Original Publication Date: October 27, 2016Updated: May 22, 2023 There is a lot you can say about Scott Peacock: James Beard Award-winning chef, engaging storyteller, collaborator and co-author to Edna Lewis, budding farmer, writer/filmmaker, experimenter with indigo, and the creator of the inspiring Alabama Biscuit Experience in Marion, Alabama. As we launch our 2023 Summer Indigo… Read on

Since our Indigo Dye Kit launched, we’ve loved seeing dye projects pop up on social media. The kit comes with enough materials to dye 6 yards of our 100% Organic Medium-weight Cotton Jersey, but you can also use it to give rarely worn garments a new life or to overdye a DIY project. Dyeing yards… Read on

As part of an ongoing exploration into indigo and other natural dyes, we are spotlighting artists we consider to be experts in the field—including Scott Peacock, Donna Hardy, and today, Kathy Hattori. Kathy is one of the founders of Botanical Colors, a well-respected source of materials, support, and educational offerings for those seeking to employ… Read on

We have a long history of loving and working with indigo at The School of Making and Alabama Chanin. We’ve used it in previous collections, worked with and learned from Artisan Natural Dyeworks in Nashville, and even had a special indigo-focused exhibition at Heath Ceramics showcasing upcycled antique quilts and one-of-a-kind indigo garments. For the… Read on

We have, over the years, done quite a bit of experimenting with natural dyes, and we try to integrate naturally dyed fabrics into our collections of low-impact dyed yardage whenever possible. We have also been lucky enough to benefit from the wisdom of many natural dye experts. Picking up from a conversation we had last… Read on

Our first collaboration with Heath Ceramics, launched in 2011, has built a lasting, creatively symbiotic relationship. That joint development was a beautifully intensive design process that blended our techniques with theirs. Our Heath + Alabama Chanin line of dinnerware is made by hand, just like our Alabama Chanin handmade Collection. The artisans at Heath etch… Read on

Indigo – electric, deep, light, or tropical Indigo can be bright, violet-blue, midnight blue. Electric indigo represents the sixth chakra—the Anja—that includes the third eye. It is the color of intuition and self-awareness. Today, the New Leaves stencil + layers of indigo of the Indigo Shell Top made me think of this: A creation of… Read on

Indigo—a celebration of our natural dye house at The Factory in Florence. This collection includes updated classic styles, available in a range of shades from Light to Dark Indigo and Blue Grey. View our  permanent staples—available year-round—alongside a revolving selection of one-of-a-kind, limited-edition pieces we love. Check back regularly for more hand-dyed goodness.

Based on feedback that we have received from some of our DIY customers, we are now offering supplementary instructions in each of our DIY Kits. Each kit will be shipped with an insert that includes basic instructions, including how to “love your thread,” directions on completing basic stitches, simple construction tips, and how to add… Read on

We have been working with indigo-dyed cotton jersey for years now. Between Father Andrew and Goods of Conscience in New York City and Artisan Natural Dyeworks in Nashville, Tennessee, there has never been a need for us to start our own indigo vat. And in the quantities we dye, it’s better to leave it to… Read on

I first saw Tilleke Schwarz’s work in an exhibition called Pricked: Extreme Embroidery at the Museum of Arts & Design in New York. The needlework was displayed proudly as contemporary art by extraordinary female artists. Boundaries were pushed as textile art was made. Friend, Maira Kalman, also had work on view. Tilleke’s work resonated with… Read on

A big THANK YOU to Vogue for including our hand-sewn Indigo Star Quilt in this month’s issue.

I have always loved quilt tops and have collected them for many years from thrift stores and yard sales. The problem with these beautiful hand-sewn tops is that it is impossible to use them until they have been quilted as the delicate woven fabrics fall apart when washed. Not so with our 100% organic cotton jersey, Alabama… Read on

Dianna Settles was born in Los Alamitos, California in 1989. She grew up in Blue Ridge, Georgia and received her BFA from San Francisco Art Institute in 2014. Settles currently resides on an urban farm in Atlanta, Georgia, where she lives and creates in the company of a large community and co-runs Hi-Lo Press, a… Read on

For over a decade, we’ve had the joy of collaborating with Cathy Bailey and Robin Petravic, the visionary husband-and-wife duo behind Heath Ceramics. For the newest Heath Ceramics x Alabama Chanin collection, Natalie, Cathy, and Robin set out to create two new hand-etched designs that represent each company’s heritage and work in the preservation and… Read on

This week’s installment of Stories We Love highlights our latest collaboration with Heath Ceramics (@heathceramics). Watch for more inspiration and stories from the development of the Echo collection coming up on the Journal. Natalie at Home: Photographs by Rinne Allen (@rinneallen) Alabama Chanin x Heath Ceramics etched dinnerware. @heathceramicsMuir Flatware in Tumbled by Heath Ceramics…. Read on

Left: “Barns of the Future” featuring The Farm Project by Mike Meiré from View on Colour: A World of Folk by Li Edelkoort, 2008, photographed by Robert Rausch; right: Indigo dyed Corset in reverse appliqué Angie’s Fall from the Alabama Chanin and Goods of Conscious collaboration, 2009, photographed and styled by Sarah Lewis Moursund Join… Read on

Swatch of the Month Inspiration: Beads + Sequins; June’s Swatch of the Month featuring Transitional Embroidery; “Shade Card” from Journeys in Natural Dyeing: Techniques for Creating Color at Home by Kristine Vejar and Adrienne Rodriguez (pages 182–183); “Oaks galls used to naturally dye June’s Swatch of the Month Embroidery Floss at the Verb Studio in… Read on

Swatch of the Month Inspiration featuring Journeys in Natural Dyeing: Techniques for Creating Color at Home; Kristine Vejar: Alabama Studio Sewing Patterns from the Alabama Chanin Journal Archives; June Swatch of the Month Exclusive: Naturally Dyed Embroidery Floss; “Shearing day at Sally Fox’s farm from A Verb for Keeping Warm Blog; The Slim Scarf Kit;… Read on

In 2017, we featured Kathy Hattori of Botanical Colors in our Indigo Stories series on The Journal (among many other movers and shakers in the natural dye world). For our new readers, we revisit her background, her work with Alabama Chanin, and share the mission of Botanical Colors—with who we’ve recently collaborated on for our capsule collection of… Read on

From left: “Corset illustration” by Sun Young Park for The School of Making Book Series and Patterns; “Original Corset” from the Alabama Chanin archives; Bloomers Fabric Detail in Natural/White Reverse Appliqué; “Corset” from Alabama Studio Sewing Patterns by Natalie Chanin (pages 74–75); “Corset”, 1870–89 by Maison Léoty via the Metropolitan Museum of Art; DIY Corset… Read on

“The Alabama tomato is truly a wonder. It takes on the color of the deep, red soil and the taste borders somewhere between sweet and tart. I grew up eating these tomatoes straight out of my grandparents’ garden in Florence, Alabama, and after having lived away from home and in Europe for over 20 years,… Read on

Freedom Quilt by Jessie B. Telfair (1913 – 1986). Made in 1983. Jessie was fired from her job in a school cafeteria because she registered to vote during the Civil Rights Movement. The pain of the incident stayed with her her whole life and fellow quiltmakers urged her to express her pain through her art…. Read on

To plant a garden is to believe in tomorrow – Audrey Hepburn  Originally planted during World War I and World War II, victory gardens offered food security, reduced pressure of the food supply, and encouraged morale during wartimes. They have made a resurgence amid the COVID-19 pandemic, with many citizens of communities across the world going… Read on

“Alabama Chanin as a business was founded on the idea of a quilting stitch. And although it took me months to realize that I was actually quilting as I pieced together those first cut up t-shirts, the knowledge of those quilting stitches came from my most elemental childhood experiences. Growing up in the South, at… Read on

As part of The Year of Color, 2020’s yearlong exploration of creativity through color, we are delving more deeply into one of our inspirations, Lidewij – or Li – Edelkoort, one of the world’s most trusted trend forecasters. She has worked for a wide array of companies, from Coca-Cola, to Nissan, to Prada, Disney, Shiseido,… Read on

It is hard for me to believe that 2020 will mark 20 years of Alabama Chanin and 20 years of defining sustainability. The School of Making programming began 12 years ago with the launch of  Alabama Stitch Book, although we didn’t know or plan how the publication of that book would change the course of our business. … Read on

Today we celebrate our friends and collaborators at Heath Ceramics for their feature in the in The New York Times Style Magazine. The article, from the One Good Meal series, which focuses on road trips, good food, and the Heath aesthetic, also features the Camellia Etched Serving Platter, shown in the photo above. This beautiful… Read on

“To create one’s world in any of the arts takes courage.” ― Georgia O’Keeffe In celebration of Women’s History Month, this week, explore the artists who, drawing from their own unique outlook on the world, have used their work to convey the gamut of universal truths, emotions, and experiences. “The inconvenient spectacle of Frida Kahlo”… Read on

Our seven-year long collaboration with Heath Ceramics began in 2011 with hand-etched dinnerware ceramics. Founded in 1948 by Edith Heath, Heath Ceramics is run by Cathy Bailey and Robin Petravic, who both have a deep background in design. While our collaboration has been ongoing, it’s been a few years since we worked deeply with Heath… Read on

“The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable.” ― Isamu Noguchi Founded in 1948 by Edith Heath and her husband Brian, San Francisco-based Heath Ceramics have long been creators of functional and beautiful tableware and… Read on

The School of Making offers a wide range of sewing patterns—both in The School of Making Book Series and as standalone patterns—to fit many different body types and lifestyles. In the past, we’ve also adapted sewing patterns from other designers using our techniques and materials, with beautiful results. Some of our favorites from the past are… Read on

In July, we wrote about the book Design for Artists and Craftsmen as part of our series that explores vintage design, embroidery, and craft books.  I carried this book with me as my daughter Maggie and I headed to my residency at The Hambidge Center for Creative Arts in the mountains of North Georgia. In… Read on

In celebration of the 10-year anniversary edition release of Alabama Stitch Book, we celebrate our journey and growth over the years by re-releasing special-edition kits of our Swing Skirts, which were featured in Alabama Stitch Book and remain our most popular garment pattern of all time. It is likely that, because of the number of… Read on

“I found I could say things with colors and shapes that I couldn’t say any other way – things I had no words for.” — Georgia O’Keeffe Our lives are full of and, in many ways, dictated by color. We express ourselves with the color of our hair and clothing. The vibe of our home… Read on

In March, we introduced new Collection designs on the Spring Equinox. Two months later, as we begin to dip our toes into summer, we expand on the Collection with a handful of new designs to welcome the change of seasons. Even though our designs are not classed to a particular season, we do find inspiration… Read on

In the past, we have looked to other artists’ personal styles to inspire elements of our Collections—Frida Kahlo, Anni Albers, and Georgia O’Keeffe, to name a few. As part of our most recent Signature | Eveningwear Collection, our design team was drawn to the idea of the artist at work—how artists can combine their media,… Read on

Part of our newest Collection includes our first garments made from organic chambray fabric, courtesy of organic cotton pioneer Sally Fox. Sally was an invaluable resource for Alabama Chanin + Billy Reid as we tackled our challenging experiment in growing organic cotton in Alabama. She has worked for decades experimenting with colored cotton and researching… Read on

At The School of Making and Alabama Chanin, sustainability is a top priority. We strive to be a zero-waste company and leave the smallest environmental footprint possible. Recently, our team has been working behind the scenes to elevate our DIY offerings and take larger strides toward a more environmentally friendly future. Today, we introduce new… Read on

Since the launch of Limited-Edition Printed Cotton Jersey, we’ve used both Anna’s Garden and New Leaves variations to create a Factory Tunic and Swing Skirt (respectively). The printed fabric allows you to make quick and easy basics with the added visual interest of a pattern. With spring in full effect here in north Alabama, we… Read on

The day is nearing. Saturday, Scott Peacock will be in house, hosting his Friends of the Café Dinner. We’ve shared Scott‘s varied talents with you on the Journal over the years. Scott is (currently) an experimenting indigo farmer and dyer, an avid influencer of Southern food culture, and inspiring writer and oral historian. Who wouldn’t… Read on

Scott Peacock, native of Hartford, Alabama, was in his late twenties when he met the legendary, late Edna L ewis, considered to be the “Grand Dame” of Southern cuisine. At the time, Scott was chef for the governor of Georgia, and he and Miss Lewis were assigned to cook together for a fundraiser—though neither of… Read on

Our Core basic styles make the perfect canvas for our accessories—with recently updated colors and designs. Here are a few fresh looks for Spring. The Rib Crew and Indigo Slim Scarf The Rib Crew, The Rib Skirt, and Indigo Poncho The Rib Crew, The Rib Skirt, and The Suzanne Slim Scarf The Rib Crew, The… Read on

Photographer and artist Rinne Allen’s Light Drawings were introduced at Alabama Chanin during the summer of 2015. At that time, the Alabama Chanin Collection featured Indigo textiles, and the blue cyanotypes resonated perfectly with our designs. In addition to her blue light drawings, Rinne also creates sepia-colored works of art, which are presented alongside our… Read on

Alabama Chanin hosted our very first Friends of the Café Dinner in May of 2014, and since then we’ve experienced meals and enjoyed gatherings that were nothing short of magical. In retrospect, we almost cannot believe the lineup of talented chefs who have graciously donated their time for these special fundraisers: Sean Brock, Ashley Christensen,… Read on

Thank you to Mary Celeste Beall and the Blackberry Farm team for including our hand-dyed Indigo Quilts in this year’s Farmstead Catalog. In addition to our quilts, the catalog includes holiday gift items from Blackberry Farm to stock your pantry (Pickled Ramps and Farm Jams are a favorite) and decorate your home. View the catalog… Read on

Stenciling has a deep history that reaches across millennia, but also within Alabama Chanin. It is the basis for our lean-method manufacturing and also within part of The School of Making. We’ve got a library of 600+ stencil designs and the Stars stencil is #340. Stars was originally inspired by the costumes in found in… Read on

“If the day and the night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal — that is your success.” – Henry David Thoreau Recently, longtime friend and collaborator Kristine Vejar created fabric for us using a technique from… Read on

One of my favorite parts of design school back in the 1980s was the hand-dyeing class I took in the fall of my third year.  For me, it was a perfect combination of science and creativity that, to this day, I believe fostered some of my best work.  A few years later, after I graduated… Read on

We often speak of collaboration and of creating a community of artists to share ideas. This philosophy is central to our artisan-based way of making. And when we stock our stores online and at The Factory, we offer a carefully curated selection of items that complement our own—always made by other artisans who follow a… Read on

Alabama Chanin as a business was founded on the idea of a quilting stitch. And although it took me months to realize that I was actually quilting as I pieced together those first cut up t-shirts, the knowledge of those quilting stitches came from my most elemental childhood experiences. Growing up in the south, at… Read on

Looking back on 2015, it’s clear that this was the year of collaboration for Alabama Chanin. We expanded upon work that we have been creating with others for many years, added major new initiatives with new partners, and built upon our partnerships across all parts of our business. Partnership has always meant growth for Alabama… Read on

In the spirit of the upcoming holidays, we asked artist, photographer, and good friend Rinne Allen to share some of her favorite things to give (and receive). We’re all fans of her thoughtfully curated selections. Read on to learn more about each item and why Rinne chose it as one of her favorites. Metalworker Laurel… Read on

The design world is filled with innovators making products that can impact the human experience for good or for ill. The idea of designing and making with positive, spirited intention is growing far beyond its early influencers like Samuel Mockbee’s Rural Studio or the now defunct Architecture for Humanity—inspired by Mockbee’s project. Today, AIGA—one of… Read on

October is here and—finally—we are beginning to get a reprieve from the heat of summer. By now, my house has gotten back into the school, work, homework, bedtime routine. (I think every year Maggie manages to negotiate a later bedtime, while mine gets earlier and earlier.) October is one of my favorite months, because it… Read on

This week, we are pleased to launch Alabama Chanin Collection #29—with never before seen garment styles and stencils. Natalie has been working for many years to grow a talented design team that understands our company mission and helps advance the design story we tell with each collection. The garments are presented in four main colors—Natural,… Read on

Rinne’s Light Drawings remind me of leaves floating on the surface of still water, in shades of blue and indigo. And we’ve just added more of her ethereal drawings to our online selection.  Stop by The Factory Store in Florence, where they are on display and available for purchase. Call us with any questions: +1.256.760.1090 the… Read on

Makeshift is a series of events, talks, workshops, and gatherings that invite a dynamic group of participants to explore the ways in which the fashion, art, and design worlds are inextricably linked to the world of craft and DIY, and how each of these worlds elevates the others. In its fourth year, Makeshift conversations create an intersection where we can… Read on

The Alabama Chanin, Heath Ceramics, and Boiler Room teams have been working together over the past few months in preparation for our show in San Francisco, which opens tomorrow evening. Needless to say, we are very excited. The show, Alabama on Alabama, is the fourth ever exhibition in Heath Ceramics’ new event space, the Boiler Room. Heath… Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics—their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware,… Read on

I met Stella Ishii over a decade ago, as I was just beginning to define who I was as a designer. She was simultaneously likeable and intimidating—but intimidating only because of her impressive resume and effortless cool. She began her career in fashion not because she was fluent in design technique—but because she was fluent… Read on

According to Wikipedia, supply chain is defined as “a system of organizations, people, activities, information, and resources involved in moving a product or service from supplier to customer.” At Alabama Chanin we strive to responsibly produce quality, sustainable products—at every level of the supply chain. We believe that responsibility means transparency and understanding where each material comes from… Read on

In April, I traveled to Chicago to lecture at the School of the Art Institute of Chicago. While there, I spent some time at the Art Institute and found great inspiration from the works displayed in their galleries. (For someone who has been considering scale and texture quite a bit lately, Elena Manferdini’s exhibition gave… Read on

Anna Maria Horner and I have been friends and collaborators now for about 6 years; but, she is the kind of friend you feel like you’ve known forever. I’ve been lucky enough to work alongside her on more than one occasion and we created two stencil designs, Little Folks and Little Flowers, together—based on her… Read on

With 2014 coming to a close and a brand new year upon us, it is time to reflect on all we’ve accomplished—slow in design, but rapid in growth—during the past year. But first and foremost, we want to thank each and every single one of our supporters, friends, collaborators, partners, and everyone who has made… Read on

At Alabama Chanin, we frequently speak about the concepts of Slow Design and sustainability. We attempt to create a healthy environment so that we can create healthy products. Part of being sustainable means we take great care in the materials that we source to create our products; it also means that the processes we use… Read on

Our longtime friend and collaborator Anna Maria Horner has created a new line of knit jersey fabric – Anna Maria Knits. On my recent visit to Nashville for Anna Maria’s newest venture, Craft South, we hosted a joint workshop that focused on combining machine and hand techniques with both Alabama Chanin and Anna Maria Horner… Read on

The process of starting our own dye house began with an exploration into the materials and methods that involve the chemistry of dyeing. That exploration began with indigo. In its natural form, indigo is a tropical, leafy shrub and a member of the legume family, and a version of the plant is native to our… Read on

About four years ago (to my dismay), Diane Hall, our head seamstress and studio directress, turned in her five-year notice. However, as her retirement grows closer, it has become evident to all of us at the studio that we will continue to see her around The Factory after her “official” retirement. Diane has developed a… Read on

MAKESHIFT began three years ago as a conversation about the intersection of the disciplines of design, craft, art, fashion, and DIY—and, on a bigger level, using this intersection as an agent of change in the world. Since then, we’ve explored making as individuals, and how making as a group can open conversations and build communities…. Read on

We learn our first real poem around the age of 2 — the ABC Song. Soon, we graduate to nursery rhymes, then rhymes for jumping rope. By the time we reach junior high and high school  we’re reading Epic Poems, like The Odyssey, and reciting Shakespeare in Iambic Pentameter—well sometimes. Songs can be poems set to… Read on

As this posts to our Journal this morning, part of our Alabama Chanin team will be in the air and on their way home from MAKESHIFT 2013. We hope that you have followed our explorations and conversations during New York Design Week via Instagram and have had conversations of your own.  Leaving MAKESHIFT this year,… Read on

As MAKESHIFT 2013 takes shape, we continue the conversation that began last year about the intersection of art, craft, making, producing, designing, and manufacturing.  One of last year’s most popular events, Crafting Design: Chair Workshop with Partners and Spade, found resonance with a league of artists, designers, crafters, and makers. And due its popularity, we are… Read on

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear,… Read on

Monday, we wrote about artist Tilleke Schwarz’s New Potatoes as inspiration for the week. However, Tilleke’s textiles have been a source for inspiration for me for years. When New Potatoes landed on my desk about a year ago, we started the skirt you see above as homage to Tilleke and her work. We have produced narrative work… Read on

I’ve mentioned this a few times here on the Journal: I am a grandmother.  And in the photo above, you see our sweet Stella Ruth.  Her hands, clearly visible, are surrounded by my son Zach’s, my dad’s, my grandmother’s, and mine.  That’s right—five generations.  You may have seen pictures of five generations in newspapers and… Read on

My first sewing project was a “picture” of a flower that I made when I was about seven. I chose green and purple ribbon for the stem and petals, respectively, and a white button for the bloom’s center, which I attached to a square of quilted light blue Swiss dot fabric – aka the sky… Read on

Sent: Thursday, August 30, 2012 11:04 AM Subject: Our first cotton angel Hi Everyone, I was at the cotton field this morning when a car pulled up and a tiny young lady got out and put on her work gloves and went to work!!  She is still there working!!!  I sent a photo from my… Read on

Sustainable. Natural. Organic. These are all words that are integral to the Alabama Chanin identity. Our core values compel us to take a holistic approach to our design methods, looking at every aspect, quality, material or person that may play a part in our production process. This way of thinking led us toward using natural… Read on

In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with… Read on

Last week, during a photo shoot at my house for our new Indigo + Carmine pieces, my son Zach took time from his busy day of new fatherhood and running his growing catering company to make us lunch: a simple, delicious pizza piled with tomatoes. This summer has been hard on my garden. Many of… Read on

As the first week at Penland progressed to week two, the piles of books on our studio meeting table (and the individual studio tables) have grown substantially. We have spoken of so many things and explored SO many ideas.  Here are a few of the volumes that have made their way into our conversations:

The word “star,” with its many meanings, occupies several places in my mind (and the universe): First, a star is simply a shape- the most common being five-pointed. As I was taught in geometry class, it is constructed from points, proportions, and folds. Seen in patriotic prints of the 1960s and 70s, its contour was… Read on

“Despite the prevalence of green in nature, no single plant produces a color-fast, deep green dye. Until the invention of synthetic dyes in the 19th century, people around the world typically combined indigo blue with various yellow dyes to create green textiles.” From Green:  the Color and the Cause (Be sure to browse the entire… Read on

This corset – one of my all-time favorites – was part of our Songbirds Collection for Fall/Winter 2009. The pattern is available in Alabama Stitch Book and it is made using our 100% organic indigo fabric and the Angie’s Fall stencil from Alabama Studio Style. TO MAKE YOUR OWN: Corset pattern from Alabama Stitch Book… Read on