Swatch of the Month Inspiration: Beads + Sequins; June’s Swatch of the Month featuring Transitional Embroidery; “Shade Card” from Journeys in Natural Dyeing: Techniques for Creating Color at Home by Kristine Vejar and Adrienne Rodriguez (pages 182–183); “Oaks galls used to naturally dye June’s Swatch of the Month Embroidery Floss at the Verb Studio in… Read on

We’ve had a fun (and colorful) month exploring natural dyes with Kristine Vejar through a series of projects from her book, The Modern Natural Dyer. Here’s a quick recap from our Journal, before we close out the month (which Kristine has tagged as #alabamachaninapril on Instagram) with a final project. – You can learn more… Read on

One of my favorite parts of design school back in the 1980s was the hand-dyeing class I took in the fall of my third year.  For me, it was a perfect combination of science and creativity that, to this day, I believe fostered some of my best work.  A few years later, after I graduated… Read on

The process of starting our own dye house began with an exploration into the materials and methods that involve the chemistry of dyeing. That exploration began with indigo. In its natural form, indigo is a tropical, leafy shrub and a member of the legume family, and a version of the plant is native to our… Read on

About four years ago (to my dismay), Diane Hall, our head seamstress and studio directress, turned in her five-year notice. However, as her retirement grows closer, it has become evident to all of us at the studio that we will continue to see her around The Factory after her “official” retirement. Diane has developed a… Read on

Sustainable. Natural. Organic. These are all words that are integral to the Alabama Chanin identity. Our core values compel us to take a holistic approach to our design methods, looking at every aspect, quality, material or person that may play a part in our production process. This way of thinking led us toward using natural… Read on

Alabama Chanin x Botanical Colors A limited-edition collection of core Alabama Chanin designs, naturally dyed in collaboration with Botanical Colors. Each soft pink garment is hand-dyed with madder root and other natural resources to achieve the signature tone found throughout the assortment, beautifully unique to each garment. Like all of our garments, the Alabama Chanin… Read on

We have a long history of loving and working with indigo at The School of Making and Alabama Chanin. We’ve used it in previous collections, worked with and learned from Artisan Natural Dyeworks in Nashville, and even had a special indigo-focused exhibition at Heath Ceramics showcasing upcycled antique quilts and one-of-a-kind indigo garments. For the… Read on

Here is a bit of information that may surprise you: not all cotton is white cotton. If you are like me, you may not have always known that natural cotton comes in plenty of hues. In fact, there were originally shades of cotton that ranged from many tones of brown, to dark green, to brown,… Read on

Swatch of the Month Inspiration featuring Journeys in Natural Dyeing: Techniques for Creating Color at Home; Kristine Vejar: Alabama Studio Sewing Patterns from the Alabama Chanin Journal Archives; June Swatch of the Month Exclusive: Naturally Dyed Embroidery Floss; “Shearing day at Sally Fox’s farm from A Verb for Keeping Warm Blog; The Slim Scarf Kit;… Read on

June’s Swatch of the Month explores a new way to showcase embroidery techniques through an application we call ‘Transitional Embroidery.’ Our three new kits—The Cropped Car Jacket, The Slim Scarf Kit, and The Scarf Kit—inspired us to experiment with this application. Transitional Embroidery is a combination of embroidery techniques applied to a fabric. As we… Read on

In 2017, we featured Kathy Hattori of Botanical Colors in our Indigo Stories series on The Journal (among many other movers and shakers in the natural dye world). For our new readers, we revisit her background, her work with Alabama Chanin, and share the mission of Botanical Colors—with who we’ve recently collaborated on for our capsule collection of… Read on

The School of Making offers a wide range of sewing patterns—both in The School of Making Book Series and as standalone patterns—to fit many different body types and lifestyles. In the past, we’ve also adapted sewing patterns from other designers using our techniques and materials, with beautiful results. Some of our favorites from the past are… Read on

Scott Peacock, native of Hartford, Alabama, was in his late twenties when he met the legendary, late Edna L ewis, considered to be the “Grand Dame” of Southern cuisine. At the time, Scott was chef for the governor of Georgia, and he and Miss Lewis were assigned to cook together for a fundraiser—though neither of… Read on

As part of an ongoing exploration into indigo and other natural dyes, we are spotlighting artists we consider to be experts in the field—including Scott Peacock, Donna Hardy, and today, Kathy Hattori. Kathy is one of the founders of Botanical Colors, a well-respected source of materials, support, and educational offerings for those seeking to employ… Read on

We have, over the years, done quite a bit of experimenting with natural dyes, and we try to integrate naturally dyed fabrics into our collections of low-impact dyed yardage whenever possible. We have also been lucky enough to benefit from the wisdom of many natural dye experts. Picking up from a conversation we had last… Read on

We continue our month-long exploration into natural dyeing with Kristine Vejar, author of The Modern Natural Dyer. Last week we created a Maggie Tunic project from fabric that was printed with flowers, and this week we highlight another project in The Modern Natural Dyer: the Iron Age Tank and Gilded Cardigan. Kristine chose to over… Read on

“If the day and the night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal — that is your success.” – Henry David Thoreau Recently, longtime friend and collaborator Kristine Vejar created fabric for us using a technique from… Read on

Several years ago, Alabama Chanin hosted our first Weekend Away Workshop in Taos, New Mexico. Around that time, I had recently visited Taos with a friend and when I returned home I found myself thinking about it constantly. I knew I wanted to share that same feeling I had there with others. I dreamt of… Read on

Last fall, as an extension of our Makeshift initiative, we began a new series of events and conversations called On Design. The series explores art, design, makers, relationships, and the elevation of craft. Our conversation in January explored William Morris and the Arts and Crafts Movement. Here are some of Natalie’s thoughts from the presentation…. Read on

With 2014 coming to a close and a brand new year upon us, it is time to reflect on all we’ve accomplished—slow in design, but rapid in growth—during the past year. But first and foremost, we want to thank each and every single one of our supporters, friends, collaborators, partners, and everyone who has made… Read on

Indigo—a celebration of our natural dye house at The Factory in Florence. This collection includes updated classic styles, available in a range of shades from Light to Dark Indigo and Blue Grey. View our  permanent staples—available year-round—alongside a revolving selection of one-of-a-kind, limited-edition pieces we love. Check back regularly for more hand-dyed goodness.

Based on feedback that we have received from some of our DIY customers, we are now offering supplementary instructions in each of our DIY Kits. Each kit will be shipped with an insert that includes basic instructions, including how to “love your thread,” directions on completing basic stitches, simple construction tips, and how to add… Read on

We’ve written before about the importance of color – from a cultural standpoint and a design perspective. At Alabama Chanin, we tend to embrace more muted tones for our design color palette. Muted colors have a reduced intensity, so any saturated color stands out in comparison.  We are drawn toward natural tones and some of… Read on

We learn our first real poem around the age of 2 — the ABC Song. Soon, we graduate to nursery rhymes, then rhymes for jumping rope. By the time we reach junior high and high school  we’re reading Epic Poems, like The Odyssey, and reciting Shakespeare in Iambic Pentameter—well sometimes. Songs can be poems set to… Read on

As this posts to our Journal this morning, part of our Alabama Chanin team will be in the air and on their way home from MAKESHIFT 2013. We hope that you have followed our explorations and conversations during New York Design Week via Instagram and have had conversations of your own.  Leaving MAKESHIFT this year,… Read on

Monday, we wrote about artist Tilleke Schwarz’s New Potatoes as inspiration for the week. However, Tilleke’s textiles have been a source for inspiration for me for years. When New Potatoes landed on my desk about a year ago, we started the skirt you see above as homage to Tilleke and her work. We have produced narrative work… Read on

We have been working with indigo-dyed cotton jersey for years now. Between Father Andrew and Goods of Conscience in New York City and Artisan Natural Dyeworks in Nashville, Tennessee, there has never been a need for us to start our own indigo vat. And in the quantities we dye, it’s better to leave it to… Read on

My first sewing project was a “picture” of a flower that I made when I was about seven. I chose green and purple ribbon for the stem and petals, respectively, and a white button for the bloom’s center, which I attached to a square of quilted light blue Swiss dot fabric – aka the sky… Read on

This week our Alabama Chanin fitted dress was included (ON SALE!) for the Chris Brown curated Made Collection titled “EXPLORE  AMERICA.” If you aren’t yet familiar with the Made collection, it is worth the time to create an account and browse their site.  The company, started by Dave Schiff, Scott Prindle, and John Kieselhorst is a self-titled… Read on

In January, we began a conversation about the intersection of Fashion, Craft, and DIY. That dialogue started with our friends at Vena Cava and progressed to our Makeshift events, and continues with adapting patterns from designers like Anna Sui and Donna Karan (one of my personal favorites that I wear often). This week we extend the conversation with… Read on

As the first week at Penland progressed to week two, the piles of books on our studio meeting table (and the individual studio tables) have grown substantially. We have spoken of so many things and explored SO many ideas.  Here are a few of the volumes that have made their way into our conversations:

2021 marks the tenth year of our annual review, looking back on the highlights, and accomplishments, of the past year.   We are grateful for the opportunity to do what we love for another year—being stewards of sustainability, sharing inspiration, creating designs and experiences with our family, friends, colleagues, and guests. We recognize that many of… Read on

Swatch of the Month Inspiration featuring Fabric Swatch in New Leaves White/Sand; Fabric Swatches in Abstract Concrete with Metallics and Tonal Paint; View of a display in Mary’s Weave Shed highlighting “Process in Work” by Natalie Chanin and Rachel K. Garceau. Photo: Rinne Allen; Loom in Mary’s Weave Shed highlighting “Process in Work” by Natalie… Read on

Swatch of the Month inspiration featuring August’s Swatch of the Month; Plain Cake Yarn by Madelinetosh; Dyeing yarn in Madelinetosh dye studio; Plain Cake from The Factory Café; The Wrap Top Kit in Black; Madelinetosh Yarn. We first met Laura Zander (now CEO of Madelinetosh) at one of our sewing workshops hosted at The Factory in… Read on

Swatch of the Month Inspiration featuring: “Alternating Stitches, Alternating Double Chevron, Damask Stitch” from The Geometry of Hand-Sewing by Natalie Chanin (pages 128–129); August’s Swatch of the Month; “Fern Light Drawing” by Rinne Allen; Fabric detail of The Wrap Top Kit in Sand; Gold-Handled Embroidery Scissors; “Assorted yarns and fibers from Judith MacKenzie” by Rinne… Read on

“Deciding to give myself permission to wander — without a set outcome, destination, or expectation — has been a turning point in my creative process and in my role as a mother of young children. It is now a vital part of my seasonal rhythm.”  – Rinne Allen for The Bitter Southerner  Rinne Allen is a… Read on

“For the artisan, craft is an end in itself. For you, the artist, craft is the vehicle for expressing your vision. Craft is the visible edge of art.” — David Paul Bayles  At Alabama Chanin, we have enlisted the craftsmanship of skilled artisans for two decades. These artisans, who are independent contractors, craft our heirloom-quality Collection garments utilizing hand-sewing skills. As we celebrate Natalie’s… Read on

Each moment is just what it is. It might be the only moment of our life; it might be the only strawberry we’ll ever eat. – Pema Chödrön  June brings the Summer Solstice on June 20th, and its full moon, the Strawberry Moon on June 24th—honoring the berry synonymous with summer.  That summertime staple, the strawberry,… Read on

Left: “Plate 110. Wall hanging, Jacquard weaving”, 1925; right: “Plate 111. Wall hanging, three-ply weave”, 1926 by Anni Albers from Anni Albers: On Weaving (New Expanded Edition) by Anni Albers with afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T’ai Smith. “Most of our lives we live closed up in ourselves, with… Read on

Left: “Untitled”; Right: “Buds”, 1959 by Agnes Martin. From Agnes Martin, 2015 edited by Frances Morris and Tiffany Bell (pages 50–51).  “Beauty is the mystery of life. It is not in the eye, it is in the mind.” — Agnes Martin As we usher in June, we’re happy to celebrate Pride Month and the LGBTQIA+ community. This week… Read on

“All in all, it was a never-to-be-forgotten summer… one of those summers which, in a fortunate combination of delightful weather, delightful friends, and delightful doing, come as near perfection as anything can come in this world.” — from Anne’s House of Dreams by Lucy Maud Montgomery  As the world starts to awaken, this summer is a time for… Read on

Reissued from our design archives, the Fernando Skirt features a hand-sewn patchwork design—a callback to Natalie’s iconic first collection, which was crafted from upcycled t-shirts using quilting techniques learned from her mother and grandmother. Shop the Fernando Skirt. Shop The Waffle Sweatshirt:Limited-edition, Naturally Dyed MORE TO LOVE

From top left: May Swatch of the Month variation with Black backing layer and appliqué; Gold-Handled Embroidery Scissors; Alabama Chanin Archives Fall/Winter 2010 Collection; Brown Bugle Beads; Studio Bundle #2; Fabric Swatch in Abstract Forest/Forest with Brown Variegated Embroidery Floss Natalie writes of her return home in 2000, “Although I had been gone from Alabama… Read on

From top left: January’s Swatch of the Month Magdalena Black/Faded colorway; Fabric Detail of Black 100% organic medium-weight cotton jersey stenciled in Magdalena; Lightweight Jersey Car Coat Kit; Black Bugle Beads; The Faded Stripe Pencil Skirt Kit; The Swing Skirt Pattern in Bloomers Black/Faded Colorway  What I love about watercolor is that a lot of happy accidents occur. – Jane Seymour  January’s Swatch of the Month features our faded organic cotton… Read on

“It’s actually a very liberating thing to have a creative community, which is something that we all kind of desperately search for and find in the ways that we can.” – Kae Tempest  The Factory Store will reopen for the holiday season on November 24th, and we’ll be hosting a series of special events at… Read on

It is hard for me to believe that 2020 will mark 20 years of Alabama Chanin and 20 years of defining sustainability. The School of Making programming began 12 years ago with the launch of  Alabama Stitch Book, although we didn’t know or plan how the publication of that book would change the course of our business. … Read on

In 2008, at the launch of Alabama Stitch Book and before The School of Making was established, we began receiving questions about where to purchase organic materials and sewing supplies like the ones were using at Alabama Chanin. As some of the items were difficult to source, we began offering a small selection of our… Read on

“Demand quality, not just in the products you buy, but in the life of the person who made it.” – Orsola de Castro, co-founder of Fashion Revolution Loss of life and destruction of natural resources have been the tolls paid by society for its reckless and exorbitant consumerism. “Fast fashion” and its lack of consideration… Read on

With a continually evolving supply chain and our mission to be as resourceful as possible, we have a few updates to announce. The School of Making is introducing new colors of Embroidery Floss. Our colors are now available in a rotating selection—some all-time favorite colors will stay, some other colors will come-and-go with the seasons…. Read on

Part of our newest Collection includes our first garments made from organic chambray fabric, courtesy of organic cotton pioneer Sally Fox. Sally was an invaluable resource for Alabama Chanin + Billy Reid as we tackled our challenging experiment in growing organic cotton in Alabama. She has worked for decades experimenting with colored cotton and researching… Read on

Hello new Alabama Chanin Collection: new colors, new garment styles, new stencils and patterns, and—for the first time—a new organic chambray fabric. As always, we have styled our designs that these pieces work seamlessly alongside our classic silhouettes and new Core Essentials. Black Walnut, Vetiver, and Tea Dye complement our current color scheme and can… Read on

Design Bundle #2 launched this morning and included the return of one of our favorite specialty fabrics—Faded Polka Dot. This fabric is created by our stenciling team in-house using 100% Organic Medium-weight Cotton Jersey in Natural and the Small Polka Dot stencil. Faded fabric made its first appearance at Alabama Chanin in our Fall/Winter 2008… Read on

There is a lot you can say about Scott Peacock: James Beard Award-winning chef, engaging storyteller, companion to Edna Lewis, budding farmer, writer/filmmaker, experimenter with indigo—yes, you got that right, indigo. Several weekends ago, my daughter Maggie and I took a road trip to meet Scott at his home in Marion, Alabama. We were joined… Read on

Last week, we launched our Limited-Edition Printed Cotton Jersey through The School of Making to an overwhelmingly positive response. The fabric is our 100% organic medium-weight cotton jersey in Natural, printed by Spoonflower in our favorite shade of grey using natural inks and dyes. Read more about the collaboration here. This printed fabric offers a… Read on

Anyone who is familiar with our company knows that Alabama Chanin is built on the beliefs of collaboration and the open exchange of information. Our connections and relationships with fellow designers, makers, customers, and suppliers run deep, and we appreciate every opportunity to learn from, be inspired by, and to teach and work with others…. Read on

Stenciling has a deep history that reaches across millennia, but also within Alabama Chanin. It is the basis for our lean-method manufacturing and also within part of The School of Making. We’ve got a library of 600+ stencil designs and the Stars stencil is #340. Stars was originally inspired by the costumes in found in… Read on

We often speak of collaboration and of creating a community of artists to share ideas. This philosophy is central to our artisan-based way of making. And when we stock our stores online and at The Factory, we offer a carefully curated selection of items that complement our own—always made by other artisans who follow a… Read on

Looking back on 2015, it’s clear that this was the year of collaboration for Alabama Chanin. We expanded upon work that we have been creating with others for many years, added major new initiatives with new partners, and built upon our partnerships across all parts of our business. Partnership has always meant growth for Alabama… Read on

Our first collaboration with Heath Ceramics, launched in 2011, has built a lasting, creatively symbiotic relationship. That joint development was a beautifully intensive design process that blended our techniques with theirs. Our Heath + Alabama Chanin line of dinnerware is made by hand, just like our Alabama Chanin handmade Collection. The artisans at Heath etch… Read on

It’s no secret that we at Alabama Chanin have long been admirers of Heath Ceramics—their work, their approach to responsible manufacturing, and their embrace of beautiful, sustainable design sets them apart from so many companies today. We have also been honored (and excited) to collaborate with them on several projects, including a line of dinnerware,… Read on

According to Wikipedia, supply chain is defined as “a system of organizations, people, activities, information, and resources involved in moving a product or service from supplier to customer.” At Alabama Chanin we strive to responsibly produce quality, sustainable products—at every level of the supply chain. We believe that responsibility means transparency and understanding where each material comes from… Read on

With the arrival of April (and the announcement of our partnership with Nest), it feels as though we are finally settling into the year. April’s warmer weather is also welcomed with open arms (and horseback rides). April is a busy month. April is National Poetry Month. Poetry lovers can begin a project using our Poetry… Read on

At almost any workplace, you can hear employees talk about their co-workers with a closeness and familiarity; after years of working alongside one another, your officemates can (in some cases) begin to feel like family. In the past, that has actually been the case here at Alabama Chanin. Studio and dye house directress Diane Hall… Read on

Our On Design conversation in December focused on the practice of stenciling—including examples of designs throughout history and various techniques used over time. Stenciling is at the core of our Alabama Chanin collections; currently it is the sole means by which we transfer decorative patterns onto our fabrics. We have explored DIY stenciling in our… Read on

At Alabama Chanin, we frequently speak about the concepts of Slow Design and sustainability. We attempt to create a healthy environment so that we can create healthy products. Part of being sustainable means we take great care in the materials that we source to create our products; it also means that the processes we use… Read on

Over the last several years, The Factory has expanded in leaps and bounds and the Alabama Chanin team has grown to keep in-step. Working in a creative industry, it takes a while to find the perfect mix; some people must be true creatives, while other jobs require a tactical mind. It is special when you… Read on

One of the great joys of my job is the fact that we sometimes get to review books for other authors. Sometimes we order the books from a catalog of new titles and sometimes, the books just arrive like magic in the mail. This was the case last year, when we received a book called… Read on

I have done a bit of traveling and it has been my lifelong habit to observe local fashion trends – what crosses regional boundaries or doesn’t, what I predict will be a passing fad, and what has become a mainstay. In the last couple of years, it has become evident that tweed is reappearing in… Read on

I’ve been thinking about painting my back porch and deck white since it was built last summer. After all, we spend about fifty percent of our time out there. I’ve long disliked the toxicity of commercial paints on the market. Most common indoor and outdoor household paints contain volatile organic compounds (VOCs). VOCs contain a… Read on

The music industry as we once knew it has been forced to evolve rapidly in recent years, as technology has grown faster than established business models. Major record labels struggle to maintain control of the radio waves, music sales, artist development, and our ears; meanwhile, established artists like Radiohead and Beck have embraced the Internet,… Read on

Cows were born to roam and graze. Hogs were born to root and wallow. Chickens were born to scratch and peck. According to Will Harris and White Oak Pastures, these are the natural behaviors of animals, making them commonsense tenets of how to raise healthy livestock. “Nature abhors a monoculture,” is one of Will’s favorite… Read on

There may be no more relevant time than now to talk about Slow Design, specifically Slow Fashion, as the body count in a collapsed garment factory in Dhaka, Bangladesh – a factory that churned out Fast Fashion for American consumers – surpasses 900. As we prepare to travel to New York for MAKESHIFT 2013 to discuss… Read on

As readers of our journal, many of you have read about our attempts to grow organic cotton here in Alabama. While researching the process and details of what it means to grow organic cotton, we discovered, to our surprise, that only a small amount of the world’s organic cotton is grown in the United States…. Read on

As Alabama Chanin has grown, part of the beauty of this growth has been my ability to watch our employees and families spread their wings, grow, and find their voices. A few months back, June started to use her voice to tell our stories through her own experiences. Today, Sara Martin makes that same leap and stretches… Read on