design. Hands-down, our Paisley has been a favorite new design and I was excited to see that EcoSalon even did a feature on this iconic pattern last week. As… Read on

I feel so honored and happy to introduce Jessamyn Hatcher as a new contributor to this blog (soon we will add a face to the name). Jessamyn has been a source of inspiration for me as I continue to learn how to frame the work that is so easy for me to DO, but so… Read on

Kristina’s Rose is one of our newest fabric designs and stencil patterns, seen in Alabama Studio Sewing + Design. The undulating circular pattern is reminiscent of the Circle Spiral Applique from page 156 of Alabama Studio Style, but translated using more elegant techniques. Highlighted in Chapter 8 of Alabama Studio Sewing + Design.: Fabric + Fabric… Read on

As we posted last Tuesday, I highly recommend that you start a library to document your design work. As you create your samples, make them the same size so that your (master) pieces can be easily stored. And even if you don’t want to keep the samples for posterity, you can work towards making a Sampler Throw like… Read on

Whether you plan to purchase a DIY kit or make a garment from the Alabama Studio Book Series, we suggest that you keep a set of our medium-weight organic cotton color cards on hand. The cards show you what our fabric colors look like in person so that you can choose the exact shades that are… Read on

For our weekly Studio Lunch, my son Zach prepared a savory Grilled Vegetable + White Cheddar Quiche with cherry tomatoes. In a move that delighted me, he delivered it to the studio and included a heaping salad of fresh greens- Butterhead lettuce, Red Oakleaf, and arugula- all from Jack-o-Lantern Farms, one of our local farmers’… Read on

Fabric designs are the basis of all our collections at Alabama Chanin. Each design starts as a simple 10” x 16” rectangle of our organic cotton jersey that is embellished using a variety of techniques and manipulations that may include stenciling, embroidery, beading, and/or appliqué. My decision to use a 10” x 16” rectangle was based… Read on

It is no secret that I feel a commitment to my community; it is equally evident the role that growing up in Florence, Alabama, had on my development as a designer.  Textiles – the growing, picking, spinning, knitting, cutting, and sewing – were a part of the vernacular of small southern towns from the late… Read on

In conjunction with our Star stencil post today for DIY Thursday, we are featuring our Satin Stars fabric from page 129 of Alabama Studio Sewing + Design as our March Desktop of the Month. xoNatalie

The word “star,” with its many meanings, occupies several places in my mind (and the universe): First, a star is simply a shape- the most common being five-pointed. As I was taught in geometry class, it is constructed from points, proportions, and folds. Seen in patriotic prints of the 1960s and 70s, its contour was… Read on

While working on some press and Frequently Asked Questions (FAQ) pages this last month, I came across some texts that date back across the decade of Alabama Chanin. In reading and going over some of these texts, I thought it would be a good series to share on our Sustainable Design Tuesdays. Here is one… Read on

Nature and flowers are often a source of inspiration for my pattern designs, which is evident in their titles: Climbing Daisy, Anna’s Garden, and Kristina’s Rose, to name a few. I simply find Mother Nature’s curvaceous forms and shapes alluring. I look for pattern inspirations everywhere I go, and most often find them when gazing… Read on

In New York’s Garment District, there are two stores that take the prize for the most comprehensive selection of embroidery ribbons: Mokuba Co., Ltd and Tinsel Trading Company. At Alabama Chanin, we happen to purchase the cotton tape that we use for embroidery from Mokuba, who supplies us with gorgeous ribbons and other notions made… Read on

From what I’ve gathered, Taos is a Magical Place. Natalie made a trip there not so long ago and came home breathless with tales of beauty and enlightenment. She was especially enthralled with the story of Mabel Dodge Luhan and the Mabel Dodge Luhan House. Her experience inspired a new series of workshops called Weekend… Read on

Like The Physics of Sewing, understanding how our Button Craft thread (the strongest thread we have found in the world) works with our cotton-jersey fabric is also important physics when embarking on any of our DIY Projects. Included in Chapter 3 of Alabama Studio Sewing + Design, I think you will also find my Grandfather’s… Read on

This text – some of our most important sewing tips at Alabama Chanin – is an excerpt from Chapter 3 of Alabama Studio Sewing + Design (which we plan to receive and start shipping around the 15th of this month). It is important to us at Alabama Chanin that we as a humanity (women and… Read on

I used to go sit at Tom Hendrix’ wall to think, particularly on days when I thought I couldn’t take running my business anymore. I would ask Mr. Hendrix over and over again, “Where do you find the passion and will to continue creating 25, 26, 27 years into your work?” He would patiently listen… Read on

Last Thursday, we wrote about Vena Cava and began a dialogue (one we plan to continue every Thursday) about the intersection of Fashion, Craft and DIY. While in New York a few weeks back, I sat down for a quick coffee with Lisa Mayock – half of the Vena Cava design team – to share… Read on

Our friend Rinne Allen has been photographing our work for the last few years and shot pictures for our upcoming Alabama Studio Sewing + Design. Her work is beautiful. She also just completed the cookbook A New Turn in the South with her friend Hugh Acheson – and it’s a beauty. The combination of type,… Read on

In follow-up to our EcoSalon post last Friday on Punks + Pirates, Alabama Chanin (AC) held a Facebook chat with Richard McCarthy (RM) of Market Umbrella to explore his interesting perspective on cultural assets, punks, pirates and the Spanish Armada.  I was first made aware of Richard’s work at the Southern Foodways Alliance Symposium last… Read on

Thanks @ Stephanie LaCava for this lovely piece in the New York Times today: “I may be their most passionate member,” says the snow-white-haired designer Natalie Chanin of the Southern Foodways Alliance (S.F.A.), a nonprofit dedicated to preserving the culinary heritage of the American South. For years, it’s been Chanin’s calling to preserve the textile… Read on

I am so excited about the launch of Alabama Studio Sewing + Design. The book includes some of our very best garment patterns to-date and I can’t wait to see how the stencils, patterns, and designs work their way into DIY projects. The long skirt pattern that is included in the book has become my… Read on

In follow-up to our blog post on Sustainism this morning, Alabama Chanin (AC) held a Facebook chat today with Michiel Schwarz (MS) to explore his manifesto – created with Joost Elffers titled Sustainism Is the New Modernism: A Cultural Manifesto for the Sustainist Era. The text below recaps the questions and answers that surfaced during… Read on

I had the opportunity to meet Michiel Schwarz last September when I spoke at the Hello Etsy conference in Berlin.   His purpose at the conference was to present his concept and book: Sustainism: A Cultural Manifesto for the Sustainist Era. The New York Times did a fantastic review of the book – calling out its… Read on

From page 10 of Alabama Studio Sewing + Design: “Stenciling is a cornerstone of both our design process and our business model. We use stencils as tools to transfer decorative patterns onto projects like dresses, skirts, and pillows. The stenciled patterns are then used by our artisans as guides for positioning embroidery and beading. Because… Read on

It seems unbelievable to me that 2011 is coming to a close.  The Alabama Chanin journal has covered so many topics over the 2011 year and we have been so grateful for the opportunity to share our thoughts, travels, milestones and inspirations with you. As the year’s end approaches, we thought we would recap some… Read on

It took me years to come to love the paisley pattern. I first became aware of the distinctive design during my days working in India and throughout my years as a stylist: men’s ties, patterned shirts, dresses, and scarves just scratch the surface. Since that time, I have avoided using it at Alabama Chanin simply… Read on

Those of you who follow us on Twitter, Facebook and/or Tumblr, know that I was in New Mexico over the holidays. What resulted from this adventure was a love for the west and an understanding of why so many artists and creative types have settled to work there.  I was deeply impacted by the beauty,… Read on

We have so very much to be thankful for this year – and decade.  It has been a time filled with friends, family, color, design, light, laughter, growth, and, of course, good food. May your celebrations this year be filled with laughter, light, love, and Pumpkin Cheesecake! xo from Natalie and all of us @… Read on

Made (and Grown) in the USA: Jack Rudy Cocktail Co. Small Batch Tonic Tito’s Handmade Vodka Lemon Verbena – from my garden (and thanks to  Angie Mosier) My friend John T. Edge – the man who understands everything culinary and loves “liquor and its accompaniments” – wrote yesterday of Jack Rudy Cocktail Co. Small Batch… Read on

Thanks to everyone who reached out about and/or shared my post on organic cotton last Friday on @EcoSalon. For the sake of making a plea for organic cotton, here it is again… spread the word. xoNatalie Pound for Pound: I am pissed. It doesn’t happen often, but, it does happen. I grew up in cotton… Read on

Thanks to all the HEATH Ceramics team for this lovely piece on Alabama Chanin in their November Newsletter: Slowing Down (and Sitting Down) with Alabama Chanin Stitch and clay intersect to create modern heirlooms in our newest collection Slow down. This may feel like an impossible pursuit, particularly in this season, but when Heath Ceramics… Read on

While I was away having fun at the Southern Foodways Alliance Symposium last weekend, my daughter Maggie was working hard at eating doughnuts and designing t-shirts for our new children’s line. The top design features a glass of “sweet tea” on the t-shirt front – not iced tea as it “has to be sweet to… Read on

My latest post for EcoSalon is about how good things – like good design – take time. Take time to have a read: Give The Story Time To Unfold And then let us know what you think… xoNatalie GIVE THE STORY TIME TO UNFOLD I found a letter that I wrote some years ago.  It… Read on

In 2006, Leslie Hoffman asked me to write a short paper for inclusion in their Future Fashion White Papers.   I recently came across the volume while browsing my library and the essay stirred up so many memories from that time.  As the last of my tomatoes drop to the ground, I wanted to (re)share my… Read on

About a year after beginning my work with what is now Alabama Chanin, I was managing the company operations in Alabama with one employee, Abbie (after whom our “Abbie’s Flower” stencil is named). We were still working in the little three bedroom brick ranch house at Lovelace Crossroads.  I was actually living in one side… Read on

Our newest DIY Kit: Reverse Applique Rose Tank Dress Perfect for every occasion, this 100% organic cotton jersey tank dress from Alabama Studio Style uses a Rose Placement Stencil from Alabama Stitch Book patterned all-over the garment front and back.  Choose your own fabric and thread colors . Shown here in dark grey with slate… Read on

Biographies, philosophy, design, recipes, and all the subjects in-between are the stuff of my dreams. I would venture to say that I’ve found a treasure beginning with most library call numbers, and, of course, do my best not to judge any book by its cover. To say my love affair with reading is an important… Read on

This is my first installment of a new bi-weekly fashion column for EcoSalon. Material Witness will offers my perspective on the fashion industry, textile history and what happens when love for community trumps all. From EcoSalon – August 12, 2011 ONE WOMAN’S TESTAMENT TO THREAD AND NEEDLE As a designer and entrepreneur in the fashion… Read on

Some things are said a thousand times. Sometimes we still need reminding. Or maybe not. Great new content from commune design.

It is hard for me to believe that I am almost finished with my third book, now titled Alabama Studio Sewing + Design. Had someone asked a decade ago where I saw myself in ten years, it certainly would not be lying in bed, reviewing and making notes on a “pass” (publishing lingo for a… Read on

A 12 hour road trip brought Amy and her mother to our weekend workshop @ the Factory last summer. A weekend with new friends (our design team included), a rack of sample sizes, and our fabric archives were the beginning of one truly magical garment (actually, two). 120 hours, at least ten times as many stitches,… Read on

If you’d like to be a success in business, start working! If you’d like to be a success as a housewife, start cooking! If you’d like to be a social success, start smiling! If you’d like to get married, start looking! I am sitting down with Miss Head’s reissued manual after a long morning (it… Read on

I just arrived back from a whirlwind trip to  Penland School of Crafts. It is a remarkable, inspiring, and beautiful place. I found that here was something for each moment of the day and the time went by much too quickly.  Maggie insists that we are going back next year.  Indeed, we will. In our… Read on

“Despite the prevalence of green in nature, no single plant produces a color-fast, deep green dye. Until the invention of synthetic dyes in the 19th century, people around the world typically combined indigo blue with various yellow dyes to create green textiles.” From Green:  the Color and the Cause (Be sure to browse the entire… Read on