From top, left to right: Fabric swatch of the Fiorire paint design on organic canvas; menu for the Friends of the Café Dinner for Project Threadways, featuring Chef Nicole Mills; The Nieve Skirt in Wax; The Noto Bandana; A Field Guide to Getting Lost by Rebecca Solnit; Alabama Chanin Core Club in Navy and Natural…. Read on

Outerwear DIY Kits from The School of Making: #memade appliqué and embroidery for everyday.Explore the styles below and browse new colorway options. _________ Join one of our virtual workshops, and apply those skills to crafting the perfect coat, jacket, skirt, and everything in between. Intermediate Hand-Sewing | April 7, 2023 Advanced Construction Techniques | October… Read on

Dianna Settles was born in Los Alamitos, California in 1989. She grew up in Blue Ridge, Georgia and received her BFA from San Francisco Art Institute in 2014. Settles currently resides on an urban farm in Atlanta, Georgia, where she lives and creates in the company of a large community and co-runs Hi-Lo Press, a… Read on

Arriving soon to alabamachanin.com. Join our mailing list for exclusive previews and updates.

Embroidery opens with Natalie Chanin narrating a series of moments from her life: speaking at The Moth, standing dumbstruck on a New York City street corner, dancing in Naples, swimming in Venezuela, screaming into Angry Cove, coming home to Alabama in the middle of the night. Over the course of the book, she connects these… Read on

For over a decade, we’ve had the joy of collaborating with Cathy Bailey and Robin Petravic, the visionary husband-and-wife duo behind Heath Ceramics. For the newest Heath Ceramics x Alabama Chanin collection, Natalie, Cathy, and Robin set out to create two new hand-etched designs that represent each company’s heritage and work in the preservation and… Read on

A closer look at “Wind”, a new hand-painted motif introduced in our latest collection. Wind draws inspiration from city sidewalks and forest floors bestrewn with fallen leaves, and the atmospheric choreography of their descent.  Our vision for Wind is brought to life through an airy, foliage-inspired pattern that is painted by hand onto each garment…. Read on

Introducing Our New Collection: Wind + Wave The latest Alabama Chanin collection draws inspiration from two of nature’s most dynamic players. Often working in harmony, wind and waves evoke quiet strength and fluidity.  A signature “Wave” blue colorway and hand-painted “Wind” motif—which embodies the atmospheric choreography of leaves in the wind—are woven throughout the collection…. Read on

Our founder and creative director Natalie Chanin is celebrated as a pioneer of sustainable design with a legacy of innovation that spans the last twenty-one years.  The Helton Rose Skirt features a reverse appliqué Rose design that is sewn using excess cuts of fabric from our design studio, and is emblematic of our design ethos: … Read on

“Everything I do starts in a small black book. I make lists. I draw. I take down notes, memorable quotes, or random thoughts. Things seem to expand out of those pages.”—Phillip March Jones  The covers of our Phillip March Jones Journals, shown below, are printed with vibrant designs from the sketchbooks of artist, writer, and friend, Phillip March… Read on

Twenty.one onward through the liminal wan.der.lust air and love stitches  at the edge of nature freefall  renegade we are always coming home   trails of overgrown memories home.town love the thread catch my soul  scrub me new me together return to rethread aspire homeward  crafting web embellish.life storytelling core to live  and inspire  Created in collaboration with Diana Weymar of Tiny Pricks Project, Alabama Chanin x Tiny Pricks Project is a collection of 21 one-of-a-kind jackets,… Read on

twenty.one  onward through the liminal wan.der.lust air and love stitches  at the edge of nature freefall  renegade we are always coming home  trails of overgrown memories home.town love the thread catch my soul scrub me new me together return to rethread aspire homeward crafting web embellish.life storytelling core to live and inspire  Twenty-One Years By Natalie Chanin and Diana Weymar  Over the last three months, Alabama Chanin released stories and archival photographs through our 21 Years… Read on

Today on the Journal, Rinne shares the history of and process of our collaboration that has created hand-painted designs in the Permission to Wander capsule collection.  From Rinne:  This little collection of garments and treasures is inspired by the idea ‘permission to wander’….many years ago my friend Hope Hilton used this term in relation to a body of her work and… Read on

“Leave the door open for the unknown…” “…the door into the dark.” “That’s where the most important things come from…” “…where you yourself came from…” “…and where you will go.” —Rebecca Solnit from A Field Guide to Getting Lost Permission to Wander is a capsule collection of hand-painted designs and artisan-made objects to inspire (and… Read on

“Deciding to give myself permission to wander—without a set outcome, destination, or expectation—has been a turning point in my creative process…a vital part of my seasonal rhythm.” —Rinne Allen Permission to Wander: A new capsule collection in collaboration with our friend and muse, Rinne Allen. Discover hand-painted designs and artisan-made objects to inspire (and carry… Read on

“Cotton field in north Alabama”, 2012. Photograph by Rinne Allen.   Cotton has been at the heart of our business for over two decades. First in the form of recycled cotton t-shirts, and since 2005, in partnership with our Texas farmers and North Carolina converters. This plant, and its fiber, are rooted in the complicated history of… Read on

Reissued from our design archives, the Fernando Skirt features a hand-sewn patchwork design—a callback to Natalie’s iconic first collection, which was crafted from upcycled t-shirts using quilting techniques learned from her mother and grandmother. Shop the Fernando Skirt. Shop The Waffle Sweatshirt:Limited-edition, Naturally Dyed MORE TO LOVE

Alabama Chanin x Botanical Colors A limited-edition collection of core Alabama Chanin designs, naturally dyed in collaboration with Botanical Colors. Each soft pink garment is hand-dyed with madder root and other natural resources to achieve the signature tone found throughout the assortment, beautifully unique to each garment. Like all of our garments, the Alabama Chanin… Read on

“Tactile Corpuscles”, 2014 by Sanne Muiser for the Earth Matters exhibition curated by Lidewij Edelkoort and Philip Fimmano. Photograph by Studio Pluis via TLmag. …our entente with nature will be re-written and re-invented;we will try to live together in a more harmonious way,giving and taking, and caring for each other.– Lidewij Edelkoort Back in 2017,… Read on

“The evening sings in a voice of amber, the dawn is surely coming.”  —Al Stewart   Amber begins as a soft resin that eventually becomes stronger with time. Because it begins in a malleable and fluid state, it can collect ancient insects, water, and natural elements as it changes form. For that reason, one might consider… Read on

At Alabama Chanin, we honor the relationship between materials, products, and individuals—creating organic goods for a sustainable life. 

Early instances of lingerie as clothing emerged in 1700’s France with Marie Antoinette and members of her court. During their casual, all-female gatherings, they wore what was called a chemise – a loose garment that was shaped only with drawstrings or sashes. These were not worn in formal society, but became casual staples. Slips have… Read on

Featured in Made It: The Women Who Revolutionized Fashion exhibition. From top left:  “Gilded Sapphire Celia Tunic”, 2019 by Natalie Chanin for Alabama Chanin, “Beaded Facets Coat”, 2006 by Natalie Chanin for Alabama Chanin, “Beaded Facets Coat Detail”, 2006 by Natalie Chanin for Alabama Chanin, “Sapphire Dot Leighton Skirt”, 2019 by 2019 by Natalie Chanin for Alabama Chanin, “Sapphire Dot Leighton Skirt Detail” 2019  2019 by Natalie Chanin for Alabama Chanin, and Lee Dress, 2017; Top right:… Read on

From top left: Suns Apron detail, Suns Tee, Suns Apron development, Suns Apron, and Suns Apron detail from Hable Construction x Alabama Chanin Collaboration; “Susan Hable painting in her studio”, 2017 by Rinne Allen “Through collaborating, great things are possible.”  At Alabama Chanin, we thrive when collaborating with others. It brings out the best in… Read on

The Women Who Revolutionized Fashion: 250 Years of Design, 2020 by Peabody Essex Museum in collaboration with Kunstmuseum Den Haag and Rizzoli Electa, edited by Petra Slinkard.  Fashion was, is, and will likely always be a way to differentiate oneself in a world that often feels most comfortable with sameness and conformity. If clothing is indeed the “armor” that Bill Cunningham firmly believed it… Read on

From top left: “Shots from “Case Study House #8; Eames House”, 1949 by Charles and Ray Eames from Eames: Beautiful Details, 2012 by Eames Demetrios and Charles Eames, edited by Gloria Flower and Steve Crist (pages 374–375); The Willie Top and Celia Florence Skirt from Alabama Chanin; “Embroidery Design”, 1885 by May Morris via the Victoria… Read on

Legendary photographer Bill Cunningham once said, “The wider world that perceives fashion as a frivolity, as something that should be done away with…fashion, you know, point of fact, it’s the armor to survive the reality of everyday life. I don’t think you could do away with it. It would be like doing away with civilization.”  Of course,… Read on

Left: Rosa Parks 7053 Tee, a collaboration between Alabama Chanin and basic. benefitting the Equal Justice Initiative; Right: “Montgomery, Alabama, police photo (mug shot) of Rosa Parks”, February 21, 1956 from Alabama Department of Archives and History.  In the iconic booking photograph of Rosa Parks shown above, taken February 21, 1956, she is recorded as prisoner “7053” after being… Read on

At Alabama Chanin, we are in passionate pursuit to design, responsibly produce, and offer products and experiences that enrich life, community, and the planet.  We value inclusivity in our team, our collaborations, our partnerships, and in the fashion industry.   Part of our mission reads to “show love and care in all our actions.” We pride ourselves in… Read on

One garment. One sewer. One piece at a time. The acts of making and manufacturing have a rich history in our community, and at Alabama Chanin we are carrying on those traditions by creating our heirloom garments locally. Utilizing our American-made organic fabrics, our team of skilled sewers carefully crafts each garment, with one sewer… Read on

“We first started talking about slow fashion as a derivative of the slow food movement. I think in many ways that industry is light years ahead of where the fashion is. People started looking at the ways things were planted and grown much sooner than we did with textiles. I think a lot of what’s… Read on

“Owning our story and loving ourselves through that process is the bravest thing that we’ll ever do.” – Brené Brown  2020 looks a lot different than it began. Earlier in the year, we set the intention to focus on a practice of retreat and self-care; in the most unexpected way, we find ourselves digging deeper and deeper into… Read on

Building 14 is Alabama Chanin’s machine-made design and manufacturing division. It is a callback to the early days of our region within the history of American textile manufacturing.  Building 14 machine manufacturing, officially born in 2013, is a natural expansion of our hand-sewn ethos and part of the Alabama Chanin Family of Businesses. The concept is… Read on

On Sunday, Dana Thomas, author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes, hosted a discussion with Natalie on Instagram. Dana, in the South of France, and Natalie, in her kitchen in Florence, Alabama, shared their thoughts and experiences about how the COVID-19 pandemic is affecting day-to-day life and the fashion… Read on

A big “thank you” to Laird Borrelli-Persson and Vogue for sharing a preview of our upcoming Collection. They recently spoke with Natalie about her work and 20 years of defining sustainability. You can find the story online here along with a lookbook of the upcoming Collection or read below:Fall 2020 Ready-to-WearAlabama ChaninVogue, February 29, 2020 “We’ve… Read on

Alabama Chanin Core Essential styles are the building blocks of a modern wardrobe. Traditionally, our Core styles have represented a range of Collection basics. As our designs have expanded over the years to introduce the Leisure collection, the foundations of our wardrobe offerings have grown. Core Essentials now combine both Collection and Leisure basics in… Read on

In her book, Fashionopolis: The Price of Fast Fashion and the Future of Clothes, author Dana Thomas explores the heart of the modern fashion world – exposing a fundamentally broken system, while also highlighting those who are developing solutions to deep-seated problems, and offering options for consumers on how to improve their shopping habits.   Thomas writes in… Read on

“When you recover or discover something that nourishes your soul and brings joy, care enough about yourself to make room for it in your life.” – Jean Shinoda Bolen The dictionary defines “retreat” as a verb, “to withdraw to a quiet or secluded place.” With a daily life that is full of commitments to others,… Read on

This year – 2020 – will mark the 20th year of the company now called Alabama Chanin. While we have changed and grown over the years, our purpose has largely remained the same. Our values are steadfast. What began as a kind of experiment has grown into a company and a way of life that… Read on

Since ancient times makers have adorned their most precious pieces with gold.  Egyptians overlaid their sarcophagi with gold leaf. The Chinese enveloped pottery and textiles in gold. Greeks and Romans embellished their marble and wood with this precious metal. The age-old craft of gilding has been practiced for centuries and it is these works, partnered… Read on

Live in the sunshine. Swim in the sea. Drink in the wild air. – Ralph Waldo Emerson Summer is almost here, and we hope it offers you an opportunity for relaxation. Our new Core Essentials Collection is ready to bring some respite to your life, whether you are able to vacation or not. The Collection… Read on

As the Project Threadways Symposium approaches, we are excitedly finishing up last minute details and getting the final product ready for you to view. These details include completing our exhibition, which will be on display at The Factory. Our documents and oral histories will be presented and include quotes from former textile workers like Sherri… Read on

Think thermal, but so much better. The Waffle Sweatshirt is made from 100% organic cotton—and is seed-to-shelf Made in America. This pullover top is perfect for layering in cool and warm weather with two sleeve-length options: a “sleeveless” drop shoulder and an extended, ready-to-cuff long sleeve. With a modern funnel neck and lightweight trims that… Read on

Welcome to 1972. The Rolling Stones just landed at Muscle Shoals Regional Airport to record three of their classic songs: “Wild Horses,” “You Got To Move On,” and “Brown Sugar.” Aretha Franklin recorded what was considered the first big hit of her career, “I Never Loved a Man (The Way I Love You).” Across the… Read on

The work of Project Threadways continues. We’ve been busy planning for the inaugural symposium in the spring and collecting oral history interviews from textile workers in our community. With the expert help of our friends at Nest and support and funding provided The Muscle Shoals National Heritage Area, we’ve developed a survey to help us… Read on

Burt’s Bees is among the most prominent brands in America with a sustainable approach to doing business. Their ingredients and packaging are simple, natural, and responsible. The company describes itself as “a bunch of hands-on, tree-hugging, greased elbow do-gooders,” and we believe that is among dozens of reasons why Burt’s Bees Baby is a natural… Read on

On the heels of our Alabama Chanin x Heath Ceramics jewelry collaboration, we spoke with Rosalie Wild, Product Designer at Heath Ceramics, who gives us a more in-depth look at the hand-etched Alabama Chanin jewelry line, how it’s made, and how the materials are sourced. AC: Are the bars themselves produced from ceramic “scraps”? RW:… Read on

We’ve been partnering with friend and fellow Alabamian Gina Locklear of Little River Sock Mill for four years to create a line of Made in the USA, organic cotton socks that complement our collections. Our most recent designs (stripe shortie, crew, and tall) launched alongside the Leisure Collection last month and match the quality and… Read on

Our seven-year long collaboration with Heath Ceramics began in 2011 with hand-etched dinnerware ceramics. Founded in 1948 by Edith Heath, Heath Ceramics is run by Cathy Bailey and Robin Petravic, who both have a deep background in design. While our collaboration has been ongoing, it’s been a few years since we worked deeply with Heath… Read on

Cedric Burnside’s love for music was born in a juke joint, alongside his grandfather, legendary singer, songwriter, and guitarist R.L. Burnside. Though Cedric seeks to pay tribute to the man he calls “Big Daddy” and his own father, blues drummer Calvin Jackson, he blends elements of their styles with his own contemporary vibe. He played… Read on

Since 2014, we have worked with Patagonia on a beautiful circular design project, the Reclaimed Down Scarf. The goal of circular design is for every product to reflect sustainability from the beginning of life as a raw material, through design, manufacturing, active life, and end-of-life processes. Garments that reach the end of their lives become… Read on

Depending on when you were born, the turtleneck may bring to mind any number of things: 1950s chic, 1960s bohemian, 1970s women’s activists, or (record scratch) 1990s Jerry Seinfeld-era goofiness. But the wonderful thing about a turtleneck is its timelessness. This particular style in our recent round of Collection updates is inspired by Natalie’s closet… Read on

Our Collection evolution continues with the introduction of new everday styles, embroideries, and colors. These updates tie together the work Natalie and our design team have created earlier in 2018 with what’s to come. We have quite a few updates to share and present them below in an easy-to-follow outline. NATALIE’S DRESS, TUNIC, AND PULLOVER… Read on

Graffiti is a form of expression, a way to state things (i.e. funny, political, or otherwise), and can be found in any place. We’re using our graffiti in defense of clean cotton, safe fashion, and a healthy environment. Wear it alone. Mix it with other graffiti. Layer it. Tie your hair back with it. Belt… Read on

It is almost impossible for us to believe, but we have reached the fifth anniversary of the creation of Bldg. 14 – the manufacturing arm of Alabama Chanin. This has been one of our most collaborative enterprises and represents the elements of what our company stands for: sustainability, creativity, design innovation, promoting the living arts,… Read on

The “Summer of the T-shirt” continues, and today we introduce a (very) limited-edition run of one-of-a-kind graffiti tees as part of our new capsule collection, “Graffiti: Red, White, and Blue”. The tees are made from recycled cotton t-shirts and are a callback to the early days of Alabama Chanin (more on that here) and Natalie’s… Read on

In March, we introduced new Collection designs on the Spring Equinox. Two months later, as we begin to dip our toes into summer, we expand on the Collection with a handful of new designs to welcome the change of seasons. Even though our designs are not classed to a particular season, we do find inspiration… Read on

Iona Gonsalves moved to Savannah, Georgia, from India in 2008 to attend the Savannah College of Art and Design where she received her bachelor’s and master’s degrees with a focus on textiles. She relocated to Florence last year to begin her work at Alabama Chanin and her life here in Florence. She is learning about… Read on

Victoria McCoy grew up and was home-schooled in Huntsville, a city in northern Alabama located near Florence. She moved to Florence in 2010 to go to college where she received her degree in psychology from the University of North Alabama. Victoria uses her sewing skills to create costumes for local theater groups and is also… Read on

Luda Matmurtova has been a member of our production team since 2013. She moved to our community from Uzbekistan nine years ago and has incredible hand sewing and embroidery skills. Luda loves to bake cakes and meat pies, and we often find a freshly made dessert in our staff kitchen from her. She is an… Read on

Fashion Revolution Week is part of the year-round Fashion Revolution movement that encourages consumers to look more deeply into the fashion industry, with the ultimate intention of making clothing in a safe, clean, and fair way, the norm – across the world. This year, Fashion Revolution Week runs from April 23 – 29th and it… Read on

In the past, we have looked to other artists’ personal styles to inspire elements of our Collections—Frida Kahlo, Anni Albers, and Georgia O’Keeffe, to name a few. As part of our most recent Signature | Eveningwear Collection, our design team was drawn to the idea of the artist at work—how artists can combine their media,… Read on

The Alabama Chanin Signature | Eveningwear Collection is designed with distinctive style in mind—so that you will have a special piece for your special occasion. To complement a unique sense of style, we introduce new designs for evening and reintroduce classic Bridal silhouettes in our new collection. The color palette includes a traditional White, along… Read on

Part of our newest Collection includes our first garments made from organic chambray fabric, courtesy of organic cotton pioneer Sally Fox. Sally was an invaluable resource for Alabama Chanin + Billy Reid as we tackled our challenging experiment in growing organic cotton in Alabama. She has worked for decades experimenting with colored cotton and researching… Read on

Natalie lived and worked as a stylist and filmmaker at the tail end of the 1990s before landing in New York to begin the great, big adventure that ultimately became Alabama Chanin. If you don’t know about Natalie’s journey, look back at this post, this post, and this post on our Journal and listen to… Read on

Hello new Alabama Chanin Collection: new colors, new garment styles, new stencils and patterns, and—for the first time—a new organic chambray fabric. As always, we have styled our designs that these pieces work seamlessly alongside our classic silhouettes and new Core Essentials. Black Walnut, Vetiver, and Tea Dye complement our current color scheme and can… Read on

Ashley’s Pullover Collection launched earlier this summer and features designs available for a limited time. Inspired by chef Ashley’s all-time favorite shirt, the collection uses organic cotton jersey and machine-sewn artistry to create functional and flattering styles. Read back on the Journal to learn all about James Beard award-winning chef Ashley Christensen and our collaboration…. Read on

This month, we began expanding our jewelry options with unique porcelain cameo rings and pendants designed and created by Marcie McGoldrick. The New York-based artist spent 16 years working at Martha Stewart Omnimedia—starting as a product developer for the “Martha by Mail” catalog, before transitioning to craft editor for Martha Stewart publications, and eventually to… Read on

Fashion accessories are one of the most effective ways for a wearer to add his or her personal style to an outfit. Over the years, traditional jewelry in gems and precious metals, bags, gloves, hats, stockings, even hair or tattoos have been used as some form of accessory—to define a “look” and express one’s mood… Read on

Putting together an outfit can be a seamless task—or take a couple of tries to get the right combination. Today, we show you simple examples of how to pair and wear our latest Core Essentials. The Halter Keep it simple by pairing The Halter (our newest style) with pants or a skirt in the same… Read on

Sunset is the perfect balance of a bright and muted pink hue, making this color a customer favorite this summer. Introduced in our Core Essentials, Sunset is now available in our hand-embroidered Sylvan design with and without beaded details. A selection of our Collection garments is crafted entirely by hand. Some pieces feature a combination… Read on

Sylvan was introduced in our Collection in April. The design reflects on a natural, pastoral world. Garments embellished with the Sylvan design are bold and yet delicate, combining components of nature with the beauty of the forest. We’ve added decorative elements by embroidering beads and sequins in various places on the garments. The moments glisten—much… Read on

Since America’s earliest days, individuals have used clothing and fashion to project their social status and political ideals. Even the first colonists used clothing to demonstrate their wealth or political status. Purchasing power meant social prominence and cultural importance. Some communities, like the Puritans and Amish communities, used their clothing as a different type of… Read on

As part of the creative process, inspiration comes from sources both expected and unexpected. We have found that surrounding ourselves with creative and generous artists and individuals naturally motivates us to do better work. We have been lucky to build relationships with truly like-minded people with whom collaboration is easy—just natural extensions of our relationships…. Read on

Photographer and artist, Rinne Allen lives and works in Athens, Georgia (though she also travels the world taking pictures. Follow her on Instagram for a glimpse.) She is deeply committed to her community, having co-founded a children’s school for creative arts and working with the University of Georgia on special arts programming. It’s an understatement… Read on

The Sylvan stencil is one of Alabama Chanin’s most intricate and involved yet—mimicking the details of its namesake (the woods). The design groups leaves, flowers, petals, and stems showcasing various embroidery stitches and techniques. The Lark Tee and Liza Dress are machine-sewn garments that feature Sylvan hand embroidery, which adds depth and texture to the… Read on

Alabama Chanin’s Core Essentials have been around since 2013, beginning with a collection of hand-sewn basic styles. We mapped the evolution of those designs a few weeks ago on the Journal, and more recently shared a fit guide for our tops and tunics. Today, we share a guide to our Core Essential skirts, pants, and… Read on

The idea for our current Core Essentials began in 2013 with a collection of hand-sewn basic styles. Last week, we mapped the evolution of those designs and you can read that history here. Today, we share a guide to our Core Essential tops and tunics which fall in a price range from under $100 to just over… Read on

“A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know.” – Anni Albers Anni Albers, one of the original students trained at the Bauhaus school in Germany, was a true innovator in textile design. Though she worked as a multi-disciplinary artist,… Read on

In the earliest years of this company, Natalie Chanin was a “design team” of one—one person to dream and research and sketch and make. While she was lucky to have a talented team to consult with (people like Diane Hall and Steven Smith), the heavy lifting was done by a single person. As Alabama Chanin… Read on

“Sail on, silver girl. Sail on by… Your time has come to shine; all your dreams are on their way.” – Simon and Garfunkel Silver: a very malleable element that is capable of a high degree of polish. Its atomic number is 47 and its symbol on the periodic table of elements is Ag, from… Read on

The global fashion industry is notoriously opaque, and it depends upon exploitation of workers and environmentally damaging practices. It is an issue that we’ve spoken of many times and one that drives us to do our very best to remain as transparent in our methods and materials as possible. But for us, there is also… Read on

“Unto this wood I came as to a nest; dreaming that sylvan peace offered the harrowed ease—Nature a soft release from men’s unrest.” – Thomas Hardy Sylvan: of the woods; bucolic; idyllic; a mythical spirit of the forest Deriving from Medieval Latin, Sylvanus—one who frequents the woods. Sylvanus is a Roman god of the woods… Read on

“It’s spring fever. That is what the name of it is. And when you’ve got it, you want – oh, you don’t quite know what it is you do want, but it just fairly makes your heart ache, you want it so!” – Mark Twain We’ve got spring fever – and the Alabama Chanin Collection… Read on

There’s more in store this spring, as the current Collection evolves—with the introduction of new styles, a new color, Navy, and a new stencil design. We continue to love Frida, and introduce more embroidered designs in Baby Blue and Concrete colorways. With a bold floral pattern, our newest stencil design complements the delicate Frida embroidery…. Read on

Our Core basic styles make the perfect canvas for our accessories—with recently updated colors and designs. Here are a few fresh looks for Spring. The Rib Crew and Indigo Slim Scarf The Rib Crew, The Rib Skirt, and Indigo Poncho The Rib Crew, The Rib Skirt, and The Suzanne Slim Scarf The Rib Crew, The… Read on

Rinne Allen, collaborator and inspiration behind our most recent capsule collection, is the creator of a series of photo essays titled “Harvest”, a number of which have been published by T Magazine, of The New York Times. The Harvest Series is a first-person look at our regional agricultural systems, examining the individuals who work in… Read on

We’re launching an expanded collection of core garments today and also updating our manufacturing model for these garments. Conserving natural resources is at the core of our mission statement. This means balancing our supply chain with lean method manufacturing in order to deliver the best possible product to our customers.  Every day we look for… Read on

Photographer and artist Rinne Allen’s Light Drawings were introduced at Alabama Chanin during the summer of 2015. At that time, the Alabama Chanin Collection featured Indigo textiles, and the blue cyanotypes resonated perfectly with our designs. In addition to her blue light drawings, Rinne also creates sepia-colored works of art, which are presented alongside our… Read on

One of the most fantastic things about surrounding yourself with creative people is that you are constantly inspired and challenged to look at ideas through new and ingenious lenses. Rinne Allen, a frequent collaborator, is someone who has a special skill for capturing moments—details that other people may not see. This quality has made our… Read on

In an introduction to her third book, Natalie writes, “I want to dress women like me, modern women who may not have perfect bodies or stylists to help them make wardrobe choices but who want to make their way through their busy lives with beauty and grace, who want to sustain valuable traditions and live… Read on

Donna Karan’s approach to design has been a recurring topic of conversation on our Journal and an ongoing source of design inspiration for Natalie. From a 2012 Journal post: Karan became a presence in the fashion world as the women’s rights movement found its footing in the 1970s and women began working in the business… Read on

Historically, wedding gowns have not always been made in the traditional white color that we think of today. It wasn’t until 1840, when Queen Victoria married Prince Albert of Saxe-Coburg and Gotha in a lace-trimmed, white silk gown that white was established as a bridal norm. Queen Victoria sourced regional textiles to use in her… Read on

The Alabama Chanin Signature | Bridal Collection features a range of dresses, skirts, tops, and accessories for special occasions, for the bride and her wedding party, and for black-tie events. Our organic cotton jersey garments are hand crafted and modern—and offer sustainable options for everyday elegance. While many of our garments are created with simplicity in… Read on

Among many recurring subjects in Frida Kahlo’s artwork are flowers, foliage, and fruits. She used this imagery to celebrate Mexican history and culture. The garden at her home, Casa Azul, was first started by her parents and was filled with ivy, roses, and apricot and orange trees. As an adult, Frida and her husband Diego… Read on

With the start of the new year, we’ve seen countless articles, podcasts, and books on organizing your home and life: clearing out clutter, taking on daily habits, and changing your way of thinking. While we make efforts to practice self-improvement each day, we appreciate the push to get back on the wagon that a new… Read on

Welcome to the new year. In the spirit of the fresh start a new year brings, we present a new Collection. About the Collection During the summer of 2016 on the Journal, we started an artist series that profiled female artists and designers like Frida Kahlo, Louise Nevelson, Clarie McCardell, Sonia Delaunay, and Anni Albers…. Read on

This season, we’ve launched new additions to our Collections that include our recent Holiday garments; we’ve also incorporated styling rib-knit basics, socks, and scarves. Today we announce two more styles that will complete our Collection for 2016. Our Madison and Piper Dresses introduce a hand-stenciled Flora design to our form-flattering Sleeveless and Long Sleeve Rib… Read on

Today, we’re introducing two new designs for our Stripe Tall and Stripe Shortie Socks. We’ve been working with Little River Sock Mill—who manufactures in Alabama—since 2014 to produce designs exclusively for Alabama Chanin. All of their socks are quality made from a blend of organic cotton, nylon, and elastic—providing amazing comfort and great fit. Our… Read on

The newest additions the Alabama Chanin Collection have intricate hand beading and hand embroidery for any special occasion. Choose your look. Style it up. THE KENNEDY DRESS THE EVELYN TUNIC THE DONOVAN COAT THE DOROTHY CARDIGAN THE DYLAN CREW THE BEADED LACE MAYA PONCHO P.S.: Some of our machine-sewn core pieces are pictured in multiple… Read on

Our Cook + Dine textiles help you set a beautiful table year-round. Mix and match our solid, colorblock, and hand-painted designs with varied materials and textures in your kitchen, like our Heath Ceramics dinnerware, Etched Glasses, and Shelter Collection glassware­—or your own pieces that have been gathered, passed down, and collected over the years. Made… Read on

We recently introduced our readers to The Commons, a Charleston-based shop selling responsibly produced, American-made goods for the home. Founders Erin Reitz and Kerry Speake curate a careful selection of high-quality, hand-crafted products. In 2015, Erin and Kerry launched a partnership with STARworks, a non-profit from Star, North Carolina, that focuses on supporting the local… Read on

There is sometimes no greater pleasure than planning for holiday get-togethers and the excitement that goes along with them. Many of us have traditions we look forward to all year, and family or friends that we only see on special occasions. There is meaning to be found in the —smallest things, from preparing a dish… Read on

Journal followers are likely familiar with one of the newer faces on our design team: Erin Reitz (née Connelly), who we have featured recently. Erin and business partner Kerry Clark Speake are co-founders of The Commons, a Charleston, South Carolina-based shop that sells high quality, local, and American-made housewares. In addition to the work at… Read on

“Keep your face always toward the sunshine—and shadows will fall behind you.” – Walt Whitman We’re always looking toward the sunshine. (Pictured here: The Collier Tank, combining hand and machine sewn.)

Though the actual German Bauhaus school technically existed for a mere 14 years, its legacy undoubtedly continues to expand and flourish. The school, active during the years of the Weimar Republic, sought to unite artists of all disciplines in a utopian goal of designing a new world. Until broken up by the Nazis in 1933,… Read on

“A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know.” – Anni Albers Anni Albers was a multi-disciplinary artist best remembered for her work in textile design. She trained at the Bauhaus school in Germany, where she met her future husband and… Read on

A few weeks back, we introduced Erin Connelly (now Reitz), the newest member of our design team. She co-owns a store dedicated to selling American-made goods for the home, called The Commons. But what we didn’t mention is that she has extensive experience and a deep passion for the design industry. Erin’s mother taught her… Read on

“I fell in love with black; it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all… You can be quiet, and it contains the whole thing.” – Louise Nevelson American sculptor Louise Nevelson became known for her large, three-dimensional… Read on

Collection #30 was introduced—with the thought to combine machine- and hand-made pieces into the same line—as these garments are created using the same production processes, the same fabric, the same design team, and the same approach. From a design and development point-of-view, we now see that there should have never been a separation of the… Read on

We’re always on the lookout for companies and businesses that align with our values and principles—and we can’t emphasize enough how important it is to purchase domestically produced goods made with ethical, sustainable practices. Our collaborations with Patagonia and Heath Ceramics are perfect examples. This year, in support of other small businesses, we’re celebrating Independence… Read on

The newest member of our design team, Erin Connelly, has plenty of experience running a business of her own. On a road trip, she and close friend Kerry Speake had a conversation about the beautiful and quality-made home goods that their peers were creating. They decided to dedicate themselves to creating a place where one… Read on

Design*Sponge founder Grace Bonney began the design blog in 2004—according to her, on her lunch breaks at the office. Grace worked at or freelanced for many of the big design magazines: Domino, House & Garden, Craft New York Home, Food & Wine, In Style, Better Homes and Gardens. And so, she took the leap and decided… Read on

We previously shared The History of Tailoring and continue our series on fit with a comprehensive history of pattern making. In order to survive, human beings had to master the arts of creating and sustaining food, clothing, and shelter. As time went on, we became better at those tasks and began to create standards for what… Read on

The apron is a versatile garment—equally functioning to protect clothes from the dirtiest of labor, or to signify gentility and hospitality. It can be associated with cooking, cleaning, and hard work and, for many, is a symbol of home and humility, worn in the daily rituals of pulling a pan from the oven or wiping… Read on

I met Dr. Timo Rissanen several years ago, just as he was taking on the role of Assistant Professor of Fashion Design and Sustainability at Parsons School of Design. He is a pioneer in zero waste design, co-authoring Zero Waste Fashion Design with Holly McQuillan. If you’ve not heard of Zero waste, this genre of… Read on

For as long as we’ve known about their existence, we have been in love with Heath Ceramics. Their philosophies, their processes, their intentions—all align closely with our own. Our collaboration with Heath is our longest collaboration, dating back to 2011. When we partnered for our first collection together, they worked diligently to interpret the work… Read on

We often speak of collaboration and of creating a community of artists to share ideas. This philosophy is central to our artisan-based way of making. And when we stock our stores online and at The Factory, we offer a carefully curated selection of items that complement our own—always made by other artisans who follow a… Read on

In 1984, author Cara Greenberg wrote a book on home and furniture design from the 1950s, coining the phrase “mid-century modern” —which she also used it as the title, Mid-Century Modern: Furniture of the 1950s. I recently unearthed this long-lost beauty of a book while reorganizing our studio library. Mid-Century Modern exemplifies the pinnacle of… Read on

While we are known for our elaborate hand-sewn, hand-embellished garments, collaboration has long been an integral part of our philosophy. My cousin’s family owns MTM Recognition in Princeton, Illinois, where they make an array of hand-made jewelry pieces produced by skilled craftsmen. When the opportunity to create jewelry together came up, the idea of capturing… Read on

As part of her first job in the fashion industry, Natalie spent a good bit of time in sample rooms—some of them denim sample rooms where new styles of blue jeans were being made every day. She remembers that the sample sewers, who were primarily from Spanish-speaking households, always referred to the yellow/orange thread used… Read on

In October, when Martha Stewart American Made announced the winners of their 2015 American Made Awards, we were thrilled to see a familiar face among the 10 honorees—our sock making collaborator, Little River Sock Mill. The American Made awards were developed a few years ago as a way to spotlight and support creative entrepreneurs and… Read on

Back in 1985, Donna Karan struck a chord with women across the world by introducing the concept of “7 Easy Pieces”—her collection of garments around which a woman could build an entire wardrobe. She created a system of dressing where a few interchangeable garments, used in different combinations, would create a versatile closet of stylish… Read on

Longtime collaborator Rinne Allen is a skillful storyteller in that she sets the stage, creates a visual narrative, and allows you to see through her same lens – without being heavy-handed. It is her light touch that allows Rinne to present her subjects in the best, most straight-forward, and appropriate manner but allows those subjects,… Read on

I found I could say things with color and shapes that I couldn’t say any other way—things I had no words for. —Georgia O’Keeffe In geometry, a square is a regular quadrilateral; it has four equal sides and four equal 90-degree angles. A square is also technically a rhombus, a kite, a parallelogram, a quadrilateral, and… Read on

Ochre: a natural earth pigment containing hydrated iron oxide Vermeer used ochre extensively when painting flesh tones. Ochre is the color of harvest, of autumn wheat, and heavenly bodies. Gold Leaf: gold that has been hammered into thin sheets The golden bough, sought by Aeneas to protect himself as he journeyed into Hades. And here:… Read on

With our newest collection, we are introducing garment styles new to the Alabama Chanin wardrobe. Perhaps the most notable new addition is the Half Skirt. Similar to an apron, it wraps around the body and is secured with a waist tie. The intention of the Half Skirt is to add variety to your wardrobe with… Read on

This week, we are pleased to launch Alabama Chanin Collection #29—with never before seen garment styles and stencils. Natalie has been working for many years to grow a talented design team that understands our company mission and helps advance the design story we tell with each collection. The garments are presented in four main colors—Natural,… Read on

The Alabama Chanin Journal was unofficially launched back in 2006. In those early days, there was no editorial staff (or much staff at all). There was just Natalie and a couple of friends who pitched in here and there. The early blog posts had little in the way of structured format or consistent subject matter…. Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics—their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware,… Read on

I met Stella Ishii over a decade ago, as I was just beginning to define who I was as a designer. She was simultaneously likeable and intimidating—but intimidating only because of her impressive resume and effortless cool. She began her career in fashion not because she was fluent in design technique—but because she was fluent… Read on

This week, we take another look at the lives our clothes have led and the memories forever linked with them. For some reason, we associate memories with objects—or in this case, clothing. Every time I look inside, I think that my closet is, in a small way, some sort of prism through which I see… Read on

Indigo – electric, deep, light, or tropical Indigo can be bright, violet-blue, midnight blue. Electric indigo represents the sixth chakra—the Anja—that includes the third eye. It is the color of intuition and self-awareness. Today, the New Leaves stencil + layers of indigo of the Indigo Shell Top made me think of this: A creation of… Read on

According to Wikipedia, supply chain is defined as “a system of organizations, people, activities, information, and resources involved in moving a product or service from supplier to customer.” At Alabama Chanin we strive to responsibly produce quality, sustainable products—at every level of the supply chain. We believe that responsibility means transparency and understanding where each material comes from… Read on

Once our garments are born and leave the nest, they have rich lives. At least that is what we hope—what we believe. We work hard to design and construct pieces that will last for many years and become heirlooms, passed down from one generation to the next. For owners of Alabama Chanin garments, it’s common… Read on

Last July, we explored Alabama’s fashion design history and, in our studio conversations about that post, we started asking one another about other designers that have emerged from the South. Dana Buchman, Pat Kerr, Johnny Talbot, and Wes Gordon all hail from states neighboring our own. When searching my brain for designers from Mississippi, the… Read on

I’ve been toying with the idea of scale and pattern recently. This thought arose because of a presentation I gave in March on Ettore Sottsass and the Memphis Group. The talk was part of the monthly On Design Lecture Series that we host in our studio as staff development but is also open to our community… Read on

“I am a designer and I want to design things.”  – Ettore Sottsass When Alabama Chanin started our MAKESHIFT conversation nearly three years ago, inspiration came from several places and sources. The core idea was, and still is, that through the gathering of like-minded folks (writers, designers, thinkers, artisans, creators) we could elaborate on the… Read on

Love this shot of the Peasant Top from our last shoot with Rinne Allen. Be on the lookout for new additions to our current collection in the coming month…  

I originally wrote the post below for the Etsy Seller Handbook. It ran on September 14 of 2011—just before my lecture at Hello Etsy. I ran across these “truths” recently while writing this post on The Business of Fashion’s “How To Set Up A Fashion Business”  and still find them true today. xoNatalie From the Etsy… Read on

“Eventually everything connects – people, ideas, objects. The quality of the connections is the key to quality, per se.” – Charles Eames Our first official On Design conversation and event centered on the Bauhaus—founded in 1919 by architect Walter Gropius. This movement’s core objective was a radical concept: to reimagine the material world to reflect… Read on

Over the years, and despite the fact that public speaking doesn’t come to me naturally, I’ve lectured at conferences and universities across the country and around the world. Invariably, during the question and answer section at the end of each talk, someone raises their hand and says, “I want to have a collection. What should… Read on

“From a scientific point of view, it can be said he [Thoreau] documented for the first time how ecological succession works … The mechanism was animals and weather. Squirrels carry acorns so oak trees replace pine when the pines are cut down. And pine seeds blow over to replace the oak.” – Richard T. Forman I started… Read on

I’ve been thinking a lot about trends recently. Honestly, I’ve been thinking about them a lot—for a very long time. Quite some time ago, I read a plaque in a National Park about ecological succession that changed the way I looked at trends forever (more on this next Tuesday). You see, ecological (or biological) succession… Read on

Paul Rand is considered by many to be one of the most significant visual communicators and commercial artists in history. His first book, Thoughts on Design, is one that invigorated the design world and has become a seminal text for design students and professionals. Rand’s simple, straightforward approach to design eventually helped him create some… Read on

Our On Design conversation in December focused on the practice of stenciling—including examples of designs throughout history and various techniques used over time. Stenciling is at the core of our Alabama Chanin collections; currently it is the sole means by which we transfer decorative patterns onto our fabrics. We have explored DIY stenciling in our… Read on

I’ve never met Roderick Kiracofe, but, I’ve known about his quilt collection for a long time. I believe that I heard his name shortly after I returned to Alabama over a decade ago. In those early days, I was working with quilters to create the garments that would make up my first collections. My neighbors… Read on

Written by Ted Ownby and Becca Walton Situated at the intersection of necessity and creativity, southern fashion lets us ask questions about place and historical context, power, and identity. Every garment has a designer, maker, wearer, and viewer, and we can study all of them. We can tell local stories about designers and seamstresses, farmers… Read on

In 2005, photographer Leslie Williamson made a wish list of all the houses that she hoped to visit in her lifetime. The homes belonged mostly to her favorite architects and designers, who had offered her creative inspiration throughout her career as a photographer. She was curious to learn what inspired them in their home and… Read on

Eight years ago, and three months after Maggie was born, I stood in the wings on a stage in New York City, waiting to go on and tell the story of Alabama Chanin. I was nervous and jittery, waiting my turn while a woman named Jill Dumain talked about the sustainability work of the company… Read on

Indigo—a celebration of our natural dye house at The Factory in Florence. This collection includes updated classic styles, available in a range of shades from Light to Dark Indigo and Blue Grey. View our  permanent staples—available year-round—alongside a revolving selection of one-of-a-kind, limited-edition pieces we love. Check back regularly for more hand-dyed goodness.

Two years ago this week, we were picking organic Alabama cotton. Today, The New York Times – T Magazine shares that journey. Thank you (and a BIG hug) to Rinne Allen for taking this journey with us. From Rinne: “Two years ago, I found myself knee-deep in a field in rural Alabama, picking organic cotton… Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics – their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line… Read on

Last year, I was introduced to Inez Holden over a glass of dry white wine at a fundraising event in our community. Mrs. Holden’s story, told with humor and passion, reminded me that the fashion industry runs deep here in our community. Before Alabama Chanin and Billy Reid, there was Bubbles Ltd. As Alabama Chanin… Read on

We often speak about our home, our state, and our community that provides an incredible amount of inspiration for our work. We are not alone: friend and occasional collaborator, Billy Reid, also headquarters in the same community. It has been mentioned (and is remarkable) that Alabama has the third largest membership in the Council of… Read on

I have done a bit of traveling and it has been my lifelong habit to observe local fashion trends – what crosses regional boundaries or doesn’t, what I predict will be a passing fad, and what has become a mainstay. In the last couple of years, it has become evident that tweed is reappearing in… Read on

We love these every-day, stylish canvas bags from the Brooklyn, New York and Athens, Georgia-based, sister-owned textile company Hable Construction. Perfect for carrying anything and everything – take your Hable tote bag to the office, gym, airport, or even to the grocery store.  

Sass Brown’s ReFashioned: Cutting Edge Clothing From Upcycled Materials, is the second in a series focusing on the eco-fashion movement. Previously, in Eco Fashion, she examined designers and labels (including Alabama Chanin) practicing sustainability in the fashion industry.  In ReFashioned, she features 46 international designers who create using recycled and upcycled textiles. The result is… Read on

In the book Eco Fashion, our friend Sass Brown celebrates and examines designers and labels practicing sustainability in the fashion industry, including Alabama Chanin (you might have recognized our hand-sewn garment featured on the cover). Sass offers several definitions for eco fashion—from slow design and traditional techniques to recycled, reused, and redesigned methods—and explores ecological… Read on

Heath Ceramics is celebrating 10 years of design by showcasing interpretations of time in the form of one-of-a-kind clocks designed by friends and collaborators. I was honored to design and contribute two clocks, featuring Alabama Chanin’s etched Camellia pattern. It’s really common in my family to hang plates on the wall, and I was inspired… Read on

Thank you to Eric Wilson and the New York Times for their unwavering support these last years. And for this report on Green Fashion. We are deeply honored. xoNatalie and all of us @ Alabama Chanin

Our continued practice of responsible and sustainable design and production will grow even more now, thanks to the CFDA/Lexus Eco-Fashion Challenge. I am honored to be this year’s recipient of the grand prize of $75,000. With the award, Alabama Chanin will support our company growth, which includes our machine-made garments under the label A. Chanin,… Read on

In 1939, Eugene Von Bruenchenhein met a 19-year-old girl named Eveline Kalke, whom he nicknamed “Marie,” at a state fair in Wisconsin. The two married in 1943, and settled into their daily lives in Milwaukee where Eugene worked as a baker. Unlike most bakers, Eugene spent his free time composing poems on the subjects of… Read on

Here is a bit of information that may surprise you: not all cotton is white cotton. If you are like me, you may not have always known that natural cotton comes in plenty of hues. In fact, there were originally shades of cotton that ranged from many tones of brown, to dark green, to brown,… Read on

The practice of numbering houses supposedly began in Paris in the 1500’s. Having a house number is something we don’t give a second thought to these days, but they have not always been used and they certainly have not always been popular. Some countries have numbered zones, requirements for the number of digits, double sets… Read on

Poster by our friend Amos Kennedy.

As this posts to our Journal this morning, part of our Alabama Chanin team will be in the air and on their way home from MAKESHIFT 2013. We hope that you have followed our explorations and conversations during New York Design Week via Instagram and have had conversations of your own.  Leaving MAKESHIFT this year,… Read on

There may be no more relevant time than now to talk about Slow Design, specifically Slow Fashion, as the body count in a collapsed garment factory in Dhaka, Bangladesh – a factory that churned out Fast Fashion for American consumers – surpasses 900. As we prepare to travel to New York for MAKESHIFT 2013 to discuss… Read on

We’ve loved every plate, bowl and serving dish from our collaboration with Heath Ceramics that has come through the studio. But it’s this newest addition, the Camellia pattern, that is easily my favorite, and the most elegant. Each piece is hand-etched by a Heath Ceramics artisan and comes in Opaque White. The design is offered… Read on

Last January, we had several conversations in our studio about punks and pirates spurred by Richard McCarthy’s analogy about pirates and “big food.” Just last week, the conversation continued in our studio about how the underground punk movement changed the way music was produced and delivered to the listening public. (More on this coming in… Read on

As readers of our journal, many of you have read about our attempts to grow organic cotton here in Alabama. While researching the process and details of what it means to grow organic cotton, we discovered, to our surprise, that only a small amount of the world’s organic cotton is grown in the United States…. Read on

It’s been a busy past few months for Alabama Chanin. Shortly after our cotton picking party and field day came our biggest Black Friday sale, then the holidays, our Garage Sale, Craftsy launch, travels to Los Angeles, the Texas Playboys visit to Florence, and much more in between. All the while, we’ve been making headway… Read on

In 2005, I was inducted into The Council of Fashion Designers of America.  Long before that time (and during my days as a stylist in Europe), I didn’t really know what the CFDA was (or did). However, the organization was founded in 1962 by Eleanor Lambert as a not-for-profit trade organization to support American womenswear,… Read on

It’s no secret that there seems to be a disconnect between the worlds of fashion and craft. The terms, themselves, can be a bit polarizing despite their incredible commonality. Alabama Chanin is no stranger to straddling that line between the two; to us, craft and fashion definitely go hand-in-hand. On a recent weekend, I spent… Read on

In a world of mass-production and over-harvested resources, I find it a delight and a luxury to come across a responsibly crafted product, especially around the holiday season.  Unsurprisingly, living, producing, and creating sustainably has become a skillful artistry, and sustainable craftsmanship and process is quickly on its way to being the ultimate in luxury… Read on

While part of our Alabama Chanin crew is working in New York, our cotton continues to grow in Trinity, Alabama.

Sent: Tuesday, September 04, 2012 6:58 AM Subject: It will be alright Soggy, sopping wet Cocker Spaniels. That is what the cotton looks like right now. It is droopy and matted and dirty with rainwater and splashed mud from the storms we had.  When I was a little girl my dearest friend was a Cocker… Read on

Sent: Monday, September 03, 2012 6:47 AM Subject: Dayum (Georgia word for Damn) Rain The rain and storms yesterday evening continued to send rain until this morning.  About 5:00 am the rain was coming in waves and it sounded like the ocean.  It is odd to me that Mother Nature that gives us so much… Read on

Sent: Thursday, August 30, 2012 11:04 AM Subject: Our first cotton angel Hi Everyone, I was at the cotton field this morning when a car pulled up and a tiny young lady got out and put on her work gloves and went to work!!  She is still there working!!!  I sent a photo from my… Read on

If you’ve been following our blog, you’ve read about the rollercoaster that has been our first exposure to cotton farming. Having survived the terrible drought, the cotton has been carried through the summer by equal parts rainfall and sunshine. Right now, the bolls are looking healthy, but so are the weeds. Following the organic guidelines, we did… Read on

“Sustainability is the forerunner of greater diversity and choice, not less.” – Paul Hawken In the book Fashion & Sustainability: Design for Change, our friends Kate Fletcher and Lynda Grose tackle the issue of sustainability in the fashion world. Within its pages you will discover practices that have the potential to transform the fashion system… Read on

It is going to take me weeks to express the joy, inspiration, and love I found at the Southern Foodways Alliance Symposium.  (And it will take a lot longer to lose all the weight I found. Strange what a side of pork and a case of beer can do to the body… just kidding –… Read on

Where did the last two weeks go?  Read my bi-weekly post @EcoSalon on the importance of being wobbly. And thank you to my friend George for the gift of a simple garden gnome – so many, many years ago. Perhaps I will watch Amelie tonight! There’s No Place Like Gnome I planted my fall garden… Read on

In 2006, Leslie Hoffman of Earth Pledge asked me to write a short paper for inclusion in their Future Fashion White Papers.   I recently came across the volume while browsing my library and the essay stirred up so many memories from that time.  As the last of my tomatoes drop to the ground, I wanted… Read on

The newest issue of KYUR8_Webzine, created and curated by my friend RUDJ, launches today. Guest Editor: Natalie Chanin Have a look and spread the word: KYUR8_Webzine

This is my first installment of a new bi-weekly fashion column for EcoSalon. Material Witness will offers my perspective on the fashion industry, textile history and what happens when love for community trumps all. From EcoSalon – August 12, 2011 ONE WOMAN’S TESTAMENT TO THREAD AND NEEDLE As a designer and entrepreneur in the fashion… Read on

For a decade, my work at Alabama Chanin has been made possible by our artisans.  Without them and our amazing staff, there would be no Alabama Chanin. Many of the artisans working with us today are the very same women who sewed those first deconstructed t-shirts.  I want to express my deep gratitude.  Wielding needle… Read on

Many of my regular readers know a bit about my history… but to sum it up for those of you that are new: In the year 1999, I took (what I thought to be) a four month sabbatical from my life and loves in Vienna, Austria. Beginning on an island off the northern coast of… Read on

Thanks to Thom Driver for sending over this beautiful image – a lovely way to start the week. Ian Hundley’s work reminds me of The Map as Art. I resolve to  follow more unknown roads in the next year…

Shot by Lisa Eisner, June 2010, Florence, Alabama

This year marks a decade on my journey to Alabama Chanin. Looking at where we started, where we have been and where we are headed has been an amazing and beautiful process. What a time of laughter, tears, exploration, and, well, growing up. To celebrate our growing up, we will be launching several exciting collaborations… Read on

Beautiful catalog by the folks at Pentagram. Why Design Now? by Ellen Lupton

We have been getting many emails and questions about a post that appeared this week on Ecouterre.com entitled “Does the Art of Craft and Handmade Matter in Fashion?” My answers seemed to spur yet more questions… and a few angry emails. After mulling over these questions, I have to think about Gina and Linton Hopkins… Read on

The Cooper Hewitt National Design Museum has announced their upcoming National Design Triennial series for spring 2010. “Why Design Now?” will be on view from May 14 through January 9, 2011, and will explore the work of designers addressing human and environmental problems across many fields of design from architecture and product design to fashion,… Read on

A photo from Li Edelkoort’s exhibition last year titled: Archeology of the Future A table from Studio Jo Meesters in collaboration with Marije van der Park sits before one of our Textile Stories Quilts – a project included in our new book Alabama Studio Style. *Photo courtesy of Li Edelkoort

After lofty plans to post each day about the last decade – and the next, my computer slipped from my hands last Tuesday morning and crashed (literally) to the floor and shattered. Later that afternoon, my Blackberry decided to follow suit.  My deduction was that it was time to take a much needed sabbatical from all… Read on

Thank you to everyone at Vogue, the CFDA, Norman Jean Roy, Karlie Kloss, Tabitha Simmons, Florence Kane and all of our Alabama Team for this beautiful photo of the Alabama Nomad.  

Back in the studio after what seems months & happy to get back to the business of making beautiful things… Here is my favorite shot from Spring/Summer 2010. I feel like I can breathe this blue.   We will be working on the web catalog and hope to have something to share by next week. Read: Blue:… Read on

This beautiful story from The New York Times today:  Femininity, Salvaged Lillian Bassman: Women Anais Nin – The Delta of Venus

Another article I had saved on my computer and was reminded of recently… A call to arms from Suzy Menkes: Suzy Menkes’s Opening Speech at the IHT Luxury Conference in New Delhi March 2009A Bravo!  

As we know, the fashion industry (along with many others) has spiraled out of control.  I have recently spoken with many colleagues and it is my belief that this is the time to work hard(er) to make it better – rather than to sit and wait for something to happen.  I saved this article from… Read on

Everyone is raving about Bradley Quinn’s new book Textile Designers at the Cutting Edge. And THANK YOU to Bradley for including our work at Alabama Chanin.

I found this very straight forward and informative post while jumping around this morning. The site boasts many other interesting tidbits too: Green Fashion Glossary  

I am very excited to be included in this seminar and looking forward to visiting Stavanger and seeing The World of Folk exhibition: International Design Seminar – Folk Futures With: Li Edelkoort, Tord Boontje, Natalie Chanin, Dick van Hoff, Hella Jongerius, Peter Marigold, Mike Meiré, Fernando & Humberto Campana. As part of this summer’s A… Read on

Occasionally in our lives, a person comes along who changes the course of our destiny and makes us a better person, simply by having touched our lives. One such person in my life was a teacher who believed in me before I knew that one could believe. I came to his studio as a naive,… Read on

There have been some questions recently about why I want the world to know that “I AM NO LONGER PART OF PROJECT ALABAMA.” While there is a long and delicate history behind this statement, the crux of the situation is this: Project Alabama started one day in the year 2000 as I hand-sewed a t-shirt… Read on

As I recently learned at the Textiles Futures Salon2, there is still a long way to go to understand the materials that we use and consume. We have been using organic cotton for the last year and plan to make the switch to 100% Organic by the spring of next year. And although this is… Read on